Along The River During The Qingming Festival Analysis
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When mentioning Along the River During the Qingming Festival, most people will immediately think of the version by the Song dynasty artist Zhang Zeduan, which is undeniably the earliest and most well-known version. There are many copies and variations of this work, including a painting by the Ming dynasty artist Qiu Ying, which is also called Along the River During the Qingming Festival. Although the artist uses the same title, this painting has its own beauty and connotative meanings that cannot be ignored and which people need to discover and appreciate.
Zhang Zeduan’s masterpiece depicts the landscape of his hometown, Kaifeng and the life of its people during the Song dynasty. Nearly 500 years later, Qiu Ying portrayed his hometown Suzhou in a similar way, but in his version, the scenes are different to the original version. Compared to Zhang, Qiu Ying added more blue-and-green landscape patterns, and the feeling of the artisan is not strong in this work. The most important thing is that both artists show different visual perspectives of the culture and customs of the city.
According to…show more content… While Qiu’s work depicts the prosperity of Suzhou in the middle era of the Ming dynasty, Zhang’s painting shows the daily life of people in Kaifeng during the Song dynasty. Qiu Ying’s buildings are more structured and grand, even the shops appear more spacious. The scenes in this painting represent an important page in Chinese history by combining the history and reality of a genre painting. So many landmark buildings in Suzhou are clearly recognizable which show the developed economy and traditions of the Ming dynasty and the artist’s own style. Qiu Ying uses the traditional blue-and-green style in this painting, leading to a beautiful picture which is filled with bright green mountains and clear blue