Term Paper: American Beauty
What are the costs of living in a success-driven, consumer-oriented, image-obsessed society? This challenge to contemporary America’s suburban culture finds a voice in Sam Mendes’ 1999 movie American Beauty. The film’s complex subtlety underscores its implication that subtlety itself is a casualty in our society. American Beauty’s tagline exhorts viewers to “look closer,” but the film expresses ambivalence concerning what is revealed by closer inspection. On one hand, protagonist Lester Burnham (Kevin Spacey) and his young neighbor Ricky Fitts (Wes Bentley) speak of the unappreciated beauty surrounding us; however, Lester also begins to question the values of a world that seems perfect but is actually a
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Mendes and cinematographer Conrad Hall substitute film of a lower resolution to add realism to shots supposedly filmed with Ricky’s video camera. Black and white footage in the closing montage sequence differentiates Lester’s memories of his life and family from the story time of the flashback that makes up the rest of the movie. However, the most important feature of American Beauty’s camerawork is the use of the technique to reinforce the message of the movie’s tagline, which tells viewers to “look closer.” Though zoom-out shots occasionally appear – most notably in the closing helicopter shot – they are far outnumbered by zooms that bring the audience closer to the subject. This preponderance not only contributes to the film’s theme but also emphasizes zoom-outs, particularly in the final shot of the film. Ricky makes abundant use of the zoom feature on his camera, and because his subject is often Jane, close ups on her are common. One particularly interesting example appears in the scene of Angela spending the night with Jane in the movie’s first section. The girls notice that Ricky has spelled out “Jane” in the yard in burning letters. Surmising that Ricky is filming them, Jane retreats flustered while Angela, ever the exhibitionist, dances at the window. Rather than focusing on Angela, the crass, unsubtle beauty, Ricky zooms past her to settle on Jane’s face reflected in a mirror. From her faint smile – an
Every movie or a short video is like a novel or essay that either tells a story or tries to make an argument. Like any novel or essay, a video also has its own rhetorical devices in the forms of camera angles and movements as well as lighting and organization. Camera angles and movements are quite useful to direct or inform audience to and about events in the video. For example, from the beginning to the 30-second mark we used an establishing shot to provide the location and to establish the main cast of the video. Then from the 55-second mark to the minute and five-second mark, a zoom is used to direct the audience toward what Joey is researching. Zoom is a good technique to easily guide the audience and ensure they are focused on the video,
American Beauty is widely described as a drama because it is a narrative that identifies relatable emotional struggles that persist in suburban life, yet American Beauty portrays so many other elements that could lead viewers to categorize the film into different subgenres based on intertwining conflicts and scenarios throughout the movie. Because of the untimely death of multiple major characters, the film could be deemed a tragedy; Jane and Ricky’s relationship displays elements that are common in romance films; Lester’s grim, yet humorously depressive perception of his life is typical of dark comedies; and the use irony, ridicule, and dry humor creates a satire of the American
The Scene shows the conversation between Lester (employee) and Brad (manager of the company). Towards the start of the scene, Lester is frustrated with his life. His wife is so worldly and they hardly determine each other, and his young offspring cannot determine both of them. He is working as a writer in the media magazine, he is caught for a difficult and futile occupation.
The utilization of close-ups and zoom-ins allows the audience to get to know the characters. It shows the wear and tear on the characters faces. We can see the pain, the hurt; we’re able to feel how tired the characters are from their deep sighs and the dark circles under their eyes. Michael Mann wants the audience to become as close to the characters as possible. We are introduced to Al Pacino during a sex scene, that’s about as intimate as the character-to-audience relationship can get.
Do you think that ad trying to sell you Coca Cola really works? No, right? Well maybe it does affect your decisions more than you know. The use of mass media in Nazi Germany significantly affected the opinions, decisions, and overall life of many people. It defined the enemy, kept morales high, and according to Hitler’s ‘Mein Kampf’ could be used as a weapon. Propaganda was a powerful tool especially during Hitler’s reign.
What does one think when the word beauty is heard? Some may think about physical attraction, while others may have their own perception of what defines beauty. American Beauty (1999) is an American film directed by Sam Mendes. The characters throughout the film experience their own idea of happiness, or the beauty in America, in different ways. For Lester, it is an uncontrollable desire to have sex with a young girl named Angela that is friends with his daughter, Jane. Carolyn, Lester 's wife, has nothing but success in the real estate business on her mind. Her dream is to be the most successful real estate agent in her city, and she will not let anything or anyone get in her way. For Jane, the idea of happiness comes with being physically attractive to the opposite sex. And finally for the war torn neighbor, Colonel Frank Fitts, beauty is defined by having a normal, structured, happy American family. The overall objective of this paper is to take a closer look at what it means to live an American life, and focus on how these characters portray their idea of American beauty.
The book of First Timothy gives us a great point of view of the relationship of Paul and
American Beauty is an American satirical drama directed by Sam Mendes. It was first released in late 1999 and won many awards, among them five Academy Awards in 2000. The movie depicts the life of Lester and Carolyn Burnham played by Kevin Spacey and Annette Bening. Lester, a 42-year-old magazine writer and advertising executive, and Carolyn, an ambitious real estate agent, reside in an unidentified, well-to-do American suburb together with their teenage daughter Jane. This essay seeks to examine how suburbia affects these two main characters.
“Your total comes to $7 billion.” This is the amount of money americans spend each year on cosmetics, they are willing to pay anything to look and feel beautiful. Most people do not even think twice before buying a product or service that will benefit their beauty. Americans are obsessed with beauty, it starts at childhood, then adulthood, and continues until the day they die.
American Beauty (1999) is directed by Sam Mendes (also the director of Skyfall and Spectre) and stars Kevin Spacey which examines the “ordinary” occurances of a family who live a desirable life but are unhappy and stagnant. Kevin Spacey plays the role of Lester Burnham, a suburban father and who is tired of his boring job and family. Within the film are many themes, the most important of these being lust and beauty. The film applies many visual effects to demonstrate the overall desired tone, and helps to implicitly present a false sense of the “american dream”. American Beauty demonstrates a clear presentation of longing within relationships or lifestyles, and uses filming techniques to imply these hidden themes.
American Beauty is one of many movies with characters who act a different way in their private, rather than in public selves. Furthermore, appearance versus reality sinks in when they are alone and no one is around to see. Carolyn and Lester, a wife and husband whose life seems almost like a perfect one. A nice house living in the suburbs, fancy furniture and two jobs is what a family asks for to be able to be happy and comfortable. On the contrary, Carolyn sees the value of all nonliving things as her possession, almost like she’s obsessed for that to be successful in life and at the beginning of the movie she shows us her weakness. Also, flirting with other men rather than keeping her husband Lester happy in their private life. A good example is while Carolyn and Lester are
The shot itself produces a real-life effect that is pleasing to the viewer as it invites them to enter Cher’s world, while the sharp focus and high key lighting emphasizes what a bright sunny day it is at the Beverly Hills High School and contradicts with the events that will unfold as the plot progresses.
American Beauty, a film that was written by Allan Ball and directed by Sam Mendes in 1999 is a unique piece that demonstrates many sociological themes throughout the development of the plot. The characters strive to portray themselves as the All American Family. They live in a nice house, drive nice cars and seem perfectly normal to the general public, but the audience is allowed to view the deep set issues that plague the main characters; Lester Burnham (Kevin Spacey), Carolyn Burnham (Annette Bening), Jane Burnham (Thora Birch), and Jane's best friend Angela Hayes (Mena Suvari). As the plot develops there are many obvious parallels relating the lives of the characters to Merton's Strain
"Does this make me look fat?” Everyone at one time or another has experienced this iconic question in some way. Your best friend may have asked it, as she was getting ready for a date or maybe you muttered these words to yourself as you stared disapprovingly into a mirror; either way, this six-word question alludes to a standard of beauty that everyone strives to meet. A standard of beauty that is almost impossible to meet. The definition of beauty has evolved greatly over the years and it differs from culture to culture. Today, western culture idolizes the woman who is “thin, large breasted, and white (tanned, but not too brown)” (WVFV, pg. 220). This woman is one that millions of women strive to look like in
After, making herself unrecognizable, nobody stares at Cléo and even after going up to the jukebox in the café and turning on one of her songs, the people around are more annoyed than pleased with her presence (Cléo From 5 to 7). Yet, Cléo appears to be upset and restless by the fact that no one is giving her the attention she is accustomed to (Neroni 125). However, as the movie continues and Cléo meets more and more people and explores the world further while walking aimlessly, Cléo comes to grips with the fact that she may no longer represent society’s expectation of beauty if she does have a horrible skin condition. Thus, “Cléo sheds her synthetic self and finally reaches a state of calm self-awareness” (Elkin 220). However, before Cléo