Amy Tan Short Story

Overall, Amy Tan does a great job using rhetorical devices to reveal her ideas. Through the use of rhetorical questions, similes, and parallelism, she established her idea and leaves a powerful message with her audience. Although the women in the book struggled, with each women who breaks away from low expectations, they prove that they are to be taken seriously. An-Mei may have lived a life with much pain, but she would have wished that one day the ladder of pain would end leaving women at the top having health and

Amy Tan’s short story “A Pair of Tickets,” has June May crossing an ocean to visit her family that she has never met, where she connects with her Chinese heritage in a way she was never able to before. On her trip, she discovers the depth and importance of her culture through her family members. The main character, June May, is a woman of Chinese heritage, from San Francisco, California. Growing up in the United States, in a very American environment, June May feels as though she never truly understood what it meant to be Chinese. As she soon learns, however, June May realizes that through her own family she can connect with the heritage that bonds them all together.

Amy Tan is an author who uses the theme of Chinese-American life, focusing mainly on mother-daughter relationships, where the mother is an immigrant from China and the daughter is a thoroughly Americanized --yellow on the surface and white underneath. In her book, the mother tries to convey their rich history and legacy to her daughter, who is almost completely ignorant of their heritage, while the daughter attempts to understand her hopelessly old- fashioned mother, who now seems to harbor a secret wisdom, who, in the end, is right about everything all along. At the opening of the story "A Pair of Tickets" Jandale Woo and her father are on a train, the are destined for China. Their first stop will be Guangzhou, China where he father will

Growing up with parents who are immigrants can present many obstacles for the children of those immigrants. There are many problems people face that we do not even realize. Things happen behind closed doors that we might not even be aware of. Writers Sandra Cisneros and Amy Tan help us become aware of these problems. Both of these authors express those hardships in their stories about growing up with foreign parents. Although their most apparent hardships are about different struggles, both of their stories have a similar underlying theme.

Amy Tan had many personal experiences in her story. For example, when Amy Tan was living in Northern California, her mother had very high expectations on her. Her mother wanted her to be with the American society and be the best she could be. Amy Tan had to get a haircut very short to the way other famous children were acting in the United States. Amy’s mother was the one who encouraged this. With that, in the story “Two Kinds,” the young girl named Jing-mei live in a part of California and she had to get a very short haircut. Jing-mei’s mother wanted her daughter to look and act the same way Shirley Temple did. Within both of the girls lives, they each had to act like an already famous person exactly to please their mothers.

Tan shows that she is embarrassed in her family for their lacking of proper American manners. Although at the time she felt ashamed, the words spoken by her mother, “Inside you must always be Chinese. You must be proud you are different. Your only shame is to have shame” became better understood later in life. In Amy Tan's work, the strong use of description of both the event that are occurring and Amy’s feelings about them, draws the reader in and makes them feel as if they are part of the action. Tan's Chinese-American culture and life stories are imprinted in her writing which gives the reader an opportunity to gain knowledge about the way of life in her family, friends, and even the Chinese culture. Tan's main purpose of writing is to inform and educate people about growing up as a minority in the American society.

In Mother Tongue, Amy Tan talks about how language influenced her life while growing up. Through pathos she explains to her audience how her experiences with her mother and the Chinese language she came to realize who she wanted to be and how she wanted to write.

In her short story "Two Kinds," Amy Tan utilizes the daughter's point of view to share a mother's attempts to control her daughter's hopes and dreams, providing a further understanding of how their relationship sours. The daughter has grown into a young woman and is telling the story of her coming of age in a family that had emigrated from China. In particular, she tells that her mother's attempted parental guidance was dominated by foolish hopes and dreams. This double perspective allows both the naivety of a young girl trying to identify herself and the hindsight and judgment of a mature woman.

Amy Tan, born February 19, 1952, was an American writer whose works explore mother-daughter relationships and the Chinese-American experience. As a child Amy Tan believed her life was duller than most. She read to escape. Her parents wanted her to be a doctor or a concert pianist, however, she secretly dreamed of becoming an artist. She began writing fiction when she was thirty-three.

Tan continues to publish popular works. She often emphasizes that she writes primarily to create a work of art, not to portray the Chinese-American experience, that her bicultural upbringing is the source of inspiration for her work, not the end product.

Amy Tan was born in Oakland, California, in 1953. In 1970, Tan majored in English at San Jose State, in California. Tan began a carrier as a technical writer after she graduated, at the University of California. However, she changed her writing because she was inspired to write fiction book after reading of Louise Erdrich's novel “Love Medicine”. As a result of this, language has helped Amy Tan in becoming the successful writer she’s today. It helped her express her complete thoughts in a way that everyone who reads, understand. Additionally, the type of language that she uses in her writing makes people take her seriously and as important as everyone else.

Amy Tan's, “Mother Tongue” and Alice Walker's “Everyday Use” both share similar traits in their writings of these two short stories. “Mother Tongue” revolves around the experiences Tan and her mother had due to her mother's English speaking limitations, she also revolves her story around the relationship of a mother and daughter. Alice walker on the other hand writes a story narrated by “Mama” the mother of two daughters Maggie and Dee and explains the conflicting relationship she has with Dee, both writers similarly emphasize on the relationships these mother and daughter characters had and they unravel both short stories based on these relationships. Although both short stories

they can’t expect an outcome. Amy Tan in her short story, “Two kinds” Mei Woo’s mother tries to

Novelist Amy Tan in her TED Talk video, “Where Does Creativity Hide;” Tan speaks about universal creativity and her life growing up in the shadows of her parent’s religious dogma. Her father, a Baptist preacher, a righteous man lived by a set of rules and assumptions and moral conduct. Religion is not freedom and Tan’s displays this in her piece, Two Kinds because she reveals her attitude of rebellious against her mother's expectation in the story. Tan's mom nurtures Tan accordingly, through culture and religion. Tan has vivid memories of her mother's nurturing in her writing, and it is evident because she talks about her mother did not believe in randomness. Tan’s story Two Kinds, seems to have been pulled from her subconscious and she exhibits

Poems, plays, and short stories are pieces of art that are inscribed with imagination and a clear purpose that the author wants to portray to the audience. The emphasis on the text is a crucial approach vindicates the literature’s total meaning. In this case, the approach consists of 3 different approaches: New Criticism, Structuralism, and Deconstruction. The new criticism highlights the intrinsic value of art and focus on the individual work independently, making activity more systematic and scientific. This method rejects old historicism’s attention to biographical and sociological matters and examines relationships between a text and it’s form. While structuralism, delves deeper