Allen Ginsberg Howl Analysis

In the poem Howl part one, Allen Ginsberg travels all over the world and describes his life and the “ best minds of his generation” (1) the beat poets. Ginsberg expresses his tone with emptiness, darkness, and depression. Part two; the word Moloch represents war, governments, psychiatric hospital, universities and any other social authorities. Ginsberg conveys that Moloch is responsible for war and sorrows; this ties to the first part of Ginsberg poem. In part three; “I’m with you in Rockland”, where Rockland represents the mental hospital. With the calmer tone, he addresses his friend from “Rockland” Carl Solomon. He conveys how Solomon suffers from delusions, and compares Solomon with his mother. “I’m with you in Rockland

Allen Ginsberg’s revolutionary poem, Howl, is a powerful portrayal of life degraded. It represents the harsh life of the beat generation and chronicles the struggles of the repressed. Howl is a poem of destruction. Destruction of mind, body, and soul through the oppression of the individual. Using powerful diction, Allen Ginsberg describes this abolition of life and its implications through our human understanding of abstractions like Time, Eternity, and self. The poem’s jumbled phrasing and drastic emotion seems to correspond with the minds of the people it describes. Ginsberg uses surprisingly precise and purposeful writing to weave the complex

The standards of obscenity and what is and is not protected by the First Amendment has evolved as the fields of literature and art have expanded. In 1956, the headlines were filled with mentions of Howl being fought about in court. Howl, a poem written by Ginsberg, is focused on the “outcast” groups of American society such as the mentally ill, members of the LGBT community, and drug users. Originally, he did not intend for the poem to get out to the public due to the references from his own life with past loves, friends, and experiences. But Ferlinghetti, overhearing the poem read for the first time publically, offered to publish the poem. Soon afterwards, the poem was taken to court. The personal bits and certain details of the poem got the poem sent to court where it was put through the newer standards and reading practices to determine obscenity. At the end of the trial, the judge determined that Howl was not be obscene and was protected by the First Amendment.

Ginsberg’s use of anaphora forces us to question the historical origins of both social afflictions and collective resistance in Howl, this blurring of the poet’s central objects of identification implies that his lamentation for the madness of his own generation is also a lamentation for the blighted hopes and wasted intellects of their precursors (384).

Ginsberg asserted that the best minds were the underrepresented outcast. For example, Ginsberg states beginning of the poem, “I saw the best minds of my generation destroyed by madness, starving hysterical naked, dragging themselves through the Negro streets at dawn looking for an angry fix” (1-2). From the beginning of the poem, the reader would expect Ginsberg talking about intellectual people such as scientists, philosophers, inventors, etc. The best minds were regular people who had dreams and lived their life to the fullest. They would go to bars, look down on NY, talk about philosophy, do drugs, and be sexually active. It prevalent to our society

Allen Ginsberg’s “Howl” is a thought-provoking piece used to epitomize and give a voice the Beat Movement of the mid-20th century as they sought to reject nearly every aspect of society. Within his writing, he is quite literally “howling” his frustration regarding the conformism plaguing the population and seeks to abolish that by showing and protesting the havoc it has wreaked on even the best, most brilliant minds of his time. In what became an early forerunner to more modern calls for non-conformist action, Ginsberg employs vivid imagery, anaphora, and allusion to convey his message in the mind’s eye of his readers. A key literary device used by Ginsberg is imagery, which he utilizes to trigger the reader’s senses and foster a more holistic understanding of his writing by helping them to develop their

He uses words like “madness” , “hysterical”, and “hallucinating” to reinforce the theme. Ginsberg has personally experienced insanity in his life, his mom had struggled with it his whole life, and had been institutionalized several times. Ginsberg himself had pleaded insanity after he was convicted for theft and had spent time in a mental asylum. During his time in the mental in the mental asylum he met Carl Solomon, whom this poem is dedicated to. Carl Solomon was also a poet and he was struggling from severe Schizophrenia. Ginsberg is surrounded with insanity, so much so that he starts to see it everywhere in the world around him, and he reflects it in his works. In the poem Ginsberg describes the best minds of his generation as being “ mad” , he goes on to write about how they are struggling with drugs and with the inability to conform to society's norms.

uses the repetition of certain words to sound almost robotic-like. This repetition speaks very strongly to his intensely communist views on capitalism as a machine. The use of syntax is the poem also speaks very strongly to Ginsberg’s public abuse of drugs and alcohol. The entire piece reads in the same mixed up order as if the speaker was inebriated or suffering from some sort of mental illness, also a commentary on Ginsberg’s opinion of insanity as a form of genius.

Ginsberg depicts the deprived environment in which he chooses to live in through imagery. For instance the speaker

Moloch represents authority, those who tell us how we can and cannot live. Ginsberg proclaims this when he calls Moloch “the heavy judger of men,” meaning he has the power to give and take, a reference to capitalism, which is a system where the means of production and distribution are owned by private corporations. Ginsberg was strongly against capitalism. “He grew up with a communist mother, and found the government having complete control of the country detrimental to society. Subsequently, he did not like capitalism because, once again, much of the power was out of the hands of the people.” He reiterates this when he says Moloch is “the cross-bone soulless jailhouse and Congress of sorrows!” which seems to say Moloch is the power of the government or the private organizations and its control over the people. He is, on one hand, calling Congress an actual place of sorrows and on the other, saying Congress focuses

In the poem Howl, Allen Ginsberg challenges the modernity of American culture, which enforces the “best minds” (1) to give up their freedom to conform to the desired sense of normality. Ginsberg states “I saw the best minds of my generation destroyed by madness, starving hysterical naked/ dragging themselves through the negro streets at dawn looking for an angry fix” (9). His expression of Moloch The angry fix is what all of these “best minds” look for after being stripped of their freedom to conform to the new American culture after World War II.

This poem is sometimes referred to as a violent “howl” of human anguish. It attacks the forces of conformity and mechanization that Ginsberg believed destroyed the best minds of his generation. This poem has no real structure or rational connection of ideas, and the rules of grammar are abandoned in order to pack imagery into one line. The poem points the way toward a new and better existence, chronicling the pilgrimage of the “mad generation” toward a reality that is timeless and placeless, holy and eternal.

The Beat Generation is a literary movement during the 1950s that consisted of male authors including the widely known Allen Ginsberg, who explored American culture in their poems. The Beat Generation could be described as misogynistic and patriarchal due to their exclusion of women and concerns confined to only male outcasts. In Allen Ginsberg’s 1956 “Howl”, he brings his audience’s attention to male outcasts in society. In her 2015 “Howl”, a critical response to Ginsberg’s “Howl”, Amy Newman explores the oppression outcasted women endure in a male-dominated culture through the allusions of an admired female poet, Ginsberg’s original stanza form, and utilizing diction to convey a woman's perspective antithetically to Allen Ginsberg's original.

Allen Ginsberg was one of the founding fathers of what is considered the Beat Generation and the Beat Movement. Throughout his entire life he wrote multiple poems which voiced his certain opinions and thoughts about what America had been going through at the time. American poet, writer, and philosopher, Allen Ginsberg uses his life experiences and ideas on resistance, freedom, and the Beat Movement to express specific ideas within his poems.

The sheer audacity of a statement like this in 1955 has no comparison in present-day American society. In effect, Ginsberg was announcing himself as a criminal, a felon, and a traitor. Yet he antagonizes the situation further by saying, "You should have seen me reading Marx. / My psychoanalyst thinks I'm perfectly right." (P-M 369) Ginsberg's cynical nature shines here as he is pronounced sane by a doctor, who is probably certified by a federal department of medicine, when Senator McCarthy would have you believe that Communists are dangerous and/or mentally instable. It is also important to mention the reference made to marijuana in this passage. Ginsberg was an avid marijuana user and was at the forefront of the psychedelic revolution in the late 1960's, but it is apparent that he used the hallucinogen regularly almost a decade earlier.