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Ambiguity In Benito Cereno

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Herman Melville’s short story “Benito Cereno” or “The Other Moby Dick” as Greg Grandin, a contributing writer for Mother Jones magazine, refers to it, is a fictionalized account of an encounter that an American ship captain and seal killer/trader by the name of Amasa Delano had in February 1805 in the South Pacific (Grandin). Delano, who was “quick to flog his men,” was “the sort of American sea captain Melville knew well and hated” (Stuckey 271). Delano chronicled his encounter in “A Narrative of Voyages and Travels, in the northern and southern hemispheres: comprising three voyages around the world, together with a voyage of survey and discovery in the Pacific Ocean and Oriental Islands” (Boston, 1817). Arguably one of Melville’s best works, “Benito Cereno” in all of its ambiguity is more than a fictionalized account of a seafaring vessel and its less than admirable captain, it is a historical reflection of what was happening in the world during the time it was written. Since its publication, “Benito Cereno” critics and casual readers alike have struggled to find clarity in Herman Melville’s chronicle of the slave ship “San Dominick” in his short story “Benito Cereno.” In an attempt to disaggregate Melville’s story, scholars have focused on various elements of the elusive tale. Articles have been written on a range of topics that run the gamut from the symbolic nature of the ships to Melville’s purpose and intent in writing the story. To wit, Valenti asserts that

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