The film American Psycho (2000) turns the gothic narrative on its head, striking horror in serial killers as they transcend back into the reality of humanity. It explores (through the device of genre and film motifs) what it means to be a monster.
The film is a narrative addressing duality of human nature, where the protagonist, Patrick Bateman (Christian Bale), is a wealthy high-class businessman by day and a twisted serial killer by night. All that Bateman wishes is to fit in to society and keep his dual personalities separate from each other. As time progresses, Bateman can no longer control his urges to kill and thus the monster begins to seep into his day life driving him to madness. However, nearing the end of the film, after confessing
…show more content…
Glover further describes gothic fiction as the “unconisous of the enlightenment, a return of the repressed that will shadow the exercise of reason” (Glover 75). The gothic is characterized by conventions that have attached themselves to the genre throughout its development. Further, the conventions of the classic gothic include, the dark house (as a symbol of terror), the contrast of light and dark, and the representation of fear and desire. The film’s complex use of the classic elements of gothic illustrate the transition of a monster to a man as he transcends back into reality, coming to understand humanity once …show more content…
As Glover continues on the subject of the gothic he states, “is the underside of modernity, its persecutory double or sharer shall be” (Glover, 75). Bateman’s sexual desire is shown throughout the narrative, as he frequently watches porn videos, hires hookers and watches himself have intercourse with them in mirrors. However, this primal instinct of desire is often contrasted with his hunger for blood. Often when he has sexual urges they are accompanied by violent and often horrific acts. After having a threesome with two hookers, he beats them before they can leave. The film’s representation of fear and desire is a method used to draw significance from the fine line of fantasy, transcending the duality of Bateman’s nature, between the lover and the
Shocking audiences of the 1960’s, Alfred Hitchcock’s ‘Psycho’ is one of the most influential films in motion picture history, often being referenced to as the the origin of thriller films. Hitchcock successfully incorporates cinematography, music, and multiple techniques, rendering the perfect amount of tension and suspense right until the climax of the film. Thus, evoking the thrill after which the genre is named.
In the literary work Brave New World by Aldous Huxley, both negative and positive impacts of exile are evident. The exile of John the Savage had been from birth, as he was born outside of his rightful “home,” the futuristic society.When John returned home, the effects of his exile were clearly negative, but the learned reader can also understand why his exile may have been the “potent” and “enriching” experience Edward Said suggested.
Since it’s infancy at the beginning of the eighteenth century, horror has followed certain conventions that results in an awakening of the senses, evoking intense emotions of fear and terror in the audience. Horror feeds off triggering the primal fears embedded within all of humankind, creating a sense of menace that is the very substance of this genre. Furthermore, the central menace of a piece tends to enlighten the human mind to the world of the paranormal and the enigmatic, dark side of the unknown. The movie “Psycho” directed by Alfred Hitchcock is a perfect example. Infamous for its shower scene, but immortal for its contribution to the horror genre, “Psycho” was filmed with great tact, grace and art in regards to horror conventions.
One of the main concepts when it comes to understanding film noir, first is the understanding of the definition. Film noir is “a cycle of postwar films that employed low key lighting and were literally dark” (Nichols, 500). In this particular genre, we are in a world where there is a lack of honesty and trust, many cases of seduction and betrayal, and darkness submerges people (Nichols, 250). Moreover, film noir reflects a tone of darkness, “exploring themes of seduction, betrayal, and murder” (Nichols, 58). In this film, we will learn more of how seduction and betrayal is used to express the darkness of the film. Some other traits of film noir that should be understood before exploring the two scenes is understanding the setting. In most cases, “film noir takes place in public spaces such as urban streets, cafes,
Throughout cinema, there has always been space in our hearts for the gore and intrigue that come from horror films. Though they come with different plots, there remains “the monster”, the character that brings along disgust, horror, suspense, and even sympathy. In Alfred Hitchcock’s Psycho (1960), our monster is Norman Bates, the boy next door. This was one of the first times in American cinema that the killer was brought home, paving the way for the future of horror movies. According to Robin Wood in “An Introduction to the America Horror Film” (183-208), Bates follows the formula of the Monster being a human psychotic. This is conveyed through his normal façade portrayed with his introduction, the audience’s ambivalence, the use of
American Psycho is a movie adaptation directed by Marry Harron released in the year 2000 that was based off of the 1991 novel of the same name authored by Bret Easton Ellis. The movie focuses on the main character Patrick Bateman who is an investment banker in New York in the era of the early 1980’s. Patrick is a perfectionist whose life by day seemingly rotates between his picture-perfect job, his superficial relationship with his fiancée Evelyn, and his shallow interaction with his co-workers and peers. By night, Patrick is a textbook Psychopath and a serial killer.
One of the reasons that this film made the top ten films of all time
In the Movie, American Psycho, Patrick Bateman demonstrate challenges to identify his unique type of personality theories. The purpose of this essay is to review a selected film as a Psychology student, and discuss it from a psychological perspective. Also in this paper providing a diagnosis for a character in the movie and discuss the behaviors that support the selected diagnosis, and to explain and discuss the mental illness depicted in the film.
The film begins in the late 1980s with Patrick Bateman, a young wealthy businessman working for a Wall Street bank, and who lives in Manhattan. From the start, some of the characteristics that would describe Patrick are: alpha male, narcissistic, misogynist, self-absorbed, insecure, so wrapped up in his own life that is contingent on dining at fancy restaurants while keeping up his appearance. Throughout the movie American Psycho by Mary Harron (2000), we discover more about Patrick as well as revealing things about his personality. Patrick can be described as a serial killer, who does not consider himself to be real, at least not to be a complete personality. He states, “there is an idea of a Patrick Bateman, some kind of abstraction,
The 1960 Alfred Hitchcock classic thriller, Psycho and the psychological thriller novel, The Talented Mr.Ripley by notable American author Patricia Highsmith both challenge the audience’s perception of the noir protagonist through pronounced exploration controversial themes via the. Through the use of a range of stylistic features, the authors aim to blur the line between innocence and guilt in order to develop a false sense of empathy for the protagonists Tom Ripley and Norman Bates (Anthony Perkins). Characterisation of both of these protagonists, used in a way that forces the audience to connect with them and adopt an controversial point of view, transforms the audiences perception of how the murderer of a psychological thriller should behave. Hitchcock uses
The central theme of all Gothic novels is the presence and symbolism of the Gothic castle. Depiction of ruinous abbeys, monasteries, subterranean passages, vaults, secret panels, and the trapdoors is a standard method of achieving the atmosphere. Howells sees the Gothic castle as being ‘a shadowy world of ruins and twilight scenery lit up from time to time by lurid flashes of passion and violence ’(6). Therefore, the gloominess of the exterior and interior environment is illuminated by intense emotional and passionate moments of the characters that inhabit the castle. As Sage claims, the castle is ‘the lair of the villain’(166), and it is an accurate reflection of his dark and frightening character. Gloomy, dark, and dangerous, the castle reflects the emotions and psychological experience of many of the novel’s characters.
Alfred Hitchcock is widely considered one of the most essential directors of all time and has undeniably revolutionized the cinematic art form and horror genre movement. A key ingredient to his productions is the psychoanalysis of the movie’s villains and the deceivery at comes with deep psychosis. These elements are what have taken Hitchcock from a good director to a legend. Hitchcock layers his movies in ways in which every time one watches his films they can pick up on a new detail that deepens the meaning and effects of the storyline. This is exactly what he does in his 1960 film, Psycho. By layering Freudian psychoanalysis, creating a twist ending and suspense, and giving the villain of the story, Norman Bates, a deeply rich background story, Hitchcock creates phenomenon in the audience arguably scarier, then Norman’s murders. Through this use the psychoanalysis and backstory, the audience also feels sympathy for Norman. This duality is what makes Hitchcock a wonderful artist and Psycho, a piece of art.
Harron’s production of American Psycho being a black comedy is necessary when taking into consideration of the film being accepted into society. Being able to laugh at Christian Bale during his performance as Ellis’ unstable character Patrick Bateman helps the audience overlook the murders taking place and be drawn into Bateman’s humorous character, which is innocently a result of the times.
Personality disorders are pervasive in nature, and are depicted in various mediums from film to novels. Narcissism will be discussed as it pertains to American Psycho; a film made in the early 2000’s to describe a man who lives a double life as a business man and serial killer. The main character in particular, Patrick Bateman displays with themes of Narcissistic Personality Disorder and his case along with the factors that are congruent with Narcissistic Personality Disorder will be discussed throughout.
The term gothic fiction implies a British literary genre from the late eighteenth, and early nineteenth century. The modernized term seems to have been generalized into anything that is dark, gloomy, or depressing. Gothic novels often time posses an emphasis on portraying the terror, a prominent use of supernatural circumstances, the presence of highly stereotyped characters, and the attempt to display techniques of literary suspense. There are also other parallels among this vastly popular genre. Gothic novels often time describe the city of London in corresponding ways. Also a common theme amongst gothic literary works is the duality of human nature, or the quality or characteristic of being twofold. These mutual themes are apparent in