Amy Tan's The Joy Luck Club Essay

The Joy Luck Club is the first novel by Amy Tan, published in 1989. The Joy Luck Club is about a group of Chinese women that share family stories while they play Mahjong. When the founder of the club, Suyuan Woo, died, her daughter June replaced her place in the meetings. In her first meeting, she finds out that her lost twin sisters were alive in China. Before the death of Suyuan, the other members of the club located the address of June’s half-sisters. After that, they send June to tell her half-sisters about her mother’s life. In our lives there are events, and situations that mark our existence and somehow determine our life. In this novel, it shows how four mothers and their daughters were impacted by their tradition and beliefs. In the traditional Asian family, parents define the law and the children are expected to follow their requests and demands; respect for one’s parents and elders is critically important. Traditions are very important because they allow us to remember the beliefs that marked a whole culture.

Many women find that their mothers have the greatest influence on their lives and the way their strengths and weaknesses come together. In Amy Tan’s The Joy Luck Club, the lives of four Chinese mothers and their Chinese-American daughters are followed through vignettes about their upbringings and interactions. One of the mothers, An-Mei Hsu, grows up away from her mother who has become the 4th wife of a rich man; An-Mei is forced to live with her grandmother once her mother is banned from the house, but eventually reunites and goes to live in the man’s house with her mother. Her daughter, Rose, has married an American man, Ted, but their marriage begins to end as he files for divorce; Rose becomes depressed and unsure what to do, despite

The Joy Luck Club is Amy Tan's first novel. It consists of four sections with sixteen short stories. One of the main issues of the novel is the relationship between Chinese mothers and their Chinese – American daughters. ‘‘Your mother is in your bones.’’ (Tan 1998, 30) There is a cultural chasm between them because of the difference in the way they were brought up and different influences of the environment.

Four Chinese mothers have migrated to America. Each hope for their daughter’s success and pray that they will not experience the hardships faced in China. One mother, Suyuan, imparts her knowledge on her daughter through stories. The American culture influences her daughter, Jing Mei, to such a degree that it is hard for Jing Mei to understand her mother's culture and life lessons. Yet it is not until Jing Mei realizes that the key to understanding who her

Throughout Amy Tan’s novel, The Joy Luck Club, the reader can see the difficulites in the mother-daughter relationships.  The mothers came to America from China hoping to give their daughters better lives than what they had.  In China, women were “to be obedient, to honor one’s parents, one’s husband, and to try to please him and his family,” (Chinese-American Women in American Culture).  They were not expected to have their own will and to make their own way through life.  These mothers did not want this for their children so they thought that in America “nobody [would] say her worth [was] measured by the loudness of her husband’s belch…nobody [would] look down on her…” (3).  To

There is a common theme of hope throughout the stories of The Joy Luck Club by Amy Tan. Even in the face of immeasurable danger and strife, the mothers and daughters in the book find themselves faithful in the future by looking to the past, which is only helped by the format of Tan’s writing. This is shown specifically in the stories of Suyuan and Jing-Mei Woo, Lena and Ying-Ying St. Clair, and Lindo and Waverly Jong. The vignette structure of The Joy Luck Club allows the stories to build on one another in a way that effortlessly displays both the happy and dark times in each mother’s life, which lets their experiences act as sources of background and guidance to their daughters in times when they need it most.

Traditions, heritage and culture are three of the most important aspects of Chinese culture. Passed down from mother to daughter, these traditions are expected to carry on for years to come. In Amy Tan’s The Joy Luck Club, daughters Waverly, Lena, Rose and June thoughts about their culture are congested by Americanization while on their quests towards self-actualization. Each daughter struggles to find balance between Chinese heritage and American values through marriage and professional careers.

 In the Joy Luck Club, the author Amy Tan, focuses on mother-daughter relationships. She examines the lives of four women who emigrated from China, and the lives of four of their American-born daughters. The mothers: Suyuan Woo, An-Mei Hsu, Lindo Jong, and Ying-Ying St. Clair had all experienced some life-changing horror before coming to America, and this has forever tainted their perspective on how they want their children raised. The four daughters: Waverly, Lena, Rose, and Jing-Mei are all Americans. Even though they absorb some of the traditions of Chinese culture they are raised in America and American ideals and values.  This inability to communicate and the clash

Communication between generations has always been an issue and with that, a misunderstanding of the past and culture comes along. In Amy Tan’s novel The Joy Luck Club, she shows the stories of four Chinese mothers and their American born daughters. Throughout the novel, the characters encounter both external and internal conflicts in order to contrast the different relationships held by the mothers and daughters with their past and where they came from. The mother-daughter pair of Lindo and Waverly Jong shows the gap between the generations very clearly. Everything is different, from language to name to marriage.

In The Joy Luck Club, the chapter "Waiting Between the Trees" illustrates major concerns facing Chinese-American women. Chinese culture is a male dominated culture that leaves women little freedom. Their only job is to make their male spouses content. Living with their traditional culture in American society, Chinese-American

    The complexitities of any mother-daughter relationship go much deeper then just their physical features that resemble one another.  In Amy Tan’s novel The Joy Luck Club, the stories of eight Chinese women are told.  Together this group of women forms four sets of mother and daughter pairs. The trials and triumphs, similarities and differences, of each relationship with their daughter are described, exposing the inner makings of four perfectly matched pairs.  Three generations of the Hsu family illustrate how both characteristics and

To begin with, The Joy Luck Club centers its content around the lives of eight women of Chinese heritage each with their own stories to tell; yet, all striving to satisfy their aspirations in America. A concisive cross is common between the mothers’ hopes compared to those of the American born daughters. Immigrating to America for various reasons, the four mothers all had one goal in mind, to not only construct themselves a better life, but also ensure the finest future for their daughters. For the mothers in the Joy Luck Club, the American dream was to instill Chinese history, heritage, and habit in their daughters while providing American opportunities of growth, gratification, and gallantry. Carrying heavy pasts, the four original American Joy Luck Club members arrived in The United States to start anew, “America was where

“Rules of the Game” written by Amy Tan is a short story that focuses on the conflict in identity that Chinese Americans face when growing up with influences from both the cultures. The physical and social settings of “Rules of the Game” create an atmosphere which helps to bring out the true essence of the story. Amy Tan’s “The

    Amy Tan's immensely popular novel, The Joy Luck Club explores the issues faced by first and second generation Chinese immigrants, particularly mothers and daughters. Although Tan's book is a work of fiction, many of the struggles it describes are echoed in Maxine Hong Kingston's autobiographical work, The Woman Warrior: Memoirs of a Girlhood Among Ghosts. The pairs of mothers and daughters in both of these books find themselves separated along both cultural and generational lines. Among the barriers that must be overcome are those of language, beliefs and customs, and geographic loyalty. The gulf between these women is sadly acknowledged by Ying-ying St. Clair when she says of

    Amy Tan’s The Joy Luck Club is a novel that deals with many controversial issues. These issues unfold in her stories about four Chinese mothers and their American raised daughters. The novel begins with the mothers talking about their own childhood’s and the relationship that they had with their mothers. Then it focuses on the daughters and how they were raised, then to the daughters current lives, and finally back to the mothers who finish their stories. Tan uses these mother-daughter relationships to describe conflicts of history, culture, and identity and how each of these themes are intertwined with one another through the mothers and