An Analysis Of Beyonce's Lemonade

The Hip Hop music industry is infamous for being controversial. In the article Hip Hop’s Betrayal of Black Women there’s a debate on whether the exploitation and constant verbal slander of women should be acceptable just because it sales records. It presents the question that why is it that male poverty breeds sexism? Even though women may have lived in the same environment males still see women as the enemy in their music in an effort to sell records.

Her clothes accentuate her cleavage or have a sexual shock factor, such as wearing “sequined pasties…[that] coordinate with the rest of her attire”. The vulgar, sexual nature of her raps makes it impossible for her to not receive attention from the media. Another artist, Eve, dresses sexually to accentuate her body and appears in videos with music video models but raps about social issues like domestic violence. By comparing the nature of these artists and their music, Perry tries to show that young girls have very few role models in hip hop that promote positive feminists values and body images. But, she neglects to discuss other feminist artists she mentions in the essay such as Destiny’s Child and Mary J. Blige and how their lyrics and actions in the media allow young black girls to have positive role models that show a woman can be independent, strong, and beautiful in their own way. Perry’s focus on the more sexualized female artists in hip hop and how their shocking appearance and lyrics allow them to be as successful as their male counterparts took away from the development of her argument about conservative artists and their success. By leading the reader to believe that artists are either overly-sexual or conservative, Perry limits how the reader forms an opinion on why or why not young girls’ body image may be threatened by the media and the hip hop

In Joan Morgan’s “From Fly-Girls to Bitches and Hos,” her feminist point of view addresses the problem of degradation and sexism in rap and hip-hop music. Through this passage, Morgan looks at the deeper meaning and connects rap and hip-hop music with the African American community. Between the beats, the lyrics of this specific genre of music show listeners various situations the African American community deals with, like crime, drugs, alcohol, relationships, and their day-to-day life in America. With Morgan’s feminist criticism, she states that the blame is not only on rap and hip-hop artists, but also other women because they should be speaking out against being called “bitches” and “hos”. Through the rhetorical strategies of description,

The misogynistic treatment of women in commercialized rap has become a widespread phenomenon which as a result has become commonly accepted by majority of the individuals in society. Rappers, in general, nowadays use women in their videos in a way which is both derogatory and exploiting. Black men in today’s society, especially in the entertainment industry, do not see women as their equals; rather they objectify them as being nothing more than sex objects. People in the Hip Hop industry do not believe that sexism and misogyny is as big of a deal as racism, thus they push this issue to the side by simply ignoring it and learning to accept it. This misogynistic portrayal of women is ruining the image if Hip Hop as both an industry and a form of expressive art. However, instead of taking action against this atrocity, many women simply believe that the images of women and their portrayal in rap videos does not represent nor refer to them as an individual and the type of woman they truly are. By being silent these women are allowing themselves to be victimized by the men of not only the Hip Hop industry but also general society. By not having a say in this matter of the false classification and portrayal of women, they are voluntarily allowing men to do whatever they please to do so, in any given time and with any approach they feel is necessary. They do not

In the essay, “Hip-Hop’s Betrayal Of Black Women”(221), by Jennifer McLune, she vents her feelings regarding hip-hop songs that are rhythmically diminishing the value of black women. She provides example on how the lyrics are being voiced and how hip-hop artists do not seem to care. Kevin Powell in “Notes of a Hip Hop Head” writes, “Indeed, like rock and roll, hip-hop sometimes makes you think we men don’t like women much at all, except to objectify them as trophy pieces or, as contemporary vernacular mandates, as baby mommas, chicken heads, or bitches” (221). There have been apologizes for what the rappers have said but nothing to resolve the dehumanization of black women. McLune informs the readers that hip-hop singers belittle black women and make them invisible. Jay-Z, a popular hip-hop artist is brought to center stage by McLune. The essay shows the example of a part of Jay-Z song that says, “I pimp hard on a trick, look Fuck if your leg broke bitch hop on your good foot” (222). This lyric is a perfect example of how hip-hop artist have no remorse in the words they sing. The hurt feelings and loss of self-esteem black women suffer, is of no concern to the rappers. McLune expresses that those who are underground hip-hop artist follow the footsteps on being sexist and using crude words in their lyrics just because they yearn and dream of being in the spotlight. Upcoming rappers want to be loved like Jay-Z and other famous notorious rappers.

“Hip-Hop’s Betrayal of Black Women” by Jennifer Mclune, tells the reader in the title alone, that Hip-Hop has bashed black women. The African American author is an activist, librarian, and writer. She is currently living in Washington, D.C. This article was featured in Z Magazine Online during July and August in 2006. This particular column is targeted toward the entire Hip-Hop community, especially black women, entirely for anyone who listens to the vulgar music style.

In Joan Morgan’s article “Fly-Girls, Bitches and Hoes: Notes of a Hip Hop Feminist”, she shows the way rap music has changed through it popularity. The widespread appreciation of rap had negative impacts upon the black community. Morgan talks about this through her Feminist point of view. She focuses the topic on what rap music says about the African American culture in Hip Hop. Rap music and Hip Hop were invented through the pain of African Americans. Hip Hop and the Rap industry use sexism and machoism to express the long years of oppressive pain they went through by the hands of the white people. Especially for the black brothers who continue that oppression by using provocative words that degrade the black sisters. Morgan states that blame isn’t only on the brothers

Beyoncé Knowles, a well-known singer, songwriter uses two of her songs: “Freedom” and “Formation” to tell the story of herself. “Freedom” is the beginning of her story where she is searching for freedom and equality showing that there is still much inequality and injustice for African Americans in America today. The song slowly transitions to a more positive tone when she seems to have made something beneficial out of her difficult situation. “Formation,” however, has a completely different tone. While she does address negative situations from the past at the beginning of the song, she quickly transitions to a more positive tone full of pride in where she came from, who she has become, and what she has overcome. Together, the two songs

Double-consciousness, as coined by W.E.B. DuBois, refers to the struggle of oppressed groups in an oppressed society, and viewing those struggles through the eyes of the majority. Despite its incarnation over a hundred years ago, it is still just as relevant to today’s society as America still struggles with racial injustice and oppression. Beyoncé Knowles, one of the most prolific music artists of the 21st century, examines these injustices in her controversial visual album, Lemonade, which highlights the struggle of minorities through culture, oppression, and feminism, using imagery and song.

Joan Morgan, a self proclaimed feminist, loves the power that rap and hip hop offers. Joan, also a music writer, is exceptionally troubled by the disrespect of women in not only in the musical lyrics but also the music videos. In the June 1990 edition of Ebony Magazine, Charles Whitaker wrote an editorial addressing the problems American culture brought on by the hip hop industry. Even though, his editorial was published in the 1990’s, it is extremely clear Charles Whitaker saw the negativity brought along with “The Hip Hop and Rap Revolution.” Both authors loved the powerful energy the new hip hop movement brought along with its beginnings, dating back to the mid to late 1970’s. With that being said, the two authors, both had one recurring theme within their respective works, the evolution of hip hop and rap. In other words, both Joan Morgan and Charles Whitaker addressed the issues brought on by the change in the rap and hip hop industry over its short exists. Change is the absolute most constant thing in our world, whether it is positive or negative change that is uncertain, in both of the articles that change in hip hop and rap is demonstrated

For nearly twenty years, Beyoncé has lived her life in the public eye yet she has always kept her cool, been submissive, and rather quiet when it came to her personal endeavors however after releasing the film “Lemonade”, we are able to see her in a vulnerable light. In Jeremy Helliger’s article: “Dear Beyhive: Stop Whining. Beyoncé Still Hasn’t Earned Her Album Of The Year Grammy” he addresses the idea that although Beyoncé was able to encourage black women to be proud and free, she also she missed the mark by adding raunchy, over the top content to her vulnerability.

Over the past few years tragic events seem to be surrounding our society. An array of killings, social protests, police brutality and racism have startled the nation. Lately celebrities have been addressing these issues more and more on TV, in interviews and in the public eye. One incredible artist just used her talent to address all of these issues and more in her new music video "Formation". Beyoncé is an iconic figure in our culture, spreading her talent, feminist views and activism worldwide. This video is one of a kind. It is not centered on her but on Black America. There have been many critics disagreeing with Beyoncé 's video. They felt that she spread negative messages of police throughout her video. Others, however, loved her video. They felt she used her platform to reach out and address issues. Supporters and critics of the video have expressed their opinions in many different ways. In this paper I will analyze this video that has been shared worldwide. The question I ask is: "How does Beyoncé depict the complexity of Black Americans?" In order to answer this question, I will apply Pentadic criticism to analyze this discourse.

Beyonce is an African American female artist making incorporating empowering messages for women around the world. She is creating work that speaks to an audience that might not receive authentic mainstream. Beyonce ultimate goal is to visually and sonically entice wisdom through her music. Recently in a shocking video release, Beyonce debuted a new song “Formation” as well as a politically charged music video. This song was an uproar in the music industry worldwide. Millions of people around the world negatively viewed this song as a controversy. The music video and song caused many people to debate and cause a worldwide conflict.

Through a multiperspectval lens the ladies in the hip-hop industry have to work extra hard to be seen as artist instead of just their sex. People that are involved in Hip-hop feminism in the industry draw on the strengths of both the feminist legacy and of the contemporary movement hip-hop. Hip-hop and black feminism have intertwined and evolved together to create its own self-identification and political sphere, that emphasizes the personal is the political, however, there is still a divide between women who embrace feminism, yet try to keep a distance from hip-hop and vice versa. The themes in the films and readings show the U.S. contemporary audiences need to accept the new representation of the female roles as successful and

While on her previous albums, Beyoncé was trying to empower all women, on Lemonade, Beyoncé speaks directly to black women. “As Jacqui Germain astutely noted on feministing.com, ‘Beyonce using the specific cultural marker of ‘Becky,’ [a social trope for white womanhood] in Lemonade is less a question of who’s excluding whom and why, and more so just us watching Beyonce be the ... multi-layered Black woman’” (Thompson, C., 2016). It was through this album that Beyoncé changed how the public thought of her. She was no longer afraid to not fully share what she wanted to say about current culture, and finally talked straight to black women to raise them up. It was also through this album that Beyoncé changed her image. Before her sixth album, Beyoncé definitely had feminist songs, but with Lemonade, she used rage to share her message, a message telling women that even after getting married, a man may not always be right for