Amy Tan's Short Story Analysis

Amy Tan is an author who uses the theme of Chinese-American life, focusing mainly on mother-daughter relationships, where the mother is an immigrant from China and the daughter is a thoroughly Americanized --yellow on the surface and white underneath. In her book, the mother tries to convey their rich history and legacy to her daughter, who is almost completely ignorant of their heritage, while the daughter attempts to understand her hopelessly old- fashioned mother, who now seems to harbor a secret wisdom, who, in the end, is right about everything all along. At the opening of the story "A Pair of Tickets" Jandale Woo and her father are on a train, the are destined for China. Their first stop will be Guangzhou, China where he father will

The members of The Joy Luck Club are four elderly ‘aunties’ who gather once a week in San Francisco to play Mah-jong and eat Chinese food. When one of the women dies, her daughter Jing-mei (June) is invited to take her place. “What will I say? What can I tell them about my mother? I don’t know anything. She was my mother.’’ (Tan 1998, 30) When she realizes that she knows very little about her own mother she asks the ‘aunties’ to tell her more about her. That is when they start telling each other stories.

Tan shows that she is embarrassed in her family for their lacking of proper American manners. Although at the time she felt ashamed, the words spoken by her mother, “Inside you must always be Chinese. You must be proud you are different. Your only shame is to have shame” became better understood later in life. In Amy Tan's work, the strong use of description of both the event that are occurring and Amy’s feelings about them, draws the reader in and makes them feel as if they are part of the action. Tan's Chinese-American culture and life stories are imprinted in her writing which gives the reader an opportunity to gain knowledge about the way of life in her family, friends, and even the Chinese culture. Tan's main purpose of writing is to inform and educate people about growing up as a minority in the American society.

Raymond Chandler, a fiction writer, once said, "The most durable thing in writing is style." True, the style is often defined as one of the most important elements in writing. In Amy Tan's novel, "The Joy Luck Club", the style significantly contributes to the development of both the tone and the theme of the influences that a mother can have on her daughter. The author effectively portrays the somber tone and the theme by using a concise style of diction, images, details, language, sentence structure, point of view, and organization.

In Mother Tongue, Amy Tan talks about how language influenced her life while growing up. Through pathos she explains to her audience how her experiences with her mother and the Chinese language she came to realize who she wanted to be and how she wanted to write.

In the short story, "Two Kinds" by Amy Tan, a Chinese mother and daughter are at odds with each other. The mother pushes her daughter to become a prodigy, while the daughter (like most children with immigrant parents) seeks to find herself in a world that demands her Americanization. This is the theme of the story, conflicting values. In a society that values individuality, the daughter sought to be an individual, while her mother demanded she do what was suggested. This is a conflict within itself. The daughter must deal with an internal and external conflict. Internally, she struggles to find herself. Externally, she struggles with the burden of failing to meet her mother’s expectations. Being a first-generation Asian American,

She feels very embarrassed and wishes she were American. In the end of the story, she writes a quote that her mother actually told her, “You want to be the same as American girls on the outside. But inside you must always be Chinese. You must be proud you are different. Your only shame is to have shame” (Tan). In the end the character understood and knew that her mother was right. Tan was not confident with her Chinese identity when she was young, and that influenced some of her works like “Fish Cheeks”.

Amy Tan, born February 19, 1952, was an American writer whose works explore mother-daughter relationships and the Chinese-American experience. As a child Amy Tan believed her life was duller than most. She read to escape. Her parents wanted her to be a doctor or a concert pianist, however, she secretly dreamed of becoming an artist. She began writing fiction when she was thirty-three.

Amy Tan was born in 1952, in Oakland, California to Chinese immigrants John and Daisy Tan. Her family eventually settled in Santa Clara. When Tan was in her early teens, her father and one of her brothers died of brain tumors within months of each other. During this period Tan learned that her mother had been married before, to an abusive husband in China. After divorcing him, her mother fled China during the Communist takeover, leaving three daughters behind who she would not see again for nearly forty years.

Amy Tan was born in Oakland, California, in 1953. In 1970, Tan majored in English at San Jose State, in California. Tan began a carrier as a technical writer after she graduated, at the University of California. However, she changed her writing because she was inspired to write fiction book after reading of Louise Erdrich's novel “Love Medicine”. As a result of this, language has helped Amy Tan in becoming the successful writer she’s today. It helped her express her complete thoughts in a way that everyone who reads, understand. Additionally, the type of language that she uses in her writing makes people take her seriously and as important as everyone else.

Amy Tan's, “Mother Tongue” and Alice Walker's “Everyday Use” both share similar traits in their writings of these two short stories. “Mother Tongue” revolves around the experiences Tan and her mother had due to her mother's English speaking limitations, she also revolves her story around the relationship of a mother and daughter. Alice walker on the other hand writes a story narrated by “Mama” the mother of two daughters Maggie and Dee and explains the conflicting relationship she has with Dee, both writers similarly emphasize on the relationships these mother and daughter characters had and they unravel both short stories based on these relationships. Although both short stories

The biographical connection that the author “Amy Tan” draws in her short story “Two Kinds” with her main character Jing-mei, crosses in more than one side. First of all, they both are Chinese American whose struggle in their identities with their Chinese immigrant mothers. “Due to a cultural conflict and lack of proper understanding of each other’s perceptions” (Priya 1), and as a big gap developed between the two daughters and their two mothers, in which resulted a complex relationship between them.

In the words of Mrs. Amy Tan “I am a writer” (Tan 216). At the beginning of a short passage about Chinese woman. We learned that Mrs. Tan the author was born in Oakland California In 1952. Her Chinese name is An-Mei meaning “Blessing from America” (Tan 216). She grows up with a Chinese background which influenced many of her major decisions.

Ching also made the life-altering decision to travel to America to escape the oppressive society of China. So does Winnie. Much of Winnie's story is revealed to her daughter only at the end of the novel through the intervention of Auntie Helen, but brings the mother and daughter to a higher level of understanding of each other and their respective customs. One can only imagine a similar exchange between Tan and her own mother, an experience obviously worthy of publication.

Amy Tan is an American writer, which bases most of her stories in the relationship between mother and daughter, and the Chinese-American experience. Tan is the author of the story “A pair of tickets,” which is a short story about a woman who takes a journey to China to inform her sisters about their mother’s death. The night before she was going to meet her sisters, her father shares with her the story about her mother’s previous life, making her realized how much she had never know about her mother. The next day she finally meets her sisters and understands that her blood is what makes her Chinese. Tan shows the main character Jing-Mei Woo struggling for her identity and through the use of setting, the discovering about heritage and symbolism, Amy Tan shows how the protagonist of the story comes to the realization of her identity as a Chinese woman.