Ambition In Hamlet

Within everyone's lives, self-motivation affects the relationships that one has with others. In William Shakespeare’s play “Hamlet, Prince of Denmark,” characters struggle with adherence as they continually attempt to benefit themselves. Throughout the play, very few genuine friendships with loyalty were recognizable as the characters seek revenge to deceive Hamlet in the time of King Hamlet's murder. When the benevolence and sincerity were true as Horatio had shown, personal gain did not interfere. This compares to Rosencrantz and Guildenstern’s fake affair, who harmed to better themselves. Finally, Hamlet’s mother, Gertrude shows betrayal towards Hamlet, with the marriage of Claudius.

The dictionary defines personal ambition as “An earnest desire for some type of achievement or distinction, as power, honour, fame, or wealth and the willingness to strive for its attainment”. (Dictionary.com) One could argue that too much ambition can be a negative trait. By placing such an emphasis on personal ambition it causes some to push their loved ones away in order to achieve what they want. Within most people, unhappiness is a common feeling and in extreme results, it leads to death. In the texts Fifth Business by Robertson Davies and William Shakespeare’s Hamlet, it is evident when the strongest characters place power and ambition above all else they crumble.

In life, an individual’s course of action is directed by their nature of motivation. Sometimes, this nature lies so deeply beneath the surface, that people themselves aren’t even aware that it exists. In Hamlet, by William Shakespeare, all of the actions that characters execute throughout the play are naturally motivated by a certain situation or feeling. Some of the characters are motivated to commit brave and heroic acts, while others may simply be encouraged to do the right thing. People can often become pusillanimous when they think too carefully, however, the nature of their motivation is what decides if they will complete the feat or not. In Shakespeare’s Hamlet, the nature of motivations that direct an individual’s course of action are mostly clearly represented by love, ambition, and revenge.

    Hamlet is many things: scholar, speaker, actor, and prince. His greatness shows in all of activities, save one: his inability to act. Hamlet is not able to avenge his father's death without considerable delay. There is a flaw in Hamlet's character that causes him to postpone the murder of Claudius - this flaw is Hamlet's idealism. While idealism is normally a good trait, in this case, because of the unusual circumstances, Hamlet's idealism causes great conflicts within him.

Shakespeare's drama Hamlet has become a central piece of literature of Western culture. It is the story of a prince named Hamlet, who lost his father. Soon after that he has to confront multiple obstacles and devises a series of situations to defend the new king's royalty. Furthermore, he had to prove that King Claudius, who was the prince's uncle, had killed Hamlet's father. This story has remained among the most popular and the most controversial plays around the world. It generates controversy for all the doubts that this play leaves with the readers. One of the most questioning situations in the play is the delay of Hamlet in avenging Claudius' for his father's death. As a reader this

In the play, “Hamlet” by William Shakespeare, Hamlet struggles to restore honour and certainty in the kingdom. Hamlet’s father, the true King of Denmark was murdered by Claudius so that Claudius could become the king, this was seen as dishonorable as Claudius was the King’s brother, and the right to the throne was not his. Hamlet finds out about the murder and feels he must avenge his father to restore honour and certainty in the kingdom.

In Shakespeare’s play Hamlet, various characters manipulate others in order to gain power and fulfill their personal desires. The character who portrays the most immense manipulation is King Claudius, the brother of the late King Hamlet. Thus far, Claudius advertises himself as a sensible, honorable man who lives to serve the greater good, yet his manipulation exposes his dubious intentions, leaving him with an unfortunate fate.

Hamlet is as much a story of emotional conflict, paranoia, and self-doubt as it is one of revenge and tragedy. The protagonist, Prince Hamlet of Denmark, is instructed by his slain father’s ghost to enact vengeance upon his uncle Claudius, whose treacherous murder of Hamlet’s father gave way to his rise to power. Overcome by anguish and obligation to avenge his father’s death, Hamlet ultimately commits a number of killings throughout the story. However, we are not to view the character Hamlet as a sick individual, but rather one who has been victimized by his own circumstances.

This, in turn, exploits Hamlet’s similar flaw of ego and furthers the conflict, but what’s more, it illustrates Claudius’ sheer audacity and lack of repentance. He continues to try to cover up the sin and appease Hamlet into complacency rather than confess and ask for forgiveness. In a mark of pure arrogance, Claudius tells Hamlet to “throw to earth / This unprevailing woe and think of us / As of a father”, conceitedly requesting that Hamlet merely forget the murder and replace his father with the murderer himself (I, ii, 110-112). Similarly, instead of directly confronting Hamlet about his mental condition, the king more or less hires Rosencrantz and Guildenstern to spy on the prince, again cementing his smug mindset. The king does not believe he can be caught or, rather, that Hamlet is competent enough to figure out his plan and foil him. Claudius, too, thinks only of himself after Hamlet’s inadvertent killing of Polonius, pondering “how shall this bloody deed be answered? / It will be laid to us” instead of considering the ramifications of the murder with respect to Hamlet (4.1.17-18). The other two paper-thin traps the king hatches only reinforce his failure to see beyond the apparent; his attempt to deport Hamlet to England and have him killed reeks of treachery and, luckily, Hamlet realizes the king’s subterfuge, crushing the plot and flipping it back on him. Claudius remains steadfast in his efforts to remove Hamlet, going so far as to set up a

Despite Claudius’s former lack of distress, Claudius’s does wish to be freed from the weighty burden of his sin. However, Claudius’s does not regret the possession he retains from the murder of his brother and confesses “I am still possessed//Of those effects for which I did murder:// My crown, mine own ambition, and my queen. Although, Claudius’s confesses to the murder of King Hamlet and ask for repentance and forgiveness, he is by no means regretful of the effects he now possess, and admits that he is “possessed” by the “crown”, “ambition”, and “queen”. He feels that his soul is struggling against the very notion: “limited soul, that, struggling to be free, art more engaged”(3.3 72-74). Claudius personifies that his soul is stuck to sin, and admits that more he tries to be free, the more it clings to sin. He looks then for divine intervention from “angel” ,so that he can retrograde back to a “babe”, the previous state of innocence he once possessed. Though Claudius begs for divine intervention from God and prays, he does not feel remorseful towards his brother’s death but for the ramifications caused by it; because he is unable to pray for the right cause and repent for his sin, Claudius is unable to receive mercy.

An act as appalling as this would never cross the mind of a person with a healthy sense of sanity. Although he committed this dreadful crime, Claudius was good at keeping secrets; nobody ever knew of his sins. “Claudius is socially adept, and his charm is genuine. He can exhibit deep distress over his ‘dear brother’s death’ and admiration for his wife, ‘Th’imperial jointress to this warlike state.’ He knows the value of a great funeral, but quickly turns mourning into celebration and moves on ‘With mirth in funeral and with dirge in marriage’ to whatever lies ahead” (Claudius). This narcissistic king only cared to bring attention to himself when his kingdom chose to mourn the death of Hamlet. Claudius mourns his brother’s death in public but he only pretends to grieve so that his crime will not seem conspicuous. “Though yet of Hamlet our dear brother’s death the memory be green, and that it us befitted to bear our hearts in grief , and our whole kingdom to be contracted in one brow of woe, yet so far hath discretion fought with nature that we with wisest sorrow think on him together with remembrance of ourselves” (Shakespeare 10,11). Claudius explains that although it is necessary to mourn, life still goes on. He points out the importance of realizing the health and prosperity of himself as the new king, only to take the attention off of the abhorrent tragedy he caused to the kingdom for the sake of gaining power and a

In the play Hamlet, Claudius is known as the villain of the play. He is the lead antagonist who is characterized as a cunning, incestuous, and vile, usurper. Many readers and critics of the play do not dispute this perception, especially after reading how Claudius became the King of Denmark; He steals the throne by poisoning his brother, the previous king, and quickly marrying Queen Gertrude his widowed sister in law (1.5.42, 60-74). The general reading of Claudius’s character paints him to be a corrupt, cowardly politician, in addition to being Hamlet’s (the protagonist) foe. This portrait engages first-time readers to judge Claudius immediately and although this perspective of his personality is proven to be true, it is limited. Claudius

The play ‘Hamlet’ written by William Shakespeare had many aspects of betrayal, a lack of loyalty, and tragic deaths. The storyline begins as a ghost appears and he resembles the late king of Denmark ‘Hamlet’. King Hamlet was Hamlets father, after his ghost appears Hamlet conversates with the figure and asks him why he is here, and the ghost states that his brother Claudius poisoned him by pouring poison in his ear while he was asleep, married his wife and finally took the power of the throne. Already in a confused state of mind Hamlet questions the ghost and decides to act delusional and put on a play to decide whether he will get revenge on Claudius. Consequently, one can tell how selfish both brothers Claudius and Hamlet are, how much do you have to hate your own family to commit such hatred. Ultimately blood is not thicker than water.

     Claudius’ lies are effective enough to persistently deceive to play’s antagonist, Hamlet. Despite Hamlet’s disgust with Claudius for marrying Gertrude, and his view of Claudius as “a king of shreds and patches” (III.iv.104), Hamlet suspicion of Claudius as a murderer is preliminarily nonexistent. The appearance of a spirit claiming to be Hamlet’s dead father first alerts Hamlet to the actions of “that incestuous, that adulterate beast, /With witchcraft of his with, with traitorous gifts” (I.v.42-3). And yet still, Hamlet remains hesitant to believe that Claudius was the murderer, searching for complementary evidence. The play that Hamlet enacts -- designed to “catch the conscience of the king” (II.ii.562) --succeeds in revealing Claudius’ guilt, but does not provoke instant action on Hamlet’s part. So effective is Claudius’ manipulation of the royal circle that he manages to almost permanently stay the revelation of his guilt, and if it weren’t for supernatural intervention against an injustice, he may never have been exposed.

William Shakespeare’s dramatic presentation of disillusionment within Hamlet, to a great measure presents the notion that the quality of a leader is derived from one’s possession of integrity. Hamlet’s disillusionment which emerges from the discovery of Claudius’ regicide and the usurpation of his father’s divine position, produces a plethora of human dilemmas, such as the moral struggle between renaissance and medieval ideologies, the paralysing effect of uncertainty and the defining nature of mortality. Thus by exploring the universal complexity of human condition and its ability withhold integrity, Shakespeare connects to audiences of various historical contexts.