American Psycho Book to Movie Essay

Have you ever had a discussion with someone person and the first thing you hear, that person is a psycho? What the individual is really describing is a person who is believed to be insane or crazy based off of the way the person interacts with others or along. The movie that I chose to watch is American Psycho. This movie is about a materialistic, wealthy Wall Street investment banker who has a double life in which one of the lives he lives is as a serial killer.( Harron, M Director ,2000, April 14). He is addicted to drugs, sex, and conspicuous consumption. He is obsessed with designer clothes, business cards, alcohol, and music such as Whitney Houston, Robert Palmer, Huey Lewis, and many other artists. Most people think they know the answer after watching this movie but director Mary Harron's answer might surprise you there is a long list of evidence supporting the claim that Patrick Bateman has to be imagining everything.

“Men and women can't be friends, because sex always gets in the way”, is the main theme of the movie “When Harry met Sally”. The script is a good example of the interpersonal communication ten stage model by Mark Knapp. This developmental model entails the stages of a relationship from it’s infancy to an ending. In the movie we can clearly identify all ten stages of this model.

The book, and the movie, “the Outsiders” is about a conflict between greasers and socs. Up until the point where Johnny kills a soc, there are mostly only small fights and arguments between the two. The story “the Outsiders” takes place in the 1960’s, when there were two main lifestyles. Greasers and Socs. Greasers are known for greasing their hair. Socs are rich kids who have good clothes, drive mustangs, and always have an argument against the greasers. The main character in S. E. Hinton’s book “the Outsiders” is Ponyboy Curtis. He has two older brothers Darry and Soda. Pony is 14 years old and his best friend, Johnny, is 16 years old. S. E. Hinton wrote “the Outsiders” when she was 17 years old. Her book was published in 1967. The

The Outsiders is a book that has been read by many people. Most of the people have enjoyed the book, but not the movie or vise versa. The Outsiders was very good and had a great story behind it. The reasons why the book is better than the movie are the book gives more detail, people can let their imagination go wild, and the movie leaves out key elements that the book has.

"It's a sin to kill a mockingbird," explains Atticus Finch to his children (To Kill Dir. Robert Mulligan). Neither the novel nor film version of To Kill A Mockingbird is better than one another, just different. "It's no secret that adapting a novel to film can be a perilous affair. A movie, even when it's good, doesn't often convey the feeling of the book it's based on. But in this case screenwriter Horton Foote treated the Harper Lee novel - about a Depression-era Alabama lawyer and his two children - with love and respect, and the director successfully evoked the

In contemporary film making, “Hollywood-ization” generally refers to the re-creation of a classic work in a form more vulgar and sexually explicit than the original in an effort to boost movie attendance. After all, sex and violence sell. However, from the mid-1930’s to the 1950’s, “Hollywood-ization” referred to the opposite case where controversial books had to be purified to abide by the Production Code of 1934.[1] This occurred to many of James Cain’s novels as they moved from text to the genre of “film noir.” As has been said about Cain’s The Postman Always Rings Twice, “The property, bought several years ago, was kept in the studio’s archives until now

In the movie Wit, English literary scholar Vivian Bearing has spent years translating and interpreting the poetry of John Donne. Unfortunately, she is a person who has cultivated her intellect at the expense of her heart. Both colleagues and students view Bearing as a chilly and unfriendly person lost in her private world of words and mysterious thoughts.

Neither the novel nor film version of To Kill A Mockingbird is superior to the other, just different. In the book you delve more into the separate characters while in the film you see the relationships in action. The book gives you a broader view of everything, but at the same time the movie points out everything that seems important. Lastly, the novel shows Scout as a girl caught in the middle, when the movie seems to paint Scout as a girl without a inkling of what is going on.

Slaughterhouse-Five: The Novel and the Movie In 1972 director George Roy Hill released his screen adaptation of Kurt Vonnegut's Slaughterhouse-Five (or The Children's Crusade; A Duty Dance With Death). The film made over 4 million dollars and was touted as an "artistic success" by Vonnegut (Film Comment, 41). In fact, in an interview with Film Comment in 1985, Vonnegut called the film a "flawless translation" of his novel, which can be considered an honest assessment in light of his reviews of other adaptations of his works: Happy Birthday, Wanda June (1971) "turned out so abominably" that he asked to have his name removed from it; and he found Slapstick of Another Kind (1984) to be

To Kill a Mockingbird has been documented as one of the greatest novels of all time. This novel was then turned into a movie; the director had all the challenges of making a movie out of this loved novel. It is very difficult to make a film be so similar to a novel. I believe Robert Mulligan did a good job keeping the film as close as possible to the novel. While there were many differences and similarities from the film and novel Robert Mulligan was able to keep the reality of racism many people went thru in the 1930’s.

As Holden enters the Museum of National History, his fears change into difficulty. He likes everything easily understandable. He is afraid to admit fear but only admits it in a few instances such as “Sex is something I just don’t understand. I swear to God I don’t.” Instead of facing adulthood, he traps himself in his own little childhood world thinking about his dream job, catching little kids that are about to fall off a rye cliff.

Bret Easton Ellis's dark and violent burlesque of America in the 1980s is taken to

In recent years, it has become popular for many of America's great literary masterpieces to be adapted into film versions. As easy a task as it may sound, there are many problems that can arise from trying to adapt a book into a movie, being that the written word is what makes the novel a literary work of art. Many times, it is hard to express the written word on camera because the words that express so much action and feeling can not always be expressed the same way through pictures and acting. One example of this can be found in the comparison of Ken Kesey's novel, "One Flew Over the Cuckoo's Nest, and the film version directed in 1975 by Milos Forman.

American Psycho has been recognized as a brilliant thriller of its time and can legitimately be labeled a scandalous novel. The novel was published in 1991 by the daring author Bret Easton Ellis and was later adapted into a movie production in 2000 by the director Mary Harron. The novel endured nasty criticism to the point of rousing riots and the boycott of the publishing company, Simon & Schuster; who later dropped the publication of the book, due to the negative publicity. Bret Easton Ellis’ novel was convicted of national censorship, and remains censored in select countries. The disapproval of Ellis’ novel was based on the graphic sequences of sexual violence and the

Bateman is in a way sickened by the everyday all-American life he leads, while the reader is sickened by the flip side of Patrick Bateman.