American Tv Show Gender Analysis

The 2015 Hollywood Diversity Report, published by UCLA’s Ralph J. Bunche Center, said that while minorities account for more than half of frequent US moviegoers, the representation of those minorities has dipped since 2013. The report describes that year as a “breakout year” for black films, including 12 Years a Slave and The Butler. In 2015, Straight Outta Compton made over $60m, which was $20m higher than expected. (Hollywood Diversity Report). The report says black audiences are repeatedly undervalued. What the report is proving is that the lack of diversity in the film industry is actually costing Hollywood money. The problem and solution seem almost obvious when looking at these specific examples – do not underestimate minority audiences and how much money they will collectively spend watching movies with diverse

It is often said that the media and the arts are an accurate reflection of any given community. This is especially true in American pop-culture, where television shows depict the various stereotypes attributed to men and women and the roles they play in society. House, a highly popular medical drama that revolves around Dr. Gregory House and his diagnostic team, is a particularly good example as it represents the true state of the traditional gender roles in American culture today by, both, redefining and reinforcing them over the course of the show.

Julia was criticized for constructing a “white negro.” The show “played it safe” to not scare away any white viewers by sugarcoating its messages. As a medical show Julia suggests that the networks have not been responding to black’s desires to be seen as much as they are responding to what and how much white viewers want to see of black life. However, Matthew Fogal author of “‘Grey’s Anatomy’ Goes Color Blind,” makes the point that “Grey’s Anatomy has differentiated itself [from other medical shows] by creating a diverse world of doctors - almost half the cast are men and women of color - and then never acknowledging it” (Fogel 2005).

Shameless is a Golden-Globe nominated show with a white dominated cast. One of the siblings on the show is black, but is identified as a White male contrary to the character’s skin tone. “When it comes to representations of Blacks on television, the 1980s can be seen as a decade of elevated inclusion both in terms of the quantity and quality of roles -- which remains the norm today. (Tukachinsky, Mastro, & Yarchi, 2015). Over the years, we will see more shows gearing their audiences to the black community. Producers add in a few social issues to reel viewers in, but the fact remains the same that a prime time heavy hitting shows, will most likely have less than 20% of their cast of African descent. In consonance with researchers, blacks currently constitute between 14-17 percent of the prime-time population. (Tukachinsky, Mastro, & Yarchi, 2015). The lack of representation in the media can lead to some interpreting that the Caucasian race is the superior race, and in retrospect, can influence the attitudes and beliefs of viewers. Prior research has shown that exposure to counter stereotypic exemplars in the media can have a positive effect on inter-group relations. (Scharrer, & Ramasubramanian, 2015) In order to reduce the misrepresentation from taking over the media, we must depict a positive image on the lives of minorities and portray them as successful, thriving human beings. By

These stereotypes depicted “drug dealers, prostitutes, single mothers, and complacent drag queens” (Harris, 51). In the 1980s, African American filmmakers began to make a name for themselves. These films are “social commentaries, indictments of racism and depictions of ‘everyday’ American lives” (Harris, 51). Compared to the traditional representations of blacks and blackness, New Black cinema takes on this cultural intervention and the recoding of blackness. Harris describes this as “revising the visual codes surrounding black skin on the screen and in the public

When you look at the amount of African American stars on television, it is easy to tell that stereotypes of African Americans are being portrayed negatively. Since the 1960s, black television has thrived in many different ways. From “Different Matters” to “Insecure”, African Americans have tried to get rid of this stigma. African Americans are constantly shown as. However, with the increase of representation comes an increase in misrepresentation. The amount of discrimination has risen exponentially in the United States. This is due to the increased hatred and miscommunication of black struggle and black problems in the world, causing an inhumane belief and standard of regular African Americans in the world.

Over the years television has been known to be one of the major educating and socializing institution in America. Television in today’s society is able to play a powerful key through which individuals can be informed, hold forums, and voice their opinion‘s. Television is also important because it offers us glimpses into minority life and minority figures. When sociologists examine minorities in television they document how minorities are portrayed and how those portrayals have changed over the years. Through time, minorities in television have been able to make moderate gains whether they are in front of or behind cameras. However, they continue to remain significantly underrepresented as leading actors in films, as writers, and as TV show creators. Even though minorities are significantly underrepresented in today’s society the TV industry has been pushing to give an opportunity to many minority groups in succeeding in the media. Several TV shows and commercials have succeeded in the TV industry to try and change how minorities are underrepresented, however, there are also shows that reinforce stereotypes and are prejudice towards minorities.

“Change will not come if we wait for some other person or some other time. We are the ones we’ve been waiting for. We are the change that we seek” Barack Obama. The question is always asked does the media reflect the reality of society, or does society try and imitate the reality shown by the media? There are a number of stereotypes associated with African Americans in our society such as African American men are athletes, rappers, criminals, deviant, streetwise, uneducated, and unemployed just to name a few. African Americans in the media have changed through the years. The history of African Americans on TV or minorities in general is hampered by the racial conflicts and segregation that are embedded in American society. Historically, black actors have been grouped stereotypically and assigned to comedy. This has often been traced to the genre of black minstrelsy that was popular in the early 20th century.

The way entertainment in the media portrays us has greatly affected how others identify us. Movies and shows like; Madea’s family Reunion, Bringing down the House, Love and Hip Hop, and Basketball Wives all portray us in a degrading way. People sometimes find it comical of course, but the fact that it is comical does not justify it being debasing. This image of us has evolved from things in the media, and its’ power to shape people’s idea of us. We as a race must stop living up to our stereotypes. As soon as we take action in not succumbing to our own stereotype, people will not think we are “Ghetto” or any other undignified term they think of us; therefore in the media we won’t be perceived in that way. As Colin Powell once said, “Fit no stereotypes. Don't chase the latest management fads. The situation dictates which approach best accomplishes the team's mission.” Although African American stereotyping is prevalent in the media now because of its’ entertaining quality; it perpetuates a cycle of harmful stereotypes. As long as this cycle continues, our culture will always be illustrated negatively.

In television, and almost every other medium the media uses today, there’s a fine line between promoting and properly integrating diversity, and exploiting it. In this paper, I will be critically analyzing the hit television show, Lost, and how in leans more towards exploitation because of its incorporation of token characters from different races and genders, which hurts more than helps our society, particularly American society, in its goal of expelling racism and sexism. The racial and gender stereotypes displayed in the hit television

During the process of producing a television series, the demand for the producers to introduce their characters with only their highlighted traits make it impossible for viewers to gain a deep understanding of the community that the characters represent. One of the stereotypic traits that is usually seen on movies and television shows is societal difference that each race is placed into. Michael Omi in his article In Living Color: Race and American Culture stated that “in contemporary television and film, there is a tendency to present and equate racial minority groups and individuals with specific social problems” (546). There are many films and television shows found today that ground racial minorities into a specific social problems that are related to the color of their skin. It can be inferred from the current popular culture that this stereotype still persists.

Since its start, the television industry has been criticized for perpetuating myths and stereotypes about African-Americans through characterizations, story lines, and plots. The situation comedy has been the area that has seemed to draw the most criticism, analysis, and disapproval for stereotyping. From Sanford and Son and The Jefferson’s in the 1970s to The Cosby Show (1984) and The Fresh Prince of Bel-Air in the 1990s, sitcoms featuring black casts and characters have always been controversial. However, their significance upon our American culture cannot be disregarded. During the 1950s and 1960s, 97% of the families were Caucasian. In the first five years of the

the other was the imbalances created in the televison between black and white community. it teaches young black to accept minority status as noticebely inevietable and even deserved. television also overrepresent and glamourize the elite occupation that sets up unrealistic expectations and largely neglects portraying the occupation such as farmers, factory workers and small businessman. On television 55% of characters are involved in the violent conforontation once a week in reality figure is less than 1 % creating a fear of crime. the way the race and the racial minority groups are represented in television they contribute to the overall racial climate.The historical results have been distinct and different groups have encountered unique forms of racial opression. Native american faced genocide , blacks were subjected to slavery, mexicans were invaded and asians faced exclusions. Films and televsions have been notorious in dissementing images of racial minorities which establish for audiences what these groups look like, how they behave and in essence who they are. Another important perhaps central dimensions of racial minority streotype is sex gender differentiation. women of color were sometimes treated as erotic sex objects. such a comment revelas an interesting aspects about myths and reality in american culture. the imporatance of race

Breaking Bad and Orange Is the New Black (OITNB) have seemed to make breakthroughs in the entertainment world. Both shows have a vast following as they have proven how exciting and dramatic television can be. One, depicting the life of middle aged drug kingpin and the other exploring the life inside of a female penitentiary. From an entertainment perspective, both show will leave its viewers on the edge of their seats anticipating what will happen next. However, it is highly interesting to examine both TV series from a critical point of view to understand the concepts and idea’s used to convey diversity. Both Breaking Bad (BB) and OITNB address the issues of diversity in a social context. By evaluating and criticizing several forms of diversity, we can see how each show either accepts or challenges our perception of diversity in the mainstream industry. Also by critically breaking down character roles, scenes, and themes of both TV series, we can understand how influenced our social understandings and perspectives are. Lastly, by explicitly focusing on the themes of sex, masculinity and femininity, which all formulate the concept of gender as well as exploring the depiction of criminality, this paper will critique how BB and OITNB approach diversity. A contrast between the two series will also be made by evaluating secondary themes such as behavior, stereotyping as well as the characteristics of the mainstream culture in order to understand the depiction of diversity

According to Wilkerson, “From the beginning, television, the image mill for the mainstream has not known what to do with black characters. It has struggled, as has the country, to find a place for them that white Americans could find comforting and digestible from the safe distance of their living rooms. Reality had nothing to do with it.” The media has portrayed black characters as nothing more than, buffoons, hustlers, pimps, and prostitutes.