Amontillado 'And Oates' Literary Comparison

Arthur Junot Diaz was born in the Dominican Republic and with his family immigrated to the United States when he was only seven years old. His Hispanic cultural background influences his story and characters Diaz’s characters use Latin dialect throughout the story “Fiesta 1980”. Likewise August Wilson grew up in a black neighborhood up north that influenced his characters, setting, and dialect in Fences. Both Diaz and Miller wrote from a cultural perspective. Each Arthur depicted how it was to live and grow up in their particular culture. Through the use of culture both Diaz and Wilson portray how important it

In Shirley Jackson’s short story “The Possibility of Evil” the literary movement, Southern Gothicism, is expressed through certain attributes that allow an easier way to further understand the story. Southern Gothicism became popular in American literature during the slave era to show the “evil” of the south that not all people could visibly see. Jackson selects characteristics for Adela to figuratively express specific elements that are directly linked to the Southern Gothicism movement.

Southern Gothic literature, which is a sub-genre of the Gothic writing style, is unique to the American South. Southern Gothic literature has many of the same aspects as Gothic literature; it focuses on topics such as death, madness, and the super natural as well has having many mystical, bizarre, violent, and grotesque aspects. These tools are used "to explore social issues and reveal the cultural character of the American South (Wikipedia)."

William Faulkner’s “Barn Burning” and Flannery O’Connor’s “A Good Man is Hard to Find” are two famous short stories written in the early 1900’s. These stories are commonly studied together because of how much they embody southern gothic writing and other striking similarities. “Barn Burning” and “A Good Man is Hard to find” are largely similar in their themes about morals, their southern gothic aesthetics, and their widespread violence with only minor differences.

The chaotic life of Edgar Allan Poe is reflected in his work. The stories The Pit and the Pendulum, and The Cask of Amontillado, are both written using Edgar Allan Poe’s life as a reference. They show elements of his dark depressing life where his mother died of tuberculosis and his dad died as well before he was three. He was then raised as a foster child by his two brothers, Francis and John. He then became a writer of short stories which everyone told him was a mistake. It is also unknown how Poe died which adds yet more mystery to his life. As can be seen, Poe’s life was very dark and dim. This mood is portrayed in Poe’s stories as well. In Cask of Amontillado, Poe writes about a man seeking revenge on his friend and ends up changing him up in the catacombs and then sealing him down there with a wall that he built. The Pit and the Pendulum also has dark elements to it. This story revolves around a prison who fights the battle between jumping into the unknown or letting himself be tortured. Edgar Allan Poe’s writing style in The Pit and the Pendulum and The Cask of Amontillado express conflicts developed by dark and claustrophobic settings, develops a dark mood and tone similar to his own life's mood through dark diction and an immersive point of view, and finally develops a common theme of danger of the unknown by using a limited point of view including ominous, unexplained elements.

Poe was very involved in the gothic movement. He influenced gothic writing like no one else of his time. In all three of our stories “The Cask of Amontillado,” “Hop-Frog,” and “The Tell-Tale Heart” we can see gothicism at its finest. Poe was a master of writing in the gothic form, he did an especially wonderful job in “The Cask of Amontillado.” In “The Cask of Amontillado,” our main character is Montresor. He has a grudge against a man named Fortunato for a reason that was never explained. The only thing we know about it is that in the first sentence the story states “THE thousand injuries of Fortunato I had borne as best I could, but when he ventured upon insult I vowed revenge.” Now this is all we know about what Fortunato’s insult that

Southern gothic is a type of literature that focuses on the harsh conflicts of violence and racism, which is observed in the perspective of black and white individuals. Some of the most familiar southern authors are William Faulkner, Flannery O’Connor, and Cormac McCarthy. One author in particular, Flannery O’Connor, is a remarkable author, who directly reflects upon southern grotesque within her two short stories, “A Good Man is Hard to Find” and “Revelation.” These two short stories are very similar to each other, which is why I believe that O’Connor often writes with violent characters to expose real violence in the world while tying them in with a particular spiritual insight.

Southern Gothic literature is a sub-genre of the Gothic writing style. It is unique to Southern America. Southern gothic style is a style of writing that engages very ugly and ironic events to study the value of the American south and its people. In this essay, I’m going to go over each story and give some details about the authors and their backgrounds. On one page, I will be comparing and contrasting all three stories. I will show how they’re similar through tone, plot, and scene in the story. And at the end, I am going to describe the three stories; “A Rose for Emilycomma inside quotes”, “A Good Man is Hard to Find”, and “Sanctuary”. Period inside quotes All of these short stories are good examples of southern gothic writing, because

Southern Gothic literature has rooted itself in American culture and created several classic short stories that have pushed literary boundaries and minds. Among the most influential of these Southern Gothic stories is “A Rose for Emily”, by William Faulkner; “A Good Man is Hard to Find”, and “Good Country People”, both by Flannery O’Connor. After first discussing what characteristics make up the genre of Southern Gothic, each of these stories will be evaluated and discussed in terms of what makes each of them a prime example of Southern Gothic literature.

In addition, one of the greatest distinctions in Poe’s technique is his choice of “dark” words, which add to the genre of his stories. In both “The Tell-Tale Heart” and “The Cask of Amontillado”, these words portray madness, death, fury, and murder to create fear. For example, when the narrator explains how the old man’s efforts to imagine his fears causeless to be in vain, he says, “All in vain; because Death, in approaching him, had stalked with his black shadow before him and enveloped the victim. And it was the mournful influence of the unperceived shadow that caused him to feel—although he neither saw nor heard—to feel the presence of my head within the room” The usage of such disturbing words like “vain”, “Death”, “stalked”, “mournful”,

Though the short stories “A Rose for Emily” and “A Good Man is Hard to Find” differ in plot, theme, voice, and many other aspects, both contain similar characters and settings. The authors of these highly acclaimed Southern Gothic works, have skillfully and eloquently created intricate characters and imagery that portray many elements of Southern life. Flannery O’Connor’s, “A Good Man is Hard to Find,” tells of the tragic events that take place during a family’s road trip to Tennessee, which ultimately ends in their unsightly demise at the hands of a notorious

Edgar Allen Poe is known for the various literary devices he uses in his works. One of the most famous devices he uses is symbolism. In many of his stories, including “The Masque of the Red Death,” “The Fall of the House of Usher,” “The Tell-Tale Heart,” and “The Cask of Amontillado,” Poe uses symbolism to further develop each story by the messages he writes between the lines. Symbolism is an important aspect of Poe’s many works, seeing as how it allows the readers to make connections within the stories. In “The Cask of Amontillado,” Poe represents symbolism through the title of the short story, the outfit Fortunato wears, and the Montresor family motto and coat of arms.

Edgar Allan Poe’s, “The Cask of Amontillado” (1846) is narrated by Montressor. He is a gothic narrator, as his motives are associated with revenge and mental instability. In fact, the story opens with Montressor’s description of revenge of his friend Fortunato, who supposedly “insulted” him, and he lures Fortunato to his family’s catacombs for his death. However, Montressor is unwilling to reveal Fortunato’s insult and he is uncertain of why he wants to commit the horrendous act. Montressor’s narration is unreliable, and as the story unfolds we deduce his mental state. By carefully analyzing the tale, Montressor’s psychological dilemma encourages us to find the missing pieces of the puzzle and interpret the events in a metaphorical sense suggesting that the events are far less associated with revenge but more with Montressor’s guilt.

William Faulkner was said to be one of the best Southern Gothic writers and the Southern Gothicism was brought about by Edgar Allen Poe in 1839. His novels and short stories such as Absalom! Absalom! (1936), The Sound and the Fury (1929), and “A Rose for Emily” (1930) were of the Southern Gothic genre. This paper will discuss what Southern Gothic is and its characteristics, along with William Faulkner and how Faulkner’s work conforms to the Southern Gothic genre.

Picture this. The father of modern crime and detective stories, known as Edgar Allan Poe, is sitting down about to write a beautiful piece of writing and BAM! He whisks away into a story of love, death, and just plain out horror; either characters are losing someone near and dear to their hearts or they are plotting to kill. Edgar Allan Poe, at a very young age, lost both of his parents, and later on in life, lost his wife to tuberculosis, so in one way or another, these stories reflect off of his personal experiences. A major theme in Poe’s writings is death. The theme of death is seen throughout the works of Annabel Lee, the Cask of Amontillado, the Raven, and the Black Cat.