Altissimo Range Research Paper

Extending the low range of your singing voice will improve your tone production and ability to hit high notes. By extending your range, the vocal cords expand and become more flexible. This makes it possible to extend your reach both high and low. Care should be taken to avoid extending the range too quickly. Daily practice is the key to slowly developing your voice to hit the low notes when singing.

Anyone who has ever been in a high school band likely knows about the trumpet player stereotype: trumpet players are egotistical, and they are always trying to outdo one another. I know that stereotype well because I am a trumpet player, although I did not always know that I would gain a passion for music the way that I did. I was initially unsure of what instrument I would play or if I would even enjoy being in band. When I joined band at the beginning of sixth grade, we were allowed to try playing various instruments to determine which one we wanted to learn. The trumpet and alto saxophone were the first instruments to stand out to me, so I tried playing the trumpet first and was able to produce a fairly reasonable tone. On the other hand, I tried the saxophone, and it yielded what I described as a "farting noise" at the time. Aside from my sixth grade humor, I decided that I wanted to play the trumpet, and I have never regretted that decision.

The styles from Lester Young and Coleman Hawkins were very different throughout the swing era. Hawkins and Young were two of the best tenor sax players that had emerged during the swing era. Considerably different, Hawkins played a huge dark sound, whereas Young’s was light and breathy. Some of the differences were as follows; Hawkins improvisations were based on his superior knowledge of harmony, Young’s were rooted in the blues, Hawkins played with a rhythmic approach that was always closely tied to the beat, and Young’s rhythmic conception was much looser, and often untied to the beat. Although they had many differences, they inspired sax players for years to come.

If you are right handed then make sure your left hand is near the bottom of the stick but not all of the way at the bottom. Also put your right hand a good distance above your left hand ,and put it near the top of the net ,but not all of the way at the top. Furthermore if you are left handed then put your right hand near the bottom of the stick, but not all of the way at the bottom. Also put your left hand a good distance above your right hand. Almost at the top of the stick but not all of the way. You're also going to put the stick on your dominate side (ride handed or left handed).

Stroke number four is the forehand. For the forehand to be correct the player should be in the ready position. During the backswing, the player should turn the shoulders and the left shoulder should be faced towards the ball that is coming towards the player. The next portion of the forehand is that the player step with the left foot and that the racket and knees drop down together. The player must then make impact with the ball with the racket face vertical. Last, the player must follow through. The learning cues for the forehand are ready position, shoulder position, step, and follow through.

Kenny Garrett is one of my favorite Alto saxophone players. He was born in Detroit, in 1960 and started to play saxophone in his childhood since his father also played tenor sax. Kenny Garrett’s career as a saxophonist started early at the age of 17 with a saxophone spot in Mercer Ellington’s revived Ellington Orchestra. And then he seated in Mel Lewis’ group (a traditional route for young and aspiring jazzers), and performing Charles Mingus’ music with Dannie Richmond Quartet. Garrett earned a complete musical education, in a series of surprisingly mainstream jazz groups, considering his edgy and experimental, funky style.

Louis Daniel Armstrong is known as one of the greatest trumpet players in history, and his talent came from long hours of practicing and playing with the right horn. There are beginner and professional horns that are sold in various places. However, a professional trumpet can give a better tone compared to a beginner trumpet. As of right now I am looking into two professional horn brands, Bach and Jupiter XO. Bach horns are known for having excellent quality and tone, and Jupiter horns are known for having nice quality and much less expensive than others. Although the Jupiter XO trumpet is not as efficient as a bach horn, it will still give me a better deal and enough room to improve as a trumpet player.

Even if you type just the word “jazz” into Google, you will see an abundance of pictures with saxophones. The two haven’t always been connected though. The article “Great Artists in Saxophone History” around the time of swing music in the 1930’s, clarinets were used as the lead instruments for jazz. But then the 1940’s came, and the saxophone stole the spotlight from the clarinet, taking over jazz. Some saxophonists that further engraved the saxophones name into jazz include Sidney Bechet, Lester Young, and Charlie Parker (“Great”). These are only a few of the greats, but they all contributed to changing the style of how the saxophone was and is

I do not believe that we would. Charlie Parker wrote the music the way he felt, meaning you could tell what was happening in his life when the song was composed. The tempo of the song may have been slow and he used notes in the lower register of the sax one might draw the conclusion he was sad or depressed. A faster tempo and notes in the higher register of the instrument he may have been in a good mood. Musicians draw their creativity from their experiences, feelings and emotions much in the same way artists paint pictures.

First, the most well known instrument by Adolphe Sax is the seven member saxophone family. The saxophone family starts with the E flat soprano saxophone, than goes to the B flat soprano saxophone, the alto saxophone, the tenor saxophone, the baritone saxophone, the bass saxophone, than lastly the contrabass saxophone. Each saxophone has a different range, with the smaller ones having higher notes and the larger instruments having lower notes. The most common saxophones seen today are the alto, tenor, and bass saxophones. Next, the saxhorns.

     These directions are for a right-handed player. A left-handed player would use the same technique, but for each

Learning a musical instrument can be a worthwhile and fulfilling experience. It has a host benefits, including increasing various academic skills, improving confidence, aiding with stress relief, sharpening concentration, added social benefits, and it can also change lives. A great instrument to learn is the B♭ clarinet. It is easy to learn, yet difficult to master. One of the most basic skills to be able to play the clarinet includes assembling it.

The inventor of the saxophone, Antoine-Joseph “Adolphe” Sax, was a genius inventor. His invention of the saxophone and other instruments changed the musical world and his influence still felt today in jazz bands across the world, even though he never got to see his inventions become as popular as they are today. Sax had many difficult challenges to face throughout his life, but he persevered and we can learn many lessons from his example.

How To Play The Clarinet Today I am going to attempt to teach you to play the clarinet. Many of you are probably thinking: How hard could it be? It’s easy? Right? Well, let me tell you you guys are completely incorrect.

Daily practice sessions are essential for musicians to maintain and improve their skills. For the saxophone, practice sessions should reinforce good embouchure, breath support and finger dexterity while striving for greater musicality and musicianship. The following steps are needed to prepare for a productive practice session.