Herman Melville’s short story “Benito Cereno” or “The Other Moby Dick” as Greg Grandin, a contributing writer for Mother Jones magazine, refers to it, is a fictionalized account of an encounter that an American ship captain and seal killer/trader by the name of Amasa Delano had in February 1805 in the South Pacific (Grandin). Delano, who was “quick to flog his men,” was “the sort of American sea captain Melville knew well and hated” (Stuckey 271). Delano chronicled his encounter in “A Narrative of Voyages and Travels, in the northern and southern hemispheres: comprising three voyages around the world, together with a voyage of survey and discovery in the Pacific Ocean and Oriental Islands” (Boston, 1817). Arguably one of Melville’s best works, “Benito Cereno” in all of its ambiguity is more than a fictionalized account of a seafaring vessel and its less than admirable captain, it is a historical reflection of what was happening in the world during the time it was written. Since its publication, “Benito Cereno” critics and casual readers alike have struggled to find clarity in Herman Melville’s chronicle of the slave ship “San Dominick” in his short story “Benito Cereno.” In an attempt to disaggregate Melville’s story, scholars have focused on various elements of the elusive tale. Articles have been written on a range of topics that run the gamut from the symbolic nature of the ships to Melville’s purpose and intent in writing the story. To wit, Valenti asserts that
Herman Melville wrote Moby Dick, which was based off of Melville’s voyages. This book was mainly based off of the Essex whaler ship that sunk on account of a whale attacking the ship. There were very few survivors that were rescued and they told the story of what had happened. Moby Dick was originally titled The Whale.
Published in 1851, the story of Moby-Dick is not just the tale of one mans search for control over nature, but also the story of friendship, alienation, fate and religion that become intertwined amidst the tragedy that occurs upon the doomed Pequod. The crew itself are an amalgamation of cultures, from the cannibal Queequeg, to Starbuck, "a native of Nantucket." The Pequod can thus be seen as a microcosm for immigrants and whaling within America. In Moby-Dick Herman Melville examines both the exploitation of whaling and the reality of being born outside of America.
Equiano’s rhetorical devices which include ethos, pathos, and logos abet to define and accomplish his rhetorical purpose. His ethos, or ethical assurance, is conveyed in his level of education portrayed by his sentence structure and high diction. Furthermore, as proven in historical documents, Equiano was a slave aboard one of the many slave ships. With this, the reader can accredit Equiano’s narrative to be a reliable and first-hand source to the journey of the “Middle Passage.”
One might say we are presented with two fish stories in looking at Ernest Hemingway's The Old Man and the Sea and Herman Melville's Moby-Dick, a marlin in the former and a whale in the latter. However, both of these animals are symbolic of the struggle their hunters face to find dignity and meaning in the face of a nihilistic universe in Hemingway and a fatalistic one in Melville. While both men will be unable to conquer the forces of the universe against them, neither will either man be conquered by them because of their refusal to yield to these insurmountable forces. However, Santiago gains a measure of peace and understanding about existence from his struggles, while Ahab leaves the
Although Washington could not describe himself as a revolutionist, his present state of external conflict forged him into the figure engraved in our minds today. Herman Melville (1819-1891), author of the literary classic Moby Dick, possessed much experience that contributed to the setting and message of his writing. Although Melville never became a midshipman, or naval sailor, he can attribute a great deal of influence for writing to his life while at sea. Melville's Billy Budd, Sailor tells the story of a young mariner and his induction on the H.M.S. Bellipotent. From unstable relationships to cabin revolt, Billy, the main character, faces a series of conflicts that ultimately creates varying images of him in the differing minds of those around him. In view of all of this, Melville, in Billy Budd, Sailor, communicates to readers the theme that “conflict, internal or external, exists as the framework of destiny,” through Billy's initial reaction to the crew as a result of enlistment on the Bellipotent, the rumor of mutiny, and his
Throughout his novel, Moby Dick, Herman Melville will often devote entire chapters to the thoughts and actions of specific characters. Two specific examples of this type of chapter are Chapter 36, The Quarter-Deck, and Chapter 42, The Whiteness of the Whale. The first of these chapters depicts Ahab addressing his crew for the first time in order to convince them to hunt down Moby Dick. The second offers insight to the fear that is brought upon by the mere mention of Moby Dick The significance and effectiveness of each of these chapters are enhanced by Melville’s use of rhetoric and style respectively.
There are many subtle clues that hint at the notion of Melville spinning a web of deceit in Benito Cereno, but the most revealing clue that best exemplifies this is when Babo attempts to stab his beloved “master”—Benito Cereno. In what seems to be an emotional ending to the novella, Benito Cereno bids his emotional adieus to Captain Delano while holding his hand; however, after Captain Delano and his crew are settled in their boat and the bowsman pushes the whaleboat off of the San Dominick, Benito Cereno suddenly springs into Captain Delano’s whaleboat and is then swam after by three Spanish sailors who attempt to climb on board. Still unsure on what to make of the situation, Captain Delano spots Babo with a dagger in his hand, and believes that his intent is to stab him. With this in mind, Captain Delano flings the boarded Spaniards aside and grapples the dagger that is aimed at his heart away from Babo.
In 1841 Herman Melville went on his second seafaring trip on a whaling ship called the Acushnet, his first being the St. Lawrence. The ship set off from New Bedford, Massachusetts and set sail for the South Seas. In June 1842, the ship stopped at the Marquesas Islands in what is now French Polynesia (Maxwell, D.E.S.). His time there inspired his novel, “Typee” which was popular at the time. After that trip, he joined the crew of the whaler Lucy Ann. On that voyage, he went on adventures on which he based Typee’s sequel, “Omoo”. After that voyage he
A vengeful man, a native, and a man seeking enlightenment board a whaling vessel; this isn’t a joke, this is the United States of America throughout history and the members of the Pequod. Moby Dick is not just a tale about a whaling venture gone awry, it is a metaphor for what America was and is. The Pequod represents the country and government, while the 30 crew members (Melville 430; ch. 126) represents the United State citizens. This would have not been possible to consider in Melville’s time, but it is a true testament to literature being a living text. Melville wasn’t only writing about America in the 1800’s, he was writing about the natures of humanity, and the future of our society.
In Benito Cereno, which was written by Melville in 1855, New England captain Amasa Delano comes
Herman Melville was born in New York in 1819 so he grew up in a time where slavery was still common and accepted, but in an area in which blacks were treated with much more respect than they were in the south. His father 's relatives could be traced back to a man who was a part of the Boston Tea Party and both his mother and father had relatives who fought with the union in the Revolutionary war (Johnson). Melville had many jobs growing up, including teaching, being a bank clerk, and sailing on a whaling ship, which is what jump started his writing career (Johnson). Many of the stories that Melville writes take place out on the sea and tend to be quite adventurous and unexpected, much like Benito Cereno. This style is more than likely
of the practice (86). Adler does not accept Schiffman's color analysis. She contends that black
Moby-Dick is considered to be one of, if not the, best novels in American history. Harper & Brothers first published it in 1851 in New York. In England, it was published in the same year under the title, The Whale (“Moby Dick”). Melville explores topics and themes that were scarcely spoken of and never even seen in a novel. In the novel, the Pequod, which is the ship, is named after a Native American tribe that was exterminated when the white settlers arrived. It is a symbol of death and doom and foreshadows event that occur later in the novel. Melville brings some very controversial themes to light in the novel. Revenge is one of the main themes of Dark Romanticism and Melville uses it to drive every action taken by Ahab. This is seen early on in the novel as Ahab explains to the crew why he has a peg leg and that he wants to enact his revenge on Moby Dick (Melville 160-161). “Moby Dick is, fundamentally, a revenge tragedy. It’s about one man’s maniacal obsession with vengeance. It’s about finding an object on which to pin all you anger and fear and rage, not only about your own suffering, but also about the suffering of all mankind” (“Moby
Donald Yannella, author of New Essays on Billy Budd, says that “at the heart lies an obsession with justice," as is exhibited in Herman Melville’s classics, Moby Dick and Billy Budd, Sailor. Herman Melville was an American author born on August 1, 1819 in New York, New York. The author wrote many books and penned poetry in his later years. Best known for his novel Moby Dick, Melville was not regarded as one of America’s greatest writers until after his death on September 28, 1891. Not achieving his dream job, and with his family in shambles, he boarded the St Lawrence in 1839. His time spent at sea would prove to be useful, as the majority of his books take place on the high seas.
It’s easy to tell that the ocean is a mysterious and isolating place from all of the tragic tales we hear from sailors both real and fictional. Samuel Taylor Coleridge’s “The Rime of the Ancient Mariner” and an anonymous author’s “The Seafarer” are quite similar in that they both revolve around said tragic tales told by sailors. However, there seem to be more commonalities between their themes, tones, and messages rather than their seaward-bound settings. But before we can discuss these similar settings and deeper themes, we have to tackle their origins.