Ambition In Julius Caesar

Cassius’ actions are motivated by his own personal agendas as well as his intense feelings of jealousy and thirst for power which is imbued in the conspirators murder of Caesar. In fact, Caesar himself claimed that Cassius was a “dangerous” man due to his “lean and hungry look.” (25) In other words, Cassius possesses a great ambition. His ambition is fueled by the hunger he has for power.

From a young age, Julius Caesar was introduced to the politics of Rome through his family’s connection to Marius. Growing through his adolescence in both the proscription period of Marius and the dictatorship of Sulla, Caesar gained a lesson in extra constitutional advancement in the early career of Gaius Pompeius Magnus. Both Marius and Sulla distinguished themselves in the Social War, and both wanted command of the war against Mithridates, which was initially given to Sulla; but when Sulla left the city to take command of his army, a tribune passed a law transferring the appointment to Marius.

Titus has a dream after the party. He's on a cool site where all these neat games are for free, but he feels something nudging at him, like someone trying to communicate. More happened in the dream that was very vague. For some reason Titus only remembered it weeks later and not right when he

Throughout the play, The Tragedy of Julius Caesar, Cassius struggles to free himself from his greed for power, this want for power is ultimately the catalyst for the entire play. Cassius´ desire for power leads him to conspire against Julius Caesar. In Act One, Cassius´ clear envy of Caesar's power further motivates Cassius´ power hungry ways. His speech distinctly emphasizes his resentment and jealousy of Caesar, stating how weak Caesar is in comparison to himself, and that now Caesar has ¨become a god¨ with Cassius forced to ¨bend his body if Caesar carelessly but nod on him¨. Establishing that Cassius believes that Caesar is undeserving of the power which he has gained.

Theme in literary works is used to show the reader an underlying message and moral. William Shakespeare uses theme in an impactful way. Julius Caesar written by William shakespeare has three dominant themes of manipulation, bloodshed brings about bloodshed, and power corrupts.

Ambition is having or showing a strong desire and determination to succeed, some ways ambition can be positive is if you have a goal, you want to succeed and you can work hard for it. Another reason ambition is positive is you could have a goal which could help others. Some ways ambition is negative, you could do horrible things to get to your goal which would hurt others also you could endanger yourself. Julius Caesar was an ambitious dictator who had an enormous self ego, Julius Caesar “ sought glory for himself at the expense of the republic.” He also “ increases the number of senators to add to his number of supporters.”

Brutus, Cassius, Caesar, and the other Senators held the power to do things others could not. With this authority came their ability to use poor judgement. In William Shakespeare’s tragic play Julius Caesar the theme Power Corrupts is arrayed thoroughly. Murder, treason, and ethical/moral corruption were three prevalent themes that proved the overall topic of Power Corrupts.

There are many different themes for the play Julius Caesar, but the most pronounced theme would be betrayal. Betrayal is going behind someone’s back and turning on them, or in this play even killing someone who you once looked up to. The conspirators claimed they had many reasons to kill Caesar, but that does not change how they once felt about him. Betrayal is a dark and horrible thing that people do to those whom they “loved.”

This marks the end of the song, and reminds the audience who Caesar was and who he will always be to both Rome and the

“Even the noblest men can be seduced by power; it has the power to kill, to distort, and to corrupt” Through this passage, Matthew Sims captures in essence how individuals often turn to betrayal and deception in order to gain their heart’s desires. This characteristic is not only present in life, but can also be seen in modern and classical literature, including the well known work of Julius Caesar. In Shakespeare’s Julius Caesar, the lust for power transcends any one individual and ultimately leads to death and corruption of not only Caesar, but also of Brutus and Cassius. The play begins with Caesar parading through the streets of Rome as he triumphs in his victory over Pompey. However, Brutus, Cassius, and many others hatch a plot to

Brutus thinks Caesar is ambitious because he thinks evil can come from good. They would be giving Caesar too much power to cause damage. It would cause Rome to collapse. He felt having too much power would turn him against Rome. Antony was a good leader because in his speech he said ‘when the poor cries, Caesar cried too’.

The definition of ambition is a strong desire to achieve something, usually requiring determination and hard work. The Tragedy of Julius Caesar is a tragedy written by William Shakespeare based on true events from Roman history. This play demonstrates ambition through Caesar. Caesar is a highly successful but ambitious political leader of Rome. The people of Rome wanted him to become their king, and conspirators saw that as a threat. Many of the conspirators feel that he is too ambitious and going to become a tyrant, so they plot to murder him. Caesar’s ambition is also what worries Brutus, and ultimately leads to Brutus joining the conspiracy to murder Caesar. The conspirators along with Brutus successfully murder Caesar. Throughout the play there are multiple instances where Caesar’s overly ambitious character was detrimental and lead to his downfall. The Tragedy of Julius Caesar written by Shakespeare, through Caesar, demonstrates how ambition may be the force propelling one towards accomplishment, it can still lead to one’s downfall.

As society lacks critical thinking, people let those in power manipulate them to get a taste of power. When Caesar returns from the battle with Pompey, the people of Rome are rejoicing in the streets. Yet Marullus accuses that “[the men of Rome] have hard hearts” and “[do not remember] Pompey” (I.i.32-37). The people of Rome abandon Pompey’s side as soon as Caesar wins. If they join Caesar, Caesar will like them more and their fellow citizens will continue to respect them. If they align with Pompey, the masses will attack them because Pompey’s army no longer has all it’s honor and power. Similarly, when Cassius is asking Brutus about his thoughts on Caesar, he philosophizes that “men at some time are masters of their own fates: the fault, [Brutus], is not in our stars, but in ourselves, that we are underlings” (I.ii.139-141). Cassius’ statement explains that the less power someone has, the less control of their fate they have. Because Brutus has a huge amount of power as Caesar’s friend and as a senator, the people of Rome honor and respect him. Brutus aligns himself with Caesar and Cassius

Shakespeare shows how power and the prospect of power changes people through the character of Brutus. Brutus’ attitude changes as he acquires power and detects the possibility of being powerful. Originally, everything Brutus does is for the good of the people and Rome itself. He recognizes that he has “no personal cause to spurn at [Caesar]” (I.I.11); however, he considers doing it “for the general” (I.I.12). Power has not yet changed Brutus’ attitude; he still focuses on the good of Rome as a whole and not just gaining power for himself. As the play continues, Brutus’ ongoing internal struggle of whether or not he should kill Caesar ends when he decides to kill him. He wants to kill him in a very specific way so that the people hate Caesar rather

In Shakespeare’s Julius Caesar, there are many themes portrayed throughout the book. In Julius Caesar, act I to his death in act III, many characters showed different sides to them, which shows that not everyone is what they seem. Three of the many themes showed in Julius Caesar include abuse of power, betrayal, and how one presents themselves in public and in private