Allegory Of The Cave Essay

“Choosing a Map for Life,” by M. Scott Peck, “The Allegory of the Cave,” by Plato, “The Truman Show” and “Salvation” by Langston Hughes describe the views and perspective of the reality in our world. We have to get out, discover the world around and revise it. By setting up a map or goal and revising it in the world, will make us to control our perceptions and draw close to the reality.

In the Allegory of the Cave there are chained prisoners in cave who can only stare at the cave wall in front of them. At the back there is a long entrance with a staircase the width of the cave and a fire burning in the distance. They see only shadows projected in front of them from a raised platform and hear an echo that they attribute to what they observe. They talk about and name the shadows of objects they see before them. To them the truth are the shadows. Then one day one of the prisoners is released. He is told that what he saw before was an illusion. Once he is outside it takes a while for his eyes to adjust to the sun. First he observed the shadows of thing then their reflection and finally the actual object. Remembering his previous state he goes back to the cave and tries to explain that everything is an illusion but they laugh at him and think he’s crazy. They believe it best not to ascend and they choose to remain as they are. The cave represented opinion. The shadows that are cast on to the wall represented physical objects. The prisoners represented the common people (Welles).

Plato's Allegory of the Cave is also termed as the Analogy of the Cave, Plato's Cave, or the Parable of the Cave. It was used by the Greek philosopher Plato in his work The Republic to illustrate "our nature in its education and want of education". It comprises of a fictional dialogue between Plato's teacher Socrates and Plato's brother Glaucon. Socrates gives a description of a group of people who spent their lifetime facing a blank wall chained to the wall of a cave. These people saw and tried to assign forms of the shadows projected on the wall by things passing in front of a fire behind them. These shadows as put by Socrates, are what the prisoners can view close to reality (Law 2003). He further compares a philosopher to the prisoner who is freed from the cave and comprehends that he can envision the true form of reality instead of the shadows which the prisoners saw in the cave and these shadows do not depict reality at all.

I had an experience that each represents the symbol towards the Allegory of the Cave. My childhood was mostly in Jamaica where I lived with my father for two to three years. I can relate to the symbols from the "Allegory of the Cave".

An allegory is a kind of story in which writer intends a second meaning to be read beneath the surface story. One of the most important allegories ever to be gifted to humankind is Allegory of the Cave. Plato’s Allegory of the Cave is one of the most potent and pregnant of allegories that describe human condition in both its fallen and risen states. The Allegory of the Cave is Plato's explanation of the education of the soul toward enlightenment. It is also known as the Analogy of the Cave, Plato's Cave, or the Parable of the Cave. It is written as a fictional dialogue between Plato's teacher Socrates and Plato's brother Glaucon at the beginning of Book VII of The Republic.

Has someone ever looked at you and immediately disregard you for you are just because of your ethnicity? Have you ever done it someone? Racism is a huge culture issue that we have not only in America, but in other parts of the world, but it does not matter the color of one’s. What really matters is the character they have withheld inside but are not given a chance to express because someone didn’t even bother to give them a chance. This is idea comes from the book written by Plato, “The Allegory of the Cave” where in the book Socrates speaks of man being in a dark cave all their lives not realizing the truth until once they reach the end of the cave to see that the light is the truth. The truth is the reality of life.

People seem to think that everything that happens to them everyday is real. The question is, though, “What is real?”. Is everything you see everyday really real or is it fake? We might see fantasies that other people or machines have created for us. Maybe we are the ones that are not enlightened yet. Numerous essays and films have been produced on this subject. One essay is “The Allegory of the Cave” written by Plato in 360 B.C. Also, the movie The Matrix was filmed in 1999. Even though many differences can be drawn between “The Allegory of the Cave” and The Matrix, there are many similarities as well.

The "Allegory of the Cave" by Plato represents an extended metaphor that is to contrast the way in which we perceive and believe in what is reality. The thesis behind his allegory is the basic opinion that all we perceive are imperfect "reflections" of the ultimate Forms, which subsequently represent truth and reality. In his story, Plato establishes a cave in which prisoners are chained down and forced to look upon the front wall of the cave. In "Allegory of the Cave" there there are two elements to the story; the fictional metaphor of the prisoners, and the philosophical opinion in that the allegory is supposed to represent, hence presenting us with the allegory itself.

In “The Allegory of the Cave”, the focus is based on prisoners who are chained up in a cave and can only see the shadows of the real world. In this story one prisoner is released into the “real world” and tries to enlighten the other prisoners. In The Matrix, the main character Neo is living in a world controlled by a computer program and he does not know. He is brought into the real world by people that have been enlightened and he plans to help the other people. Even though The Matrix and “The Allegory of the Cave are set in different points in time and show some different points of view , they also have comparable plots, characters, and symbols.

The era between 350 and 310 BC marked a dramatic change in the Western World from the first, classical Hellenic Age of the Greeks, to the second, Hellenistic Age of the Greek Civilization. This classical period was considered the height of Greek civilization and deemed “The Golden Age” of ancient Greece. The polis (Greek city-state) was the center of Greek political life for the majority of this period. The poleis were small, independent, and self-sufficient; however, too politically divided to survive the blow of the Peloponnesian war. In 338 BC, Greece was concurred by Macedonia and the polis had lost their independence. “The abiding devotion to the polis […] greatly diminished during the fourth century” (Perry 45). The mentality of Greek citizens changed because of their defeat; they were now an individualistic, rational and secular society. People were no longer viewing the law as “an expression of sacred traditions ordained by the gods” but now saw it as merely mortal, obedience to the law faded, leading to a weakened society (Perry 46). The pride and duty of the polis mentality dwindled and emotional and political ties to the city weakened. Subsequently, Alexander the Great’s conquests, in 330 BC, moved the Greek civilization beyond the polis, to the Near East. For the first time, Greeks had to define their existence as part of a much bigger, more complex and alienating world. The death of Alexander the Great in 323 BC marked the end of the Hellenic age and the

“Allegory of the Cave”, written by Plato, is story that contrasts the differences between what is real and what is perceived. He opens with Glaucon talking to Socrates. He has Glaucon imagine what it would be like to be chained down in a cave, not able to see anything other than what is in front of him. He tells a story of men that were trapped in a cave and were prisoners to the truth. These prisoners have only seen shadows. But because of their ignorance, these slaves to the cave believe that the shadows are real. The story goes on to say that one of the men has been dragged out of the cave. He is not happy to see the real world, yet upset because he is being taken

There exists a place in one’s mind that determines what is real, and what is not. One could argue this distant concept as being linked to the subconscious; others, such as Neil Gaiman, provide a template for existence on the other side. The children’s story Coraline reveals the truth of darkness and confusion in a supposed replicated dimension. The Allegory of the Cave is an essay written by philosopher Plato that explains the analogy of prisoners kept facing a wall in a cave to those who experience a perfectly formed enlightenment of the mind. Those who break free are unveiled into this bright and amazing world and are initially overwhelmed, for everything that they once thought to be is instantly proved to be wrong, or more to say, altered. The theory of forms, applied to this story, assumes the existence of some distant reality, with the perfect “forms”. This idea provides for all things in the real world that we physically and mentally live in. The forms are theoretically donated into the real world, but lose their perfection along the way, and instead inherit a base for numerous opinions: these are the objects that human’s perceive every day. The forms in Coraline are displayed, with all child appeal, as within a physical small door, leading to the “other side” of the flat. In the world, objects are beautiful and wondrous, but confusion of course sets in, as the new view is so astray from the normal source of opinions. The captured sense is new, and truly; horrific.

In his allegory of the cave, Plato describes a scenario in which chained-up prisoners in a cave understand the reality of their world by observing the shadows on a cave wall. Unable to turn around, what seems to be reality are but cast shadows of puppets meant to deceive the prisoners. In the allegory, a prisoner is released from his chains and allowed to leave the cave. On his way out, he sees the fire, he sees the puppets, and then he sees the sun. Blinded by the sunlight, he could only stare down to view the shadows cast onto the floor. He gradually looks up to see the reflections of objects and people in the water and then the objects and people themselves. Angered and aware of reality, the freed prisoner begins to understand illusion

The Allegory of the Cave or also known as, Myth of the Cave, is a good example of explaining the feature of the way people think. It is a concept that demonstrates how humans are fearful of change and what they don’t know. Plato says that men are living in an underground cave and it is a situation. The Allegory of the Cave is Plato's explanation of the education of the soul toward enlightenment. Plato talks about being free, everyday life, knowledge, and essentially what he wrote to be true. I think that he was very unique with his writings because there are so many ways to look at the world and his way was just one. He was educated highly and is recognized as a philosopher to this day.

“See human beings as though they were in an underground cave-like dwelling” (193). Although Plato’s famous allegory of the cave doesn’t appear until Book VII of The Republic, its significance cannot be understated. The meaning behind the Greek philosopher’s imagery manifests itself throughout the rest of the work, specifically Book I. After outlining the description of the cave and demonstrating how the rest of The Republic dramatizes it, I argue that Plato (or Plato’s Socrates) is revealing a relationship that posits philosophy, which can only come about through mutual respect, as critical for the city’s well-being, but ultimately not enough just by itself.