American Impressionism During The Nineteenth Century

Claude Monet was a French artist of the late 1800's and early 1900's. He used very gestural brush strokes in many of his painted, making them less realistic like any of the artist were doing at the time. He was thought of as the father of Impressionism. Impressionism is taking a image out of the realism skim and making it looked less "real" and instead more of a painting. This is done by the long and large brush strokes in many of Monet's pieces, making them an "Impression" of an image rather than going for a photographic look. The movement name actually came from reviewers stating that the work was an impression of an image rather than its own piece of art.

Impressionism is an art movement which was developed in Paris in the 1860s which continued to the early twentieth century. In impressionism, artists have captures beautiful moments just like while taking a photo. Impressionist paintings were almost to the nature showing the environment. Paintings were colourful, mixture of colours, showing different tones of colour were applied to artworks. Here are some of the famous Impressionist artist : Edouard Manet, Camille Pissaro, Edgar Degas, Alfred Sisley, Claude monet, Berthe Morisot and Pierre Auguste Renoir.

1.How did Gericault talk about particular conditions of human life in his art work? Gericault was Romantic artist who painted scenes of suffering. Typically, the suffering was connected to war. Nonetheless his painting displayed a sense of insanity regarding war. These paintings were caught in the public’s eye giving them a visual of what occurs during battle. In addition, Gericault work was influencing regarding suffering of human life.

“... from the classically executed lifelike bouquets, tempting you to reach for the petals that fell on a three-dimensional tablecloth, to a new and disturbing style in which the colors seemed to blaze with such intensity they destroyed the old lines, the old solidity, to make a vision like those states which I'm nearest my delirium and flowers grow before my eyes and crackle like the flames of lamps.” (Rice) (Background of Impressionism) The first impressionist artists of the 19th century started the most famous French painting revolution by challenging prevailing art standards for art relating to realism and naturalism due to the writings of Freud and Baudelaire the resulting art reflected the increasing belief that the

Impressionism is a style of painting that emerged in the mid to late 1800s and emphasizes an artist's immediate impression of a moment or scene, usually communicated through the use of light and its reflection, short brushstrokes, and separation of colors. Impressionist painters often used modern life as their subject matter and painted quickly and

Impressionism began in the mid-1800 's while Paris was the artistic capital of Europe. While Impressionism was rejected by the Salon de Paris, numerous artists grouped together so they could finally paint what they wanted to paint. Impressionists broke away from traditional artists who covered their canvas with dark undercoats versus the Impressionists painted on a white or cream-colored background for a brighter look. What attracted many to impressionism paintings was the shift from paintings focused on religious beliefs, historical moments, and influential people to art that emphasized both beauty and feelings. Two of the most well-known impressionist artists are Claude Monet and Vincent Van Gogh. Even though Monet and van Gogh were

Impressionist painting was the beginning of a cultural shift away from religious and mythic themes, to subjects and styles that are less static such as everyday life of the general people, and the fleeting moments around them. As history progresses, so does art and the movements they create. The impressionism movement started in an already war-ravaged France where the evolution of ideals and way of life were as impermanent as the subject of the paintings of the time.

The Impressionist period describes a group of painters living in Paris France between approximately 1867 and 1886. Although the Impressionists ' acquired their name in 1874, the Impressionists ' techniques developed during the late 1860s. This group of painters was differentiated by breaking away from the strict academic thoughts on painting, liberating themselves from the rules and traditions of the painters of the time. Impressionist focused less on achieving perfectly finished and realistic works of art, and focused more on portraying their immediate impressions of daily scenes. They sought to objectively record reality in terms of moving light and color instead of the traditional stationary light and single focal point used at the time. The Impressionists didn’t feel the need to paint based on a story or historical subjects, they instead took their easels outdoors painting scenes of modern life, and daily middle-class activities, observing nature in a way that was impossible while working in the confines of a traditional studio. They used thick layers of oil paint, often having visible rough brush strokes which gave the appearance of being quickly painted. These original Impressionists artists were rejected by the government sponsored exhibitions, or salons, and began holding their own independent show in 1874. Because of this independence they faced strong resistance from the conventional art community in France. The name Impressionism is draw from the title of a

After Realism, a new style of art called Impressionism was developed around the end of the 19th century called. Impressionism was initially organized by a group of artists called the Anonymous Society of Painters. This group was composed of many artists including Claude Monet, Auguste Renoir, and Camille Pissaro, as well as many others (Heilbrunn Timeline of Art History). These artists were all quite independent and their styles varied considerably, but they were unified by their difference and exclusion from the annual Salon held at the Louvre. Impressionism was developed partially due to new scientific research in color theory, and partially to artists taking a step back from painting politically and returning to painting for their own enjoyment. Impressionist artists would use dabs of complementary colors right next to each other instead of the secondary color that they wished to create, because they realized that humans would perceive the color as mixed if they looked at the painting from the proper distance. Impressionists also kept the imagery very flat to remove depth in order to maintain the strength of colors. Lastly, Impressionist artist, especially Monet, used bold variegated brushwork that changes from each object to give the painting a shimmering quality. Claude Monet was a key figure in the impressionist movement. He was born in 1840 and raised in Normandy. Monet, influenced by Barbizon painters and Japanese woodblock prints, painted huge asymmetrical

Instead of detailed, accurate and photo-like paintings of the contemporary life of realism and romanticism, Impressionist painters used more blurred brush reality to the canvas (Strickland). Impressionist artists used specific techniques such as unblended colors and quick, short brush strokes allowing for a unique play on light. An Impressionist artists' goal was essentially to “objectively paint reality in terms of transient effects of light and color” (Strickland). The artists of this movement would paint vibrant contrasting colors directly onto the canvas, which was a great contrast to the traditional art of blending somber colors. Confused and ridiculed by this technique, the Salon of the French Academy consistently rejected most of the artwork done by Impressionist artists. These rejections of artwork eventually led a group of artists to organize their own exhibitions, Exhibitions of the Independent Artists.

moment, especially in terms of the shifting effect of light and color.” But I think that

The Impressionism era was a very important movement in the history of art. The artists

The Impressionism Movement affected the evolution of modern art.This is due to the introduction of painting 'en plein air' and the style which is recognisable by short brushstrokes, intense pure colour and natural light.Consequently, landscapes both in the city and the countryside became their most natural and influential subject. Emerging artists found the limitations of Impressionism frustrating.Therefore, they wanted to push the

Impressionism is an art movement that surfaced in Paris in the 1870s and it was one of the first clear divisions from the traditional European painting styles of the past. Along with the art movement came the addition of more exact colour tones to represent the world around us. Many of the impressionists painted outdoors so that they could pay more attention to colour and light. This lead to many of the paintings from this movement being done of outdoor scenery. Although using more exact colour tones would have created an even more exact depiction of the object, scenery or person being painted, other factors were added in to take away the realistic approach. Also, when it comes to the topic of colour usage, the artists typically went for bolder colours that were bright and vibrant. In addition, the paint was applied onto a canvas with very small brush strokes. By using small brushstrokes, it gave the visualization that the viewer was looking at a scenery in an instant; just as their eyes quickly glanced over it within a moment. This art form was the link that divided off into what we now know as modern art during our time period as it is a definite division of what was common art back then. The different approach to art by making things slightly altered from the original piece has allowed us to arrive at abstract art which is now made.

People judge a book by its cover. It is the ultimate truth, contrary to the popular adage. Being judgmental of someone or something by the physical features is a natural human instinct. Accordingly, in today’s world, book publishers hire illustrators to make aesthetically pleasing book covers to accompany their writing. They are designed to grasp attention when the books are displayed among other books. This is why I decided to research about why a particular book cover was chosen and how it was related to the story. Katherine Mansfield lived through art periods known as Impressionism and Post-Impressionism. Impressionism is “a style or movement in painting originating in France in the 1860s, characterized by a concern with depicting the visual