An Analysis Of Amanda Lindhout 's New York Times Bestseller A House Of The Sky

Narratives about captivity have often intrigued readers in Western culture. Mary Rowlandson and Olaudah Equiano’s stories helped pave the way for stereotypes within both European and white culture; teaching Europeans to see Native Americans as cruel and allowing whites to see the evil in the American slave market. In both “A Narrative of the Captivity” and “The Interesting Narrative of the Life of Olaudah Equiano,” Mary Rowlandson and Olaudah Equiano share their individual stories of being kidnapped and enslaved. Though the two narrators share similarities in their personal accounts of being held captive, either individual’s reaction sheds light on the true purpose of both Rowlandson and Equiano’s writing.

Today’s society has been formed to follow a strict set of expectations and requirements. Anna Quindlen is a supporter of individuality and finding one’s self. In her speech, Quindlen uses the appeal of ethos, tone, and rhetoric devices to effectively persuade her audience to set aside the society’s expectations in a fight to become your own person. Within her speech, Quindlen uses the appeal of ethos in order to gain a sense of trust and credibility with her audience. Quindlen makes a point to mention her time working at New York Times and as a full-time novelist and how she, herself, faced the judgement of society when she decided to quit to be a mother.

In “The Author to Her Book,” Bradstreet is inundated in indecision and internal struggles over the virtues and shortfalls of her abilities and the book that she produced. As human beings we associate and sympathize with each other through similar experiences. It is difficult to sympathize with someone when you don’t know where they are coming from and don’t know what they are dealing with. Similar experiences and common bonds are what allow us to extend our sincere appreciation and understanding for another human being’s situation. In this poem an elaborate struggle between pride and shame manifests itself through an extended metaphor in which she equates her book to her own child.

We hear of her moving to New York to escape her life as a child bride after being orphaned at a young age. This story allows the audience to gain a sense of sympathy for Holly, and enhances the pathos of the story. This pathos puts the audience into the shoes of Holly and enables them to understand the reasoning behind her escape. The use of language features like pathos and literary allusion allow the authors of both texts to convey the theme of escapism.

A little boy scavenges in a dumpster in an alley, desperate for food. Separated from his family, he is lost on the streets of Calcutta. After weeks of barely surviving on the treacherous streets, he is taken to an adoption agency and adopted by an Australian couple. Although it seems like fiction, it is fact. This remarkable story is Saroo Brierley’s, and his memoir A Long Way Home, tells this miraculous story of his childhood and how he came to find his birth family. Throughout the memoir, Brierley weaves a tale of his hardships and developing his identity. In his memoir A Long Way Home, Saroo Brierley uses the literary devices of pacing, imagery, and external conflict to illustrate how the hardships one must endure shape one’s identity,

As I continued reading, the story peaked my interest with Aron being trapped with little food and water. The book became hard to put down, but gruesome at the same time, because of Aron’s descriptive writing about him cutting off his own arm with a pocket knife; which made me curl up and wince the whole time. Even though I wasn’t excited about reading a nonfiction book, I began to enjoy reading the book. When finished with the publication, the main message I got from Aron’s book is to follow what means most to an individual. The book improved my mindset of making the best of any circumstance, and to enjoy life to the

The Holocaust, a morbid atrocity that made people question humanity, was the cause of millions of deaths. One of those victims of this brutality was Anne Frank, a young Jewish girl who hid from the Nazis along with her family. Although she was merely ordinary, Anne Frank kept a diary which became a significant, historical artifact in the modern world as it details her account of concealing her identity from the outside world. Her story, told in an innocent perspective, allows individuals to reflect the dreadful events of the Holocaust and acknowledge how far we have come since then. Even though she died along with millions of other victims from the Holocaust, her spirit still exists thanks to her articulately written words in her diary which is now considered one of the most famous works of literature. Anne Frank’s legacy still lives on today because her story provides a primary source of a dark period in history, insightful contemplation of humanity, and motivation for people to stand up against unjustified persecution.

The Birth House by Ami McKay tells the story of a young midwife named Dora, living in rural Nova Scotia during the early 1900’s. Dora is trained in midwifery by Ms. Babineau, the midwife of Scots Bay until her death when Dora takes over. Dora is challenged by Dr. Thomas, a professional doctor who opens up a modern hospital in the community who encourages the women of Scots Bay to abandon traditional midwifery as a means of giving birth. Dr. Thomas persistently attempts to convince the residents of Scots Bay that modern medicinal technology is a safer and cleaner means of giving birth than allowing Dora and Ms. Babineau to deliver their children, despite their vast knowledge and experience of women’s reproductive health. The novel discusses

Walls, “...lived in a world that at any moment could erupt into fire. It was...knowledge that kept you on your toes.” Often times, Jeannette, Lori, Brian, and Maureen were maltreated by Rex and Rose Mary Walls, their parents, through neglectful abuse. However, as the reader stands alongside Jeannette as she matures chapter by chapter the real conflict becomes clearer. In the beginning, as most children do, she tries to understand and accept the blatant lies or finds content in the absence of what she later begins to see as her deserved respect and need of care, but of course her father was her idol, hero, star. How could she bother to complain when he was obviously “onto something” bigger than them all? To be told “...I was his favorite child, but he made me promise not to tell Lori or Brian or Maureen. It was our secret…” then lose the same passion and faith in her father that she’d worked so hard to preserve? Unspeakable horror. This conflict with herself, distinct from Yousafzai’s person vs person conflict with the Taliban, is what she struggles with and avoids any real confrontation with through most of the memoir by distracting herself with the responsibility of improving the family’s

The Things They Carried is an autobiographical novel written by Tim O’Brien that details his time as a soldier in the Vietnam War. Considered to be “the best work of fiction ever written about Vietnam, some even think it is the best about war,” (Greenya 1). The stories that are contained within the novel talk about themes such as loss, burdens, and the horrifying truths of the Vietnam War, the first war to take place during a more ‘modern’ era, as the tragedies of the war could be broadcasted through television. Much like many soldiers that fought in the war, Tim O’Brien was forced to face through many tragedies. Due to this, the book is used to preserve those who have died in Tim O’Brien’s life. The two chapters within The Things They Carried develop the importance of O’Brien’s coping mechanism. In The Little Brown Reader, ‘Snapshot: Lost Lives of Women’ by Amy Tan contains a similar structure to the two chapters of O’Brien’s novel. I believe that Tim O’Brien’s The Things They Carried is similar to Amy Tan’s ‘Snapshot: Lost Lives of Women in the structure detailing the past and the idea of keeping people’s lives preserved through the art of storytelling, O’Brien’s last two chapters are essential in showing this similarity.

Walls sets the tone of her memoir with the story of her earliest memory: being on fire. She uses this story to introduce the reader to the fact that from the start, her life did not fit the picture of the typical American dream. The first line of part two is, “I was on fire.” (9) and it is a quite a powerful one indeed. By using this eye-catching sentence, she uses the Pathos method of appealing to the readers emotions, namely, natural curiosity and empathy. As the story continues, the reader experiences the cool calmness of the hospital with Jeannette. Jeannette is not afraid during a hospital stay and enjoys the attention from the nurses. Walls uses simple childlike language to take the reader on a journey with her, from being placed in an ice bed with severe burns to chewing gum for the first time. By using this language, Walls gets the reader to sympathize her. The reader feels the loneliness that she feels while in the hospital and away from her family, but the reader also feels Jeannette’s excitement from being able to watch television all day and receiving three meals a day. From the start, Walls is incredibly tough and self sufficient. Through the tough lessons her parents teach her and the strong ties she has with her siblings, Jeannett becomes strong-willed and persistent.

Chapter 24 – 1975 – This chapter marks Deborah’s intense questions — how much her relationship with her mother molds her fears and hopes. The diary entry on pages 195-6 is powerful — from Deborah’s reference to her upbringing which mandated silence to her tortured imaginings of her mother’s pain and aloneness on the day she died. Deborah’s research shows courage and tenacity.

Standing at the boundary between narrative writing and historical review, John Demos’s The Unredeemed Captive is a paragon of history writing that is simultaneously informative and intriguing. Through his entertaining text and thorough analysis, the readers may find themselves as captivated by the story as the Deerfield captives were by the Native Americans. Although often criticized for his style, Demos has produced an evolutionary way to encapsulate facts through descriptive writing. Providing innumerable sources that are presented in a simplistic manner, The Unredeemed Captive proves that history is far more than evidence and dates.

The life one treasures and takes for granted today can be so easily erased in the blink of an eye and gone tomorrow. Therefore, not only is it important to cherish how one lives for today and now, but it’s also important to how one can overcome the misfortunes and hardships they may suffer; tragedy can make a person or break a person. Mary Rowlandson’s experience during her eleven weeks of captivity as documented in “A Narrative of the Captivity and Restoration of Mrs. Mary Rowlandson” is a perfect answer to the above argument. The eleven weeks she experienced as a prisoner of her Indian captors proves to be a pivotal occasion in her life, which changes her feelings, lifestyle, and attitude as well towards her abductors. By the end of her horrifying experience, she rises more profoundly grounded in every way: mentally, physically, and spiritually with a new outlook on life, closer to God, and a newfound opinion of the Indians.

Nicolas Kristof and Sheryl WuDunn’s novel, Half the Sky, is primarily a call for social equality and freedom from oppression for women across the globe. The authors are actively taking the first step of achieving a global feminist movement by informing Westerners of the injustices are that are being done to women worldwide in the name of tradition and culture; they do this through personal stories and by exposing legal or cultural inequalities. As Cynthia Enloe (2004) writes in The Curious Feminist, “if something is accepted as “traditional”- inheritance passing through the male line…it can be