Allie Brosh 's Hyperbole And A Half

Through traumatic events many people lose their sanity. Some people are born insane, while others are driven to their breaking point by life experiences. In the memoir “Night” insanity is a major theme, through various characters like Mrs. Shockter and Moishe the beedle. In “Night” insanity is experienced through horrific events and continues to make itself present throughout the book.

Humans who are being over diagnosed with disorders, causes the spending of too much money on drugs and medication that could be harmful and is not needed for them to take. The objective of this book is to let people become aware of what is going on around the world. The audience that this book aims towards is the public. The main objective of Dr. Frances is to alert the public, health care professionals and clinicians about the misinformed diagnosis of people and the misdirected treatment and medications that are prescribed to people who are “normal.” Everyday pains and suffering are being diagnosed as mental illnesses and disorders. Psychiatry has specified people with false labels. The first of many arguments is that people are very worried that when a new disorder is brought up, that they have this disorder or illness. Another argument in this book is the misdiagnosis between mental disorder and normality. Many people who experience completely normal grief could be mislabeled as having a psychiatric problem. The next argument is to separate the people who have diseases from normality. Allen Frances blames the internet and social networking for the over diagnosis of mental disorder. This book is also about the high percentage of people who are now diagnosed with a mental illness,

Laurell K. Hamilton spoke in great words that, “there are wounds that never show on the body that are deeper and more hurtful than anything that bleeds.” Hamilton embodied a central state of mind of a person who is mentally ill. The wounds mentioned are those caused, and worsened, by traumatic events and public perception of a person with a mental illness. The women in the short stories that have been read embody an internal injury caused by an outward force. In “Story of an Hour”, “Rose for Emily”, and “Yellow Wallpaper” it is impactfully shown how traumatic life experiences can lead to and worsen mental illnesses.

In Marbles, Ellen Forney shares the story of an artist’s struggle with the effects of bipolar disorder on her abilities. Initially afraid of confronting the possibility that choosing to control her condition may extinguish her creativity, Forney chooses to isolate her experience from those of others. This fear and the resulting loneliness being unsustainable, Forney eventually makes the decision to explore the work of others and finds comfort in their experiences. Ultimately, she constructs her own work as a form of therapy that can help her come to terms with her own bipolar disorder, definitively resolving the question of whether it is possible to be a stable yet creative artist. In this context, Forney theorizes her memoir as a form of company in order to embrace her unrelenting condition as being an essential part of her identity.

Everyone has a different way to deal with overwhelming situations. It can be more difficult for people with mental illness to cope with the hardships of life. For instance, in “Horses of the Night,” the character of Chris has dissociative symptoms that can be linked to his depression. Margaret Laurence’s short story tells the story of Chris, a young teenager who moves to from a small farm to the town of Manawaka in order to go to high school. The story is told by his younger cousin, Vanessa. As she grows up, she learns that Chris is depressed. The author uses the theme of fantasy to show that he does not cope well with reality. The horses, Shallow Creek, and the children are symbols that show us the fantasy that Chris lives in.

Austrian Neurologist Sigmund Freud was the founder of the technique known as psychoanalysis, a method of mental therapy that centralizes on the use of verbal communication to handle unconscious quandary. The necessity of such treatment is showcased in Rosalind Warren’s “Furniture Fight”, in which a young girl visits her cancer coping stepmom who uses an obsession towards furniture as a means to deal with her illness. To that effect, the story suggests that to deal with unpleasant situations, people tend to express themselves on a subconscious level rather than say how they truly feel. This unhealthy method of dealing with feelings is demonstrated through an analysis of the caring narrator’s attitude towards her stepmom, the step mother’s obsession for decor and the importance of a new patio set versus an old one.

Mental disorders can hinder a person’s ability to make proper decisions and therefore influence their lifestyle, behavior, and actions in most situations. Triggered by Fletcher Wortmann is a memoir about the negative effects of obsessive compulsive disorder can have on a person. The mental state of a person with obsessive compulsive disorder is one of uncertainty most of the time. Though a mental disorder determined many decisions in his life so far, his goal is to prove that mental disorders do not define who a person is. Through long stories about things that typically wouldn’t matter to an average person, it is clearly evident Wortmann is a male author who is very young, but also not as experienced. There is a specific writing style to

Danielle Evans’ short story, “Someone Ought to Tell Her There’s Nowhere to Go”, is a well-crafted narrative that is primarily based off a character named Georgie, who suffers from PTSD and faces many hardships in his personal life as he tries to build a relationship with his former girlfriend Lanae, and her daughter Esther. Evans successfully uses literary elements such as symbolism and foreshadowing in order to effectively appeal to the reader and explain how Georgie is struggling in his new lifestyle. These aspects further help to magnify Evans ethical and emotional appeal to her audience.

In her first journal entry Kaysen tells how the decision for her to go to McLean Hospital was based on a twenty minute conversation with a psychiatrist. Kaysen had been picking at her acne and been acting out in ways which would not be considered unusual for teens today, but at the time it was a sufficient excuse for commitment to an institution. In an interview, Kaysen further develops the idea that her illness was influenced by outside factors saying, “ [Her] retrospective account of her confinement at McLean Hospital makes a cultural intervention that challenges the notion that mental illness is rooted solely in the individual.” (Kaysan, 18). Being surrounded by girls with serious illnesses forced Kaysen to assume the role of a girl with a real mental illness. Society forced her to find something wrong with herself in an attempt to fit in. Kaysen questions what mental illness truly is. She asks,“Was everybody seeing this stuff and acting as though they weren't? Was insanity just a matter of dropping the act?” (Kaysen 41). Because Kaysen was labeled as being mentally ill although she was not, it became hard for her to tell what truly pronounced someone as mentally ill. Was everyone slightly crazy or were just some better at hiding it then others? Living in such an uptight society, people had no choice but to put on an act of perfection. When someone began to “drop the

Daphne Scholinski documents her experiences through multiple psychiatric institutions in her gripping and light-hearted memoir titled, “The Last Time I Wore A Dress”. Published in 1997, her memoir establishes a strong connection with readers, thereby allowing them to be present within her plot; watching her story unfold from above. By analyzing the plot, characters, themes, and setting of “The Last Time I Wore A Dress”, I seek to draw a connection between Scholinski’s memoir and the mental model of madness. In doing so, this paper aims to shed light upon the hardships faced by Scholinski and her survival through it all.

Throughout history, mental illness has been labeled as a defining deformity, that harnesses in its “victims,” into a box, parallel to the familiar “mime in a box” image. In a world where we glorify “normality,” a lack of illness, which by all means is a gift, the beauty of one mind takes away from the beauty of an outlier, even though, ironically people may not even recognize their differences. Hester, at a glance suffers from a literal scarlet letter, but an imprint on her brain may exist as well. Irrational actions, sudden emotional episodes, and destructive thoughts can only prevail for so long following sin; Hester’s persona has branches of self-defeating personality disorder, schizophrenia, and bipolar disorder. No one of her time, however, will bring the issue to light, Hester will be left known as the mistress, a witch, or “A,” rather than to explore her “complicated” condition. As decades pass, Hester’s state will remain, as the “A,” the mark of the stigma on mental illness today. When left neglected, society rejects the possibility that under a visible coating, mental deformities may lie; those who are divergent, who require affection more, are made subordinate, marginalized with no quest for a cure.

Jane is a victim of a nervous disorder of the brain called hysteria. She is aware that she suffers from a series of mental and physical disturbances. She says that she has a " temporary nervous depression: -- a slight hysterical tendency- what is one to do?"(2).

A comparative literary study of the effect of mental illness on the central characters is the semi-autobiographical novels The Bell Jar by Sylvia Plath and Girl, Interrupted by Susanna Kaysen. Comparing two women trying to deal with mental illness and are trying to cope with the mental pressures they put on themselves and by other people. Although the differences between these two novels are The Bell Jar shows Esther’s life before she descends into mental illness whereas Susanna’s story is about her time in a mental institution and experiencing other patients who are in similar situations.

Susanna Kaysen’s “Girl Interrupted,” is an autobiography in relation to Kaysen’s two-year stay at a mental hospital as she battles borderline personality disorder. Although in denial, Susanna Kaysen is diagnosed with borderline personality disorder but is unable to come to terms with her illness as she reassures herself she is fine. The reader learns that Kaysen is an unreliable narrator that is unable to discover the truth behind her illness. Through the exploration of her relationships, actions, and opinions, enhances the fact that Kaysen is mentally ill. Through her past and present relationship’s, Susanna demonstrates her self-destructive tendencies. Kaysen’s impulsivity in the novel is another indication that her diagnosis is fitting. Finally, Kaysen’s thought process and anxious behavior further prove her as a candidate for BPD.

The antagonists in this book are his patient from whom he elicits permission before using them. The author uses scenarios from some of his therapy sessions to evoke alertness in his audience as well as to provide a practical framework with which they can relate or be guided as therapists or future therapists.