America's Hip Hop Double Standards Analysis

One of the more prominent criticisms of hip that Rose points out is that there is a large amount of misplaced blame in the world of hip hop. She writes, “increasingly, too many of hip hop’s supporters point to structural racism to explain the origins of the problem but refuse to link these structural forces to individual action and to the power of media seduction” (p. 73). In this section of the second chapter, Rose is explaining that those who defend commercial hip hop are taking a more-or-less one-dimensional approach to their arguments by solely blaming structural racism and overlooking the

Music and society have always been closely related. For years now music has been apart of people’s everyday lives all around the world. Having so many different genres out there, it makes it easy to be appealing to so many different ethnic backgrounds. However, one type of genre in particular has seemed to grab the attention of a younger generation. Rap music has undoubtedly had its utmost impact on African American youth, since many of the performers themselves are African American. An overtly masculine culture dominates rap music and creates gender stereotypes that become abundantly popular to the youthful audience. Three constant themes that are found within the rap culture are encouragement of violence, the misogynistic representation of women, an extreme hatred of homophobia. Each theme plays a detrimental role in the process of defining black masculinity as well as shaping the values, morals, and beliefs that its younger audience adopts after tuning into this “gangster lifestyle”.

Even though, hip-hop is viewed as primarily of promoting negative message, however, it has reveled the pain behind the lyrics. “Hip hop music, had for over three and half decades, delivered a resounding message of freedom of expression, unity, peace, and protest against social injustices”. (Anderson & Jackson) As hip-hop continues to grow it has continued to remain a strong influential social impact. Hip-hop created a way for many individuals to express themselves on controversial issues seen throughout society.

The misunderstood subculture of music that many have come to know as “hip-hop” is given a critical examination by James McBride in his essay Hip-Hop Planet. McBride provides the reader with direct insight into the influence that hip-hop music has played in his life, as well as the lives of the American society. From the capitalist freedom that hip-hop music embodies to the disjointed families that plague this country, McBride explains that hip-hop music has a place for everyone. The implications that he presents in this essay about hip-hop music suggest that this movement symbolizes and encapsulates the struggle of various individual on

Geoffrey Bennett’s article Hip Hop: A Roadblock or Pathway to Black Empowerment illustrates the influence hip hop and rap music has had on not only the music industry but mainstream culture, African Americans to be specific. Geoffrey Bennett, a senior English Major from Voorhees, New Jersey goes over many aspects of how hip hop came to be “the forefront of American attention.” He starts from its early history in the 1980s as an African American exclusive music genre to what is now a worldwide phenomenon. He reviews the affect it has had on the lifestyle of many people and the ways it’s changed the way people

In this article, the speaker must be an expert in politics, ethnicity and the music industry. There is a linkage between the above fields hence the speaker must have had a superlative background on these issues. The audience targeted by this literature were seemingly music enthusiasts to be educated on understanding what Hip-Hop entails and hoped to achieve this as it was established. The subject was Hip-Hop as a music genre that was largely developed by African American men to express their plight on injustice and oppression. The principal issue was how Hip-Hop has been used as a form of resistance and need for deliverance of the African Americans.

The music videos that show a disturbing mix of rap and hip hop dance styles and profane language leaves us many people wondering if hip hop is harming our generation. Some things that said through hip hop and rap are a young person’s desire. The hip hop culture is an instant route to take to live the considered “good life” to our young generation. Many of us

Since its emergence in the 1980s, hip-hop has taken the world by storm; it has impacted and revolutionized the way people behave, dress, and think. Hip-hop music enables people to connect in a way they would never be able to with any other genre of music. Although, hip-hop has swayed different generations over the years, its influence has not always been positive. In the past, hip-hop focused more on current events in society, personal struggles, life experiences and serving as a voice for the youth. However in recent years, hip-hop music has begun to promulgate a lust for material affluence, and in doing so romanticizes violence, drug usage, and the exploitation of women. No longer is hip-hop about what moves the audience rhythmically and makes them think; today it’s all about what sells, sex. In the past, sexual content and appeal was simply i in lyrics and music videos to spice things up, but now it is virtually an essential.

Hip hop and rap as a musical genre is a very controversial subject for nearly everyone. Its influences are powerful, both positive and negative. There are many positive influences of hip hop, and a few examples are the breaking down of cultural barriers, the economic impact, and political awareness of pressing and urgent issues. Though there are many positive influences, there are many negative influences as well. Some of the more heated debates of the negative influences of hip hop are that it glorifies violence, and the fact that the music sexualizes women and degrades them as well. Attached to the negative outlook on hip hop, there are also many stereotypes assumed by society towards this type of culture

Doug E. Fresh, a popular beat-boxer in rap music today, has been quoted saying, “Hip-hop is supposed to uplift and create, to educate people on a larger level and to make a change.” Although this is the original intention of hip-hop music, public opinion currently holds the opposite view. Since the 1970’s musical artists have changed the face of hip-hop and rap and worldwide, people – mostly teens—have been striving to emulate certain artists and their lyrics, which has created negative stereotypes for hip-hop music and also for those who choose to listen to it. With vulgar lyrics referencing drugs, alcohol, sex, and aggression, it’s no wonder these stereotypes exist. However, is music really the direct cause of how teens act,

Rap music, also known as hip-hop, is a popular art form. Having risen from humble origins on the streets of New York City during the mid-1970s, hip-hop has since become a multifaceted cultural force. Indeed, observers say, hip-hop is more than just music. The culture that has blossomed around rap music in recent decades has influenced fashion, dance, television, film and—perhaps what has become the most controversially—the attitudes of American youth. For many rappers and rap fans during it’s early time, hip-hop provided an accurate, honest depiction of city life that had been considered conspicuously absent from other media sources, such as television. With a growing number of rap artists within this period, using hip-hop as a platform to call for social progress and impart positive messages to listeners, the genre entered a so-called Golden Age

The first claim Carl and Virgil make is that adults don’t understand hip hop music’s appeal and why youth listen to it (Taylor and Taylor 210). That claim, however, doesn’t have any substantial, credible, information to back it up. In fact, in a radio broadcast by Talk of the Nation, “A Look at Hip-Hop: Beyond Beats and Rhymes”, they discuss that one man as an adult listened to hip hop music as well, stating it was part of the urban culture and he loved listening to it, until he started learning about the effects it had on youth (“Look”, par. 4). The second claim that the authors’ make is that hip hop is merely just youth living in the moment and expressing their views. It doesn’t effectively discuss that it involves more than just songs, but actual violence, rape, and misogyny. A study by Squires Catherine, Laura P. Kohn-Wood, Tabbye Chavous, and Prudence L. Carter, called “Evaluating Agency and Responsibility in Gendered Violence: African American Youth Talk About Violence and Hip Hop”, they evaluated how young black children reacted to seeing black women abused in hip hop music videos, and results showed that the children thought the woman deserved it because hip hop artists have to be tough (Squires, Kohn-Wood, Chavous, Carter 731). The authors made very opinionated claims, but didn’t reference any studies or articles to provide evidence to their claims. They also did not use their knowledge and credibility to provide insight or support for the claims they made. This

Throughout the past 30 years, there has been much speculation about how negative hip-hop music truly is, and how it actually affects the youth. The hip-hop music of recent years has been the foundation of many controversial issues and has been illustrated negatively by the media countless times. Issues such as gun and knife crime which has escalated heavily within younger age groups in the last 15 years, especially in the USA and UK and also drug abuse, the use of marijuana being used openly within the younger generations. Hip-hop has been accused of influencing the youth to become more misogynistic towards women by constantly having explicit content, such as

Hip Hop music became one of the primary constructive outlets for Black Americans to release their thoughts, pain, and anguish about the injustices and mistreatments of Black people. Even though most of the pioneers in Hip-Hop either were not born in America or are 2nd generation immigrants that proves that common oppression can lead to unity. The fact that that these individuals were impoverished and felt marginalized is what brought them together and lead to the culture today. Deep rooted racism in the United States kept the genre of music suppressed for a while before it was allowed to even be played on the airwaves. Now, in 2011, the main consumers of byproducts of hip hop are White Americans.

One negative global implication that commercial Hip Hop in the U.S. produces is the characterization of young black women in four different personas: Diva, Hoe, Gold Digger, and Bad Bitch. When young black women hear music and see music videos that promote sexual conduct, they take on one of the different personas that is illustrated in the music and treat themselves as sexual objects. This characterizations affects the black community worldwide because this causes young black girls to be more sexually active at a much younger age, this results in teen pregnancies and