Amalia Carlos Research Paper

Her student dance company was founded in 1931, “Ballet Negre” and awarded a Rosenwald Travel Fellowship in 1936 for her combined expertise in dance and anthropology. While studying with Ludmilla Speranzeva and Mark

As a child, Maria’s grandmother told her all about the Osage pride and folktales. As it states in line six of the prompt, Maria thought of herself as a typical indian girl, shy and docile. The only thing that brought her out of her shyness was the passion to dance ballet. Betty Marie was Maria’s real name, but she thought changing her name would help her in her career and sounded more sophisticated since an abundant of other ballerinas changed their names as well. Her last name didn’t change, because she didn’t want to deny her heritage as an Osage native american. Her reputation as a wonderful ballerina spread in her hometown, but was told by one instructor that she didn’t properly learn the basics. So, she had to restart from the beginning. At first she became furious , but realized her technique became better afterwards. Even if an american native, Maria had developed a cognizance to how she grew as a successful

Have you ever heard the legend about La Llorona known as “The Weeping Women”?Do you hear that? Do you hear that crying noise? People say that if you hear her cry expect death! La Llorona is real, even though people say she is she is an urban legend. There has been sightings of her in many places.

Debbie Allen was born to Vivian Ayers and Arthur Allen on January 16, 1950. At age three she started dancing and at age four she knew she wanted to be a professional dancer. Her parents divorced in 1957, and her mother was Debbie and her siblings were encouraged to be creative and independent. In 1960, Vivian Ayers took her children to Mexico. When they came back to Texas, Debbie auditioned for the Houston Ballet School but was denied because the color of her skin. A Russian teacher at the school saw Debbie perform and secretly enrolled her. When she was sixteen, she auditioned for the North Carolina School of the Arts but was rejected because her body was “unsuited” for ballet. While she was in high school she put her studies first and went

Julia Alvarez is an acclaimed American-Dominican poet and author. She has written many successful books and poems, many of which reflect directly on her life and personal experiences. Because of Alvarez’s American-Dominican background, her poems display diverse, cultural themes. These include what it is like to be American and Dominican and the struggles of moving from the Dominican Republic to the United States. Alvarez has received praise for her ability to write a wide variety of styles, including poems, children's books, young adult novels, and essays. Her success, however, has come from her poetry collections, like Homecoming. These collections show her life in the Dominican Republic and her transition to the United States.

In the 1960’s, Ballet Folklorico was founded in the United States by the famous choreographer, Amelia Hernandez. With the combination of her own heritage and experience of classical ballet, she merged the two, creating Ballet Folklorico. It is traditional Mexican dances and ballet characteristics with a great emphasis on local folk culture.

Amalia Hernandez was born in 1917, and was the famous creator of Ballet Folklorico. Classical Ballet was Hernandez’s first passion, in which she started taking lessons as a young girl. Later in her life, she decided to specialize in Native American dance. Ballet Folklorico was first founded in 1952. The company was a huge success, and soon became the largest and most popular dance company in the entire world. More than 60 regions of Mexico were incorporated into her performances. Amalia Hernandez’s work and style incorporated many different cultures and themes. Many dances were fiesta themed and incorporated beautiful different colors and costumes. Fiesta theme performances were fun and different to watch. The vibrant colors and creativity made them unique and festive. A great deal of Mexican history was also incorporated in Hernandez’s work as well.

Today, it is under the artistic direction of Eduardo Vilaro. Ballet Hispanico is a very tailored

I had the opportunity to interview Mrs. Maria G. Rivera. She Is a hardworking mother who came to the united states at the age of 13 since then she hasn't left. She has no desire of going back to Mexico and considers America home. I had the chance to dig deep into her early life history, which I will talk about in the next paragraph. I learned how much she values her children and how much she cares for them, which Is the reason why she decided to make a move and come to the United States because she was thinking of her future kids and didn't want them to experience the harsh life she lived when being a young girl.

Anyone who is indigenous or anything related to indigenous culture seems to have been left in the past. The irony doesn’t escape the fact that people think the Mexican revolution signified the end of colonial oppression and the overthrowing of the tyrannical rule of Spain, yet it somehow still existed. The Mexico that is portrayed in Alla en el Rancho Grande, almost seems like a copy of Spain with an added quirk that makes it slightly different. This emulation of Spanish culture is easily seen by the mere way in which the characters in the film dress and act. Alla en el Rancho Grande, represents the similarity to Spanish culture in their slight twist on matador-styled clothing that hails from Spanish bullfighting. There’s also this sense of Spanish romanticism that is portrayed through boleros and mariachi. However, more than anything the sense of machismo and honor is represented even stronger than in Spain as something that will forever define Mexican culture, this is showed in the climax of the movie where both men duel off over their shared love for the same woman. More than anything, Alla en el Rancho Grande has a clear agenda: to ironically show an international audience that Mexico is essentially a quirkier Spain. In fact, Alla en el Rancho Grande makes a strong stance that Mexico is no longer indigenous, it has transformed into something more refined and European. Through the absence of indigenous

On March17 , 1985 Richard had bought a .22-caliber revolver from a guy off the street (Carlo). He also had stolen a car from a gas station then hopped on theLos Angeles freeway looking for his next vicim. While on the freeway he seen Maria Hernandez driving her gold Camaro home after having dinner at her boyfriend’s in Monterey Park (Carlo). Hernandez was a petite , attractive brunette with large round eyes and clear olive skin (Carlo). When she exited the freeway she made her way to a residential community of 46,000 in the suburbs of Rosemead. Ramirez followed her for three blocks until she slowed down to make a right into a new condominium community on Village Lane. Maria exited her car holding her keys and brown leather pocketbook. When she went to pushed the button to close the garage door , Ramirez snuck in and dropped his AC/DC hat.

In the creation of the National Ballet Company, an artistic director had to be carefully selected as this position must be filled by someone with extensive professional experience in ballet. The artistic directors job in to help shape new visions, provide inspired leadership and contribute to the strategic direction of the company. During this time period Toronto Boris Volkoff created another up and coming dance company and may have been willing to accept the challenge of leading a better financially resourced local company such as the National Ballet, but he was overlooked in favor of a woman named Celia Franca. She was an incredibly gifted dancer, ballet mistress (woman who directs and teaches and rehearses dancers in a ballet company) and an up emerging choreographer imported from London. Franca was the NBC's founding artistic director. She successfully ran the company for twenty three years, over which time the company developed it character that is strongly rooted in classical ballet yet still embraces up and coming modern works. The National Ballet Companies precision and style is recognized and respected around the world.

Marat Daukayev School of Ballet is a ballet school that is located in Los Angeles, California. This ballet school was founded in 2001 by Marat and Pamela Daukayev. Their ballet classes include pre-ballet and creative movement, intermediate- levels 1 to 4, advanced- levels 5 and 6, boys- levels 1 to 4, summer intensive, and adult classes. Marat Daukayev has been awarded for being an Outstanding Teacher for 2016 at the Los Angeles Youth America Grand Prix.

The tango was known as the “dance of immigrants” and was performed in large houses called “conventillos”

Born and raised in Germany, Pina Bausch joined the Folkwang Academy at age fifteen, and started dancing in the style of Tanztheater, a combination of theater and dance. When she was nineteen, Bausch move to New York, where she studied under some very prominent choreographers, including José Limón, Paul Taylor, and Alfredo Corvino. Although she worked with such noteworthy choreographers so young, this was just the start of her professional career. Later, Bausch became the artistic director of Wuppertal Opera Ballet, that of which was renamed Tanztheater Wuppertal Pina Bausch. Here, Pina created pieces that inspired, connected, and challenged the ideas of the modern world and its supporters. Pina dug directly into the emotions of the dancers, and focused more closely on the realness of the portrayed emotions than the physical image of the movement. She created a style of dance that pulled at the audience’s heartstrings because of its realness and ease to connect to.