American Political Thought - Benito Cereno Analysis

“The Autobiography of a Runaway Slave” revolves around the life of Esteban Montejo: who once set his life is the Caribbean island of Cuba; in which this story provides readers with another distinctive approach to teaching the lives of slavery. As the narration progresses through this writing, readers consequently have many opportunities to annotate how the abolition of slavery played a great role in his personal life. Evidently, whether it is intentional or unintentional, the narrator frequently mentions the ending of slavery, as he substantially detailed “…till slavery left Cuba,” (Barnet 38); “… I got to know all these people better after slavery was abolished,” (Barnet 58); and “It was after Abolition that the term ‘effeminate’ came into

“The Horrors of a Slave Ship,” describes in detail, the tragic experiences of Olaudah Equiano as a captive slave. Equiano suffered many sleepless nights; he was flogged and kidnapped multiple times. In the article, the author is trying to give the reader the feeling by giving details of the brutally floggings and desperation as many slaves suffocated to death as they were placed in an overcrowded deck. Overall, the author tries to give readers their point across of the difficulties in being a captive slave.

Some Africans did not go without putting up a fight. For instance, Captain Tomba led many villagers “in burning huts and killing neighbors who cooperated with slave traders” (14). He was later captured and sent to the slave ship where he would be sold in the New World. The slaves also resisted by refusing to eat. Most of them decided they would rather have death than to live the lifestyle on the slave ships. The captains punished those who refused to eat by giving them lashes to the bare skin until they decided to eat. Olaudah Equiano could be considered one of the more fortunate Africans involved in the slave trade. Rediker uses Equiano to show how Africans were kidnapped and brought to the slave ship. Equiano was home alone with his sister when he was snatched by a neighboring enemy tribe. Tribes were kidnapping each other to sell to the slave traders for goods and even weapons. Equiano was separated from his sister and sold off to merchants before actually boarding the slave ship. He mentioned several times how he would rather die than be on the slave ship. He noticed right away that “the slave ship was equipped with nettings to prevent precisely such desperate rebellion” (109). Equiano went to the Americas and was left alone when none of the merchants purchased him. He was sold to a captain and boarded his ship back to England. On this slave ship, he was treated much better. He got to stay on the deck and eat better food than he had

In this, however, it depicts the complex journey of the African slaves that struggled to become equal. In addition, Equiano’s use of imagery clearly depicts the journey of the Africans slaves, such as “The closeness of the place, and the heat of the climate, added to the number in the ship, which was so crowded that each had scarcely room to turn himself, almost suffocated us" (45). Through the portrayal of this vivid imagery, the reader can feel the distress of the slaves in which they encountered the journey of the “Middle Passage.” He emphasizes his emotions, ideals, and thoughts through the imagery. With the uses of this vivid imagery along with high diction and intricate sentences, Equiano successfully attempts to inform the reader of the horrid journey of slave transportation. However, it is not only his unique style alone that fulfils his rhetorical purpose of depicting the appalling slave experience; in addition, his several rhetorical devices aid to do so.

The concept of property has long been one of the most crucial aspects for the U.S. citizens, as it is a major part of the Constitutional, and, therefore, human rights. Although the perception and understanding of “property” have been considerably changed, especially in terms of political and philosophical vision, it still has a particular meaning for the Americans. In general, the idea of property is the question of the political thought and conceptualized thinking common for the United States. In most cases, its transformations are connected to the introduction of capitalism and related governmental decision in politics. Therefore, as any other topic, the value of property has undergone harsh debates. In particular, such important figures as James Fenimore Cooper, Ralph Waldo Emerson, and Walt Whitman have developed a fundamental scope of analyses with regard to the property rights in America.

In Herman Melville’s mysterious novella, “Benito Cereno”, Captain Amasa Delano observes, what appears to be, a distressed Spanish slave ship navigating into the harbor of St. Maria. Disregarding the opposition from his crew, Captain Delano leaves his ship, Bachelor's Delight, and approaches the foreign vessel, San Dominick, via a whaleboat. In addition to offering water and provisions to the vessel in distress, Captain Delano encounters—who appears to be in command of the vessel—Don Benito Cereno, and his “faithful” negro servant Babo. Throughout the novella, Captain Delano witnesses many suspicious behaviors from Benito Cereno, Babo, and the other slaves on board. Although Captain Delano has mixed feelings about Benito Cereno, in which he often views him as a “paper captain” who has “little of command but the name”, Captain Delano fails to latch onto his intuition of who is truly in command of the ship until it’s almost too late.

Equiano’s luck soon shifted when he was once again kidnapped and sold as a slave, this time he would have to endure the notoriously dreadful journey across the sea to America. Knowing that this was a pivotal point in his life and that he would become a gudgeon to the harshness of slavery, Equiano attempted to prepare himself for what lay ahead. However, the sight of the inhumane acts he witnessed on the African coast, while being transported, were new to Equiano and instilled fear into his consciousness.

The works of Herman Melville and Frederick Douglass are both centered on the topic of slavery. Although both texts are similar in the sense that they focus directly on the theme of slavery, the functions of each work differ drastically. The differences in the works stem from both the style of the text, and the way that this style functions in accordance with the reader. Although Herman Melville’s Benito Cereno is drawn from an actual event, Melville embellishes and alters the event in the style of prose. The prose style used by Melville invites the reader to question the story while understanding that the majority of the work is fictional. The confusion of Captain Delano is brought onto the reader, and therefore engages the reader because of the limited point of view the story is told in. Frederick Douglass’s Narrative of the Life of Frederick Douglass tells of actual events that occurred using twentieth and twenty-first century plain style. This style of writing does not ask the reader to question what he is saying, but feel his emotions as they read the narrative. Although readers may understand both works to be stories about slavery written differently in terms of style, I argue that the way the texts are written sets up the readers interpretation of them. Melville and Douglass differ because Melville’s work invites the reader to think, whereas Douglass’s work invites the reader to feel.

When we assess the evils of slavery, we typically think of the North American slaves plight. We think of the beatings, murders, hangings and mistreatment of the Southern slave. But what about the slaves of Latin America? Who hears their cries of woe because of their evil slave masters? Is their treatment the same of their brethren under slave rule in North America? In order to answer these questions, it is necessary to look into the lives of both North and Latin American slaves. For our purposes, we will utilize two slave narratives. One account will come from the North American slave, Frederick Douglass, and his

Early American Literature reflects many conflicting differences in the presentation of slavery during that time period. Through the two chosen texts, the reader is presented with two different perspectives of slavery; Frederick Douglass’s narrative provides a look at a slave’s life through the eyes if a slave while Benito Cereno showcases the tale of a slave uprising from the viewpoint of the slave owner.. Benito Cereno’s work shows the stereotypical attitude towards African-American slaves and the immorality of that outlook according to Douglass’s narrative. Cereno portrays the typical white slave owner of his time, while Douglass’ narrative shows the thoughts of the slaves. The two stories together show that white Americans are oblivious to the ramifications and overall effects of slavery. These texts assist a moralistic purpose in trying to open up America’s eyes to the true nature of slavery by revealing it’s inhumanity and depicting the cruelty that was allowed.

Captain Amasa Delano is an interesting embodiment of white complacency about slavery and it's perpetuation. Delano is a human metaphor for white sentiment of the time. His deepest sensibilities of order and hierarchy make it impossible for him to see the realities of slavery. Delano's blindness to the mutiny is a metaphor for his blindness to the moral depravity of slavery. The examination of Captain Delano's views of nature, beauty, and humanity, allow us to see his often confusing system of hierarchical order which cripples his ability to see the mutiny and the injustice of slavery.

Ghostly representations of “the other” imagine a social evil that has not been put to rest. These images reoccur in the Western canon, marking the persistence of slavery long after its abolition. Haunting, ghosts and skeletons in Benito Cereno act as a vehicle through which the suppressed return to the stage with a message. The ghosts carry with them all that the imperialists wanted to control, including emotions, and more precisely, the emotions of the oppressed. I argue that ghosts and skeletons comprise an area of tension in which the appearance of the “other” reveals that the dominant party’s control is incomplete. Yet, the presence is merely ghostly due to the constant policing and lack of respect for the Other. These ghosts also break through the boundaries of the dominant culture’s paradigms and identities (Harpham 17), signaling potential political crisis. This text signals the fear of the retaliation of the Other through ghostly representations by projecting on to the other, their own identities of brutality and irrationality. “Benito Cereno” by Herman Melville overturns the racist images of the colonized by relocating evil in the order of slavery. Hauntings carry the perspectives and powers of the slaves by preserving the dead amidst the living and the past amidst the present, they muddle up the concept of time and therefore defy the Western dream of complete control.

The ignorance of Captain Delano in Benito Cereno can be accredited to his racist convictions that guide his perception of the ship’s perilous situation. However, is Delano at fault for his racism? When rethinking the racism in Benito Cereno under the context of Althusser’s theories on ideology, racism is an ideology forcibly implemented on the subject through the social institution of slavery. Delano’s actions and thoughts throughout Benito Cereno prove that his racism is a result of a socially imposed ideology and challenge the modern ideals of racism that place the blame for racist attitudes entirely on the racist subject. Delano is the subject of a racist ideology and has been forced into that ideology through the social apparatus of slavery

Captain Delano is shown as a bit of dense character for his inability to see the truth of what happened on the San Dominick. When he meets Babo he is amused at how well he takes care of his master, Captain Cereno, he stays along side him linked by the arm. He even thinks to himself how great it is to have such slave that appears to be more of a friend or companion than a manservant ( Nixon 369). While aboard there are many things that Captain Delano sees which rise his suspicion, however he chooses to disregard or forget them as the story progresses. He sees a young slave boy hitting another young Spanish boy, to which he tells Captain Cereño hoping to get him to do something about the situation, but Captain Cereño dismisses the incident.(9, left column) In return Captain Delano also dismisses the incident and continues on with Captain Cereño. He gives all his trust to Captain Cereno, because to his belief and understanding

"Benito Cereno" tells the story of a slave revolt on a ship at sea. Schiffman, Adler, and Kaplan argue that Melville wrote the story as a comment on slavery. Schiffman and Adler contend that Melville's novella is a clear indictment of slavery. Kaplan takes the