An Analysis Of Dystopic Elements In Cormac Mccarthy's The Road

Mccarthy creates a bleak post apocalyptic society through the use of imagery. He describes a world where there is no wildlife and all that’s left are the ashes. “The road was gullied eroded and barren. The bones of dead creatures sprawled in the washes. Middens of anonymous trash”(177). While the man and the boy travel the road, they rarely come across other living things. The boy even shows a lack of knowledge about animals, constantly asking his father questions about them. They always have to keep moving due to the constant threat of danger. Their nomadic lifestyle prevents them from becoming attached to anything. This gives the feeling of absolute isolation. Throughout the novel, the man often has dreams of life before. His dreams are described in vivid colors, "walking in a flowering wood where birds flew before them he and the child and the

Cormac McCarthy’s The Road, is an enticing, but soul-wrenching novel that perfectly conveys the precise conditions of a cold, desolate world, in which one feels utterly isolated. McCarthy does not hesitate to go into detail about powerful or foul events within the plot. He says exactly what he means, and can effectively incorporate forceful interactions between the characters and each other, as well as characters and their given environment. By using the literary devices of symbolism, imagery, and theme, McCarthy handcrafts a novel with such eloquence and grace that such a bleak and miserable world is perhaps a seemingly beautiful one.

A man and his son travelling alone amidst the ruins of a previously prosperous nation; a young man venturing into a treacherous land to tie up the loose ends in his life; a broken ranch hand that suspects he had a conversation with death: in the most desolate and uncertain environments, the surrounding world can lend a bleak and lifeless perspective to one’s struggle to survive. In lands without accompaniment from other humans, the will to live can be as difficult to muster as shelter for the night or the first meal in days. Cormac McCarthy explores the difficulties of survival under the tension of barren landscapes and youthful inexperience and their effects on the loss of innocence. Gained maturity enables humans to persist and stay hopeful, even in the least hopeful situations. These environments and mindsets play an important role in the messages of three novels by Cormac McCarthy: The Road, The Crossing, and Cities of the Plain.

In The Road by Cormac McCarthy the father and the son overcomes nature’s obstacles by dealing with cannibals. The father and the son face many dangers and cannibals are one of the biggest. Throughout the book they encounter many sites of cannibalism. Such as the time when they come across what they thought was food but couldn’t really distinguish what it was until they took a closer look… “They walked into the little clearing, the boy clutching his hand… he looker quickly to see what had happened. What is it? He said. What is it? The boy shook his head. Oh Papa, he said. He turned and looked again. What the boy had seen was a charred human infant, headless and gutted and blackening on the spit,” (198). McCarthy depicted the absolutely worst social breakdown. The weakest and most helpless of human beings – an infant – was preyed upon. Like stated before, there are other violent images in the novel, but this one seemed important to state. It shows the extreme violence, hunger, and cannibalism that the novel created in one

Other than the boy the father has hope in very few things. But one thing which is shown throughout The Road is the father’s sense of morals. The father always reassures the boy and himself that they are the good guys which gives them the hope to keep persevere because they are, to the father, keeping goodness in the world alive, “carrying the flame.” Cormac McCarthy presents the cannibals as a lost hope in The Road. They are almost only referred to as the “bad guys” and are described as if they are animals with no hope other than to survive.

Cormack McCarthy’s novel, The Road, is set in a post apocalyptic world, where humanity is struggling to survive. Through his simplistic writing style and powerful symbolism, McCarthy tells a story about the human condition as well as what it truly means to be human. Though it is set in a wasteland this novel still manages to project hope through the love of a boy and his father. The following passages are quotes that spoke to me stylistically or symbolically while I was reading.

Lu Xun’s short story, “Diary of a Madman,” illustrates the possible dangers of traditions and cultural norms. Lu Xun uses a rather savage, extreme example for a tradition which people blindly follow in the story: cannibalism. The story is presented through a series of diary entries. After being enlightened by the moonlight which he has not seen for thirty years, the narrator who is also the diary writer, is drastically affected when his perspective on life changes. He lives his life with the paranoia that everyone around him is determined to eat him. Convinced that everyone is practicing the evil act of cannibalism, the narrator attempts to persuade them to change their ways for the greater good. The story is filled with irony as Lu Xun demonstrates just how strong tradition can be in its influence, longevity, and deception, even when the tradition is immoral.

Sheri Fink once said “The moral values, ethical codes and laws that guide our choices in normal times are, if anything, even more important to help us navigate the confusing and disorienting time of a disaster.” Living in a post apocalyptic time can be unbearable if one is stripped of the most basic necessities. Such an event can greatly affect the behaviour of a person, as well as the ability to distinguish right from wrong. But like the boy and his father in the novel The Road by Cormac McCarthy they stuck to their morals to overcome the hardships they face. The novels recurring themes such as companionship, survival, and good versus evil, prove that a persons moral standards could change in a time of need.

An important flaw the son has is that he does not remember the world as a peaceful place the son only remembers the world destroyed. This type of naivetes gives the boy a minimal outlook on the past and see the difference of the present. The father knows the difference which gives the father the realization before The Road begins. The son in portions of The Road is starving, this desolate place called the world does not give any chance of hope or second ones. The importance of this geographical state in the book makes the father and son rely on one another because they know the very importance of staying alive, and the only way they can do that is to fight for one another. The Road opens with a setting of desolation, “When he woke in the woods in the dark and the cold of the night he’d reach out to touch the child sleeping beside him”, which creates a concern within the readers that are realizing the magnitude of this horrible place. (McCarthy 3) The son in the first page of the book is mentioned

On page 172, the Boy and The Man have met the “Old Man”. Only because of the boy and his consistent whining do they share some of their rations with him. Even though The Man has told him multiple times, the boy cannot let another human who looks to be in need alone this time. As they question the Old Man and vice versa, he says “…I like a animal. You don’t want to know the things I’ve eaten” (McCarthy 172). Based on the fact we know multiple groups in this apocalyptic dystopian world have turned to cannibalism of

Cormac McCarthy’s The Road portrays a gripping tale of survival of a father and son across a post-apocalyptic world that is devoured by marauders and cannibals who have abandoned all of their beliefs, morals and values and do anything to survive. In contrast, the two protagonists are portrayed as the ‘good guys’ who carry the ‘fire’, and try to survive in the obliterated world. They are challenged to maintain their own beliefs, morals and values as they enter their quest. As a young adolescent who has witnessed the harsh environments of a war torn country such as Afghanistan, and has prior experiences of being a refugee. The novel effectively

“The Road” depicts a solemn and deteriorating environment that can no longer provide the fundamentals to a society due to the nuclear disaster. The sudden depletion of the resources within their environment made it difficult for the father and the son to find sustenance. They were constantly traveling towards the South looking for safe places to situate themselves because the father knew that they would not be able to survive the nuclear winter. The genre of the novel is post-apocalyptic science fiction because it revolves around a dismantling society. Cormac McCarthy’s “The Road” depicts how environmental destruction finally gave sense for people to value the world and what it had to offer.

In recent decades, Cormac McCarthy has staked his claim as one of the all-time titans of American literature through publishing masterpieces like Blood Meridian, Suttree, and The Road. In his works his advanced level of technical mastery becomes apparent through his expertly harmonized coordination of literary elements toward certain narrative ends, such as the generation of suspense. In this light, McCarthy’s literary style is a practical one, in that he organizes literary elements in his works toward actualizing particular goals. In The Road, for instance, McCarthy directs his style throughout the text so as to maximize the feeling of suspense that readers experience throughout the book. This kind of stylistic maneuvering is expressed on pages 105-110 and pages 118-123 of the the text. But, it must be noted here that the generation of suspense in these passages does not result from similar stylistic approaches. McCarthy uses style in differently in Passage A and Passage B but ultimately toward the same end, namely generating suspense for readers of The Road. Passage A relies on dialogue to develop its suspense, whereas the style of Passage B relies on narrative action for its suspense.

The Road takes place in post-apocalyptic America after an unknown disaster occurs. The novel centers around a boy and his father, both of whom are never given names. In an analepse, the reader learns that the mother of the boy kills herself with “a flake of obsidian” as she fears that she would be raped and murdered (McCarthy 30). “[The man] hadn’t kept a calendar for years” and the reader is left unsure what year or month it is (McCarthy 2). The man is sure, however, that winter is approaching and it would be best for him and the boy to travel south where it is warmer. They have nothing but a pistol, their clothes, and a cart with food they scavenged for. The world is barren with “dust and ash everywhere” (McCarthy 3). The story chronicles the man and boy’s journey to the south while they look for food, supplies, and shelter. The pair must fend off “bad guys” during their journey as well (McCarthy 39). When one of these “bad guys” puts his knife at the boy’s throat, the man is left with no other option than to shoot the “bad guy” leaving a “hole in his forehead” (McCarthy 34). Another gruesome event occurs when the man and boy are looking for food in a house they found. While walking down a cellar’s stairs, they smell an “ungodly stench” (McCarthy 56). In the cellar, there are “naked people” who are whispering “help us” and a maimed man on a mattress with his “legs gone to the hip and the stumps of them blackened and burnt” (McCarthy 56). These people are being kept to be eaten eventually and the man and his son

Throughout the novel, McCarthy illustrates the unconditional love the man has for the boy. This is depicted by the continuous sacrificing of necessities to keep the boy healthy and alive. McCarthy uses imagery to illustrate the hopelessness of the world and the daily struggle to stay alive by describing their living situation as “squatted on the road and ate cold rice and cold beans” (29). The use of the word “cold” has a negative connotation, showing the deprivation of luxuries and necessities of the world. The words “rice” and “beans” usually staple goods demonstrating the bare minimum they have to consume. The man internalizes the situation thinking, “So thin. My heart he said. My heart” (29). The syntax, specifically repetitive short sentences, demonstrates the everyday tension and grave society they are part of. This description also shows the love of the man towards the boy, which can be seen from the action of the man hugging the boy. Although they are struggling, the man overlooks these struggles, solely focused