Amy Tan A Pair Of Tickets Analysis

Amy Tan’s short story “A Pair of Tickets,” has June May crossing an ocean to visit her family that she has never met, where she connects with her Chinese heritage in a way she was never able to before. On her trip, she discovers the depth and importance of her culture through her family members. The main character, June May, is a woman of Chinese heritage, from San Francisco, California. Growing up in the United States, in a very American environment, June May feels as though she never truly understood what it meant to be Chinese. As she soon learns, however, June May realizes that through her own family she can connect with the heritage that bonds them all together.

Amy Tan is an author who uses the theme of Chinese-American life, focusing mainly on mother-daughter relationships, where the mother is an immigrant from China and the daughter is a thoroughly Americanized --yellow on the surface and white underneath. In her book, the mother tries to convey their rich history and legacy to her daughter, who is almost completely ignorant of their heritage, while the daughter attempts to understand her hopelessly old- fashioned mother, who now seems to harbor a secret wisdom, who, in the end, is right about everything all along. At the opening of the story "A Pair of Tickets" Jandale Woo and her father are on a train, the are destined for China. Their first stop will be Guangzhou, China where he father will

Have you ever visited a place and just felt a connection Jing-Mei did when she visited China for the first time in remembrance of her mother. Jing-Mei’s story is told in Amy Tan’s book “The Joy Luck Club” in the section called “A Pair of Tickets.” Tan uses elements in the setting to develop the story of Jing-Mei, she uses the Locale and the Atmosphere to create emotional tension and resolution. The beginning of “A Pair of Tickets” is about Jing-Mei and her father traveling to China to meet her long-lost half sisters who her mother had to abandon because of the war that was going on in China.

June May Woo was an average girl. She was raised in San Francisco, and lived the lifestyle of a typical American. As time passes on, June May faces her ultimate fear: her heritage. In “A Pair of Tickets”, Amy Tan illustrates that a person’s identity is much deeper than their skin; it is exemplified by the person’s actions and family. Qun Wang was right when he said “Tan intermingles intercultural and intergenerational conflict” (Wang). She uses June May’s conflict between her and her cultural identity and her and her mother to illustrate the grey area of who the first generation Chinese Americans are supposed to identify. Tan also uses the setting of modern China to convince that the main character, June May, is indeed Chinese even though she tries so hard not to be.

In the story "A Pair of Tickets" by Amy Tan, talks about the story of Jing-Mei, the narrator, going to China to fulfill her mother 's dream. This story was a reflection of Tan 's life experiences when she visited China to go learn more about her background and see her sister. Going to China for the first time made her feel as she was "transforming" and feeling the Chinese in her that she never knew she has. She later finds out how much she cherishes her family and learns how important her culture is to her. Knowing who she is and where she comes from is an important aspect of her inner self.

The story is around an American-conceived Chinese lady, Jing-mei, who goes to China to meet her twin stepsisters that her mom was compelled to relinquish numerous prior years. Since her mom had passed away just a couple of months prior, the meeting is full of vulnerability and bitterness. Jing-mei battles with self-character issues and what it truly intends to be Chinese. En route, she takes in reality about the reasons her mom deserted her sisters and the significance behind their names. At last, she at last associates with her sisters and makes the passionate association with her Chinese legacy.

In Amy Tan’s “A Pair of Tickets,” setting unfolds an important aspect of the story by positioning a ‘where’ and ‘when.’ Throughout the story, June May struggles with her internal conflict of resisting her Chinese culture. However, she begins to release this resistance as she ventures through China. The setting perpetuates the theme through the usage of transportation, the significance of the color gray amongst colors, and June May’s transition into a Chinese-American. As reflected by the setting and external places visited in “A Pair of Tickets,” June May’s interior state becomes more Chinese as she explores her native country.

At the beginning of the short story, Jing-mei shares about “becoming Chinese” (Tan 152). Living in San Francisco area, she had always felt disconnected from her Chinese culture. The most significant moment of Jing-mei’s acceptance of her Chinese culture was when her father told her about her mother’s journey from China to America during the time of the invasion. She truly learns to appreciate her mother because of all she had gone through. Jing-mei also understand the existence of her half-sisters and feels the need to visit and meet them, as they are part of her mother. Jing-mei’s original lookout on Chinese culture was developed their prejudices and stereotypes. After living with her Chinese family and learning more about her mother’s past,

In “A pair of Tickets” the character Jing-mei, is an American Woman on a pilgrimage to China to meet her half-sisters, who were also abandoned by her mother in China during World War II. Jing-mei’s mother hoped to reunite with her daughters, but she had died

Even the hotel she stays in looks like "a grander version of the Hyatt Regency" and the Chinese feast she had envisioned was replaced by "hamburgers, french fries, and apple a la mode." It is not until she finally meets her twin sisters, in modern Shanghai, that she realizes that she is Chinese because of "blood" and not face or place. Within this story, however, is her mother's story, set in another time and place. Fleeing from the Japanese invasion, during World War Two in 1944, Jing-Mei's mother is forced to abandon her twin daughters on the road between Kweilin and Chungking. Upon hearing her mother's story Jing-Mei Woo is able to understand a great deal more about her mother and their relationship, as well as her own past.

"A Pair of Tickets" doesn't just dive you as the reader into the trip and conflict of the story that Jing-mei is engulfing on, she brings her readers back in time, back to the root of when Jing-mei began to discover her identity and who she was: " I was a sophomore at Galileo High in San Francisco, and all my Caucasian friends agreed: I was about as Chinese as they were" (129).; only to be

Amy Tan’s literary work entitled “A Pair of Tickets” is a great instance of formalist writing, the tone and imagery that is used in the story helps to maintain the formalist style. In the beginning of the story the main character, June May, knows without a doubt that she is not Chinese even though her physical appearance says differently. After her mother’s death June May and her father travel to China, to meet up with relatives that she has never seen, including her older twin half-sisters that her mother was forced to abandon when they were babies. As she is traveling from America to China June May begins an

“A Pair of Tickets” by Amy Tan is a short story with an interesting combination of literary elements. The narrative follows a woman named Jing-mei Woo, an American with Chinese roots, traveling to China with her father for the first time. Jing-mei struggles to connect with her heritage through a series of flashbacks, meetings with relatives, and reflecting upon the recent death of her mother. As they journey the country, Jing-mei finds her true identity based on the locale, interactions with locals, and learning more about her mother’s background. In the end, Jing-mei comes to terms with her self-definition as she meets her long lost half-sisters and realizes her mother is not truly gone.

Upon reading “A Pair of Tickets” by Amy Tan I decided to make the short story into a poem. In the first stanza of the poem, what was introduced was Amy and her father on a train, heading to Guangzhou to visit the father’s aunt who he hadn’t seen since he was ten years old. If someone were to read the short story, they would be able to see the similarity between the poem and the short story in the introduction. Later, in the poem you’re able to see from stanzas two through four what is going through Tan’s mind, how her mother passed away three months earlier, and the ordeal she was in when her aunt Lindo lied to her twin sisters in a letter telling them that she was alive and close to seeing them. While reading both the short story and poem, you’re able to see the similarities when it came to the environment Tan was experiencing.

However, we have to dissect the short story with the prospect of each approach in order to develop a keen sense of the story from top to bottom. The protagonist, Jing-mei, is an American born Chinese woman who despises her own cultural heritage. She was in denial of being Chinese, in the contrary, only considered herself as American. As silly as it sounds the only linkage connecting her to Chinese are her parents. Because of the cultural heritage difference, Chinese in Jing-mei’s perspective is a representation of embarrassment. “Haggling with store owners, picking her mouth with a toothpick in public, being ‘color blind’ to the fact that lemon yellow and pale pink are not good combinations for winter clothes” are behaviors Jing-mei associates with being Chinese. This quote that was stated in the short story shows that Jing-mei view her mom’s idiosyncrasies due to her the distinct Chinese life style. When she was fifteen years old she rejected being called Chinese and compared herself with her American friends. “I was as white as they were”. After a whole heated up debate with her mother and the death of her mother, Jing-mei came to a consensus to visit her sister in China. At this time, she was accepting the fact of being Chinese transitioning to having anxiety to fit in being Chinese. This transition was because of her upcoming unity with her sister from China. Since her sister doesn’t have any recognition of her mother, Jing-mei was in fear that there was no connection with her. Jing mei repeatedly imagine the upcoming scenario of meeting her sister. “Sister, Sister. We are here,” she imagines herself saying this in her poor version of Chinese. Now this is the point she wants to be Chinese. When she finally met her sister, Lily, she was scared she lost her only lineage and connection of being Chinese. One of the big changing