Ambiguity In The Secret Sharer

Heart of Darkness written by Joseph Conrad is dramatic tale of an arduous trek into the darkest part of Africa at the turn of the twentieth century. The story follows the protagonist Marlow, an English marine merchant, as he travels through the African jungle up the Congo river in search for a mysterious man named Kurtz. Through Marlow's narration, Conrad provides a searing indictment of European colonial exploitation inflicted upon African natives. Through his use of irony, characters, and symbolism in the novel, Conrad aims to unveil the underlying horrors of colonialism. By shedding light on the brutality of colonialism in Heart of Darkness, Conrad shows that European values have been irrevocably eclipsed by darkness.

The novel, Heart of Darkness, by Joseph Conrad, portrays a dark and somber theme throughout the entirety of the book. Even in the end, the darkness is still there. But even so, the end is difficult to understand. The ending is very vague on certain perspectives. Conrad intentionally does this, not to detract from the rest of the novel, but to sum the entirety of his main point up.

King Leopold was abusing his position of power to exploit the Congo for it’s raw materials, it can be said that the vivid cruel and gruesome images Conrad conveys in the book are merely mirroring the harsh reality of the brutalisation in Africa. One could therefore conclude that due to Conrad’s own experiences in the Congo he has to tell his story through a framed narrative, as it may be too difficult for him to share his story in the first person. Whether this was the case or not, it is clear than in ‘Heart of Darkness’ Conrad reveals the abuse of power to be ever present in the colonial age that Conrad lived in, and he demonstrates the abuse of power as something to be wary of and to fear, as it can result in madness.

The emotional agony that Conrad experienced following the death of his brother almost led to his end. The conflict inside of Conrad is only the beginning of his suffering. The emotions that engulf one's mind can swallow them up and eat them from the inside out. They demand to be felt, but the management of the emotional conflict has been just as important. For example, when the Jannett family is together to take family photos, including the grandparents, the disconnect between Conrad and his mother are clearly visible to the naked eye. After being asked to take a picture with her son, Beth hesitates, violently insisting a different photo to be taken in order to avoid accepting and showing the increasing disconnect between her and her son. Siting and watching, Conrad struggles internally to decode the intentions of the scene depicted in front of him before he burst into an outrage. Initially, Conrad practiced silence in the form of withdrawal. Thus, he situated himself in the isolated window chair. The actions of his mother spoke to him in the sense that she hated him, wishing to have nothing to do with him. The silence remained silent until he burst with rage, projecting the instructions of his father for the camera to be given to his emotionally silent mother. Conrad rested on the assumptions he formed based not only on his mother’s current action, but passed actions as well, to reveal what he

Conrad applies an apparently crystal clear literary narrative technique in the tradition of conventional realism, a narrative method that appears deceptively simple. The Secret Agent holds great deal of the social concerns. It is considered supreme masterpieces, it is a brilliantly depicting an ironic narrative of London's seedy and dispossessed underworld of revolutionist and anarchists.

By acting as the director and guiding his actors and stagehands, Leopold finds the angle he needs and that is pretending to engage in a philanthropy movement in the "dark continent."      In Chapter 9, "Meeting Mr. Kurtz," Hochschild provides a good description of the novel, Heart of Darkness, and in the process enlightens the reader about the true background and meaning to Joseph Conrad's novel. Early in the book, Hochschild mentions the novel and how it has been studied for Freudian overtones, mystic echoes, and its inward vision. According to him, the book is more fact than fiction because there are many similarities between the book and Conrad's very own travels into the Congo. In fact, Hochschild calls the narrator of Heart of Darkness, Marlow, Conrad's alter ego.

The Captain of the ship struggles to maintain his ideal masculine self, but is seen as a weaker and an effeminate character in the eyes of his crew. He is seen as a stranger to the ship but most importantly to himself. “All these people had been together for eighteen months or so, and my position was that of the only stranger on board… I was somewhat of a stranger to myself...but I wondered how for I should turn out faithful to that ideal conception of one’s own personality”(21,Conrad). Early on we see that the captain lacks his masculinity and is not seen powerful and is insecure about his true self- his effeminate character. The captain wants to be like any other captain strong and manly, but struggles to be his ideal self, the great and powerful captain that every ship has, a captain that holds power in the eyes of his crew man. Other ways we see this was when the captain himself was commanded to close the porthole of the ship. “Close your port sir, they are washing

What makes Joseph Conrad’s Heart of Darkness more than the run of the mill adventure tale, is its moral complexity. By the end of the novel, we find a protagonist who has immense appreciation for a man who lacks honest redemption, the mysterious Mr. Kurtz. It is the literal vivaciousness and unyielding spirit of this man, his pure intentionality, which Marlow finds so entrancing and which leaves the reader with larger questions regarding the human capacity. Therefore, Heart of Darkness is profoundly different given its character complexity and ambiguous narrative technique which ultimately deliver home a message of the complex motivations and capabilities of mankind.

     Heart of Darkness by Joseph Conrad is a novel about a man named Marlow and his journey into the depths of the African Congo. Marlow is in search of a man named Kurtz, an ivory trader. Though Marlow?s physical journey seems rather simple, it takes him further into his own heart and soul than into the Congo. The setting, symbols and characters each contain light and dark images, these images shape the central theme of the novel.

It is not the differentness that worries Conrad but the lurking hint of kinship, of common

Joseph Conrad’s novella, Heart of Darkness, effectively exposed the racism that was common during his lifetime. Through the harsh behavior and word choice of the characters and narrator, Conrad displays the uncivilized treatment of nonwhites that occurred during the period of colonization. Edward Garnett, an English writer and critic, summarized the plot of Heart of Darkness as being “an impression… of the civilizing methods of a certain great European Trading Company face to face with the “nigger” (145 Heart of darkness backgrounds and Criticisms). Conrad use of harsh language and terrifying situations, which were based off of his own experiences, capture the audience’s attention and helps them see the cruelty of the European

Although, as a society, we discourage the process of not judging a book by its cover, we have all been guilty of doing it at some point. The first item we look at when we pick up a new book is the title and the cover as a whole. These are two key components when it comes to using our heuristics to decide if a book is worthwhile reading or not. With only two items to judge by, each has to hold significant importance in order to draw a reader into reading the novel. Heart of Darkness by Joseph Conrad represents a mysterious title to draw readers into reading the novel, but hold a much more significant underlying meaning which represents many elements in the novel, while also symbolizing external concepts in the overall plot. The title represents many important elements such as the character of Mr. Kurtz and others, to the setting of Africa in the novel, and to the concept of the evil nature of imperialism outside of the novel. Through the title, Conrad has created significance for elements of the novel creating a very large impact on readers of the book.

Beyond the shield of civilization and into the depths of a primitive, untamed frontier lies the true face of the human soul. It is in the midst of this savagery and unrelenting danger that mankind confronts the brooding nature of his inner self.  Joseph Conrad’s novel, Heart of Darkness, is the story of one man's insight into life as he embarks on a voyage to the edges of the world. Here, he meets the bitter, yet enlightening forces that eventually shape his outlook on life and his own individuality. Conrad’s portrayal of the characters, setting, and symbols, allow the reader to reflect on the true nature of man.

The Heart of Darkness by Joseph Conrad is a frame narrative which creates a clear and organized structure. This structure helps emphasize upon the hypocrisy of imperialism in the novel and Marlow’s journey to discovering his true identity. The orderly and systematic nature of the structure corresponds with the Company in the novel and how it seems so structured on the outside while their mission is actually extremely chaotic underneath as displayed by Kurtz. The cyclical structure of the novel outlines Marlow’s journey in finding himself and his true identity. As the chaos of the journey is uncovered, Marlow delves deeper and deeper into uncertainty regarding the things going on around him in his life.

Conrad studied at schools in Poland and under tutors in Europe. Conrad himself claims "the truth is necessarily a function of one's own personal sensory experience, a writing may be lost, a lie may be written, but what the eye has seen is truth and remains in the mind" His narrative style is characterized by vivid sensory descriptions of immediate experience. Conrad's "The Lagoon" is a curiously inconclusive story which prefigures many of the moral ambiguities found in his later works. The story presents a problem typical of many Conrad narratives. As in the later narratives, the question of the protagonist final choice entails "the more general one of how indeterminate Conrad believes all conceptions of truth and mortality to be". "The Lagoon", "has an omniscient narration, who presumably represents Conrad's point of view", and who conveys this point of view through a wealth of complex imagery. This imagery implies that the source of truth is never fully present; our apprehension of it keeps changing, never reappearing in the same form from day to day. Each conception of truth is overwhelmed by