An Analysis Of Emily Bronte 's ' Wuthering Heights '

Illness is never a pretty scene, it can leave a devastating path of destruction. Illness embodies many complex meanings encrypted within a text, and it's rarely just illness. Sickness can show paralysis of a character, the character can be unknowing death, it can show symbolic immortal, or illustrate wholesome destruction. The French Revolution was a battle between the the wealthy and the poverty stricken, and with poverty comes disease. Illness illustrates many pictures, and the physical illness usually ends up a bonus to the story; this can be seen embodied within The Tale of Two Cities.

According to gilderlehrman.org, 5,000 people died because of the disease known as Yellow Fever. Matilda, or Mattie, was one of those people who got sick, and she tells us about how it is to have Yellow Fever. Yellow Fever is a fatal disease that makes the victim have various symptoms, such as yellow tinted skin, vomit, headache, nausea, and many more terrible symptoms. This is the reason I believe that the main theme in Fever, 1793 by Laurie Halse Anderson is suffering. One way Fever, 1793 shows this theme is through sickness.

Heathcliff has an obsession with Catherine, and undergoes emotional stress after her death (Bloomfield 291). His unsympathetic personality is also a trait of his mental disorder (Bloomfield 297). Heathcliff’s obsession can be classified as Monomania, he is fixed on one idea to the extent of physical and mental destruction (Bloomfield 295). Heathcliff lets hid ID take over instead of suppressing his instinctual feelings. Heathcliff becomes reckless and self-destructive and develops psychotic depression, he then retreats to Catherine’s room to die (Bloomfield 291). Throughout the novel it seems as though Heathcliff completely ignores his Ego and Super-Ego, and lives only by his ID. Emily Bronte uses mental illness in her characters and their death to alter the plot of Wuthering Heights. All of the characters fit into periodically correct illnesses, but the focus

   "My love for Heathcliff resembles the eternal rocks beneath: a source of little visible delight, but necessary. Nelly, I am Heathcliff" (81)" These words, uttered by Catherine, in the novel Wuthering Heights are for me the starting point in my investigation into the themes of love and obsession in the novel. Catherine has just told her housekeeper that she has made up her mind to marry Edgar Linton, although she is well aware that her love for him is bound to change as time passes. That she is obsessed by her love for Heathcliff she confirms in the above quotation and by saying that she will never, ever be separated from him. Why does she not marry him then? Well, she has

Upon hindsight following the two novels, Wuthering Heights by Emily Bronte and Mary Shelly’s Frankenstein, one would label the monster and Heathcliff to be nothing short of villainous characters. Throughout each individual novel the two leads perform heinous actions that should leave readers feeling repulsed, and with no ounce of sympathy towards the principal characters; nonetheless, it is impossible not to. Heathcliff and the monster are not evil but rather characters to sympathize, both are the products of their environment and correspondingly, although for divergent reasons, are motivated by the supereminent emotions—love and hate.

“I jolted awake. My sheets were soaked through with sweat, blood, and the foul-smelling black substance that marked a victim of yellow fever. Yellow fever,” despite her desperate cries for mercy, yellow fever struck young Matilda Cook with its evil hand, along with thousands of other unfortunate victims. An unpredictable future haunted the families of Philadelphia as this unbearable sickness slithered in between their homes. In the novel Fever, Laurie Halse Anderson described the fictional epidemic that occurred in 1793 to the citizens of Pennsylvania. She passionately painted the picture with blended colors of pain, perseverance, and hope. Despite unbearable pain, the protagonist pressed on with strength and hope. While her character certainly deserves admiration, Matilda Cook is not the only strong character in this story, her friends Eliza and Nathaniel share some of her inspiring traits as well as some of their own.

Imagine yourself sick and no cure in 1793 in Philadelphia your dead or someone else is dead. If I lived during 1793 in Philadelphia the struggles would include disease, survival, death. To begin, the whole book is about yellow fever and yellow fever is a disease. For example the story initially starts in the second chapter, Polly one of Matilda's friend dies from a fever but they do not know what fever. What this means is that the fever is barely starting in Philadelphia. Additionally, it has seemed that survival was very important and very hard in Philadelphia. On page 24 in the first sentence it had said how many people have died already “A week later sixty-four people had died.” This explains that the fever was going very quickly and you

In Wuthering Heights, Emily Bronte uses the setting of the English Moors, a setting she is familiar with, to place two manors, Wuthering Heights and Thrushcross Grange. The first symbolizes man's dark side while the latter symbolizes an artificial utopia. This 19th century setting allows the reader to see the destructive nature of love when one loves the wrong person.

The disorderly atmosphere of Wuthering Heights, generated by Heathcliff’s raucous behavior causes Catherine to gravitate towards a more uncivilized and mannerless version of herself. Several times, Catherine snaps at others and throws furious tantrums, as she scolds and even slaps Nelly for cleaning in Edgar’s prescence. The rambunctious setting of Wuthering Heights conjures a different Catherine, where, “to pracise politeness...would only be laughed at,” influencing her to act on rebellious

Human beings can be truly deranged creatures. Often times they are seen as elevating and putting themselves on a pedestal. They will treat people who are not the same as them as they are garbage and worthless. Although it is not their fault to simply put it, it is human nature. More specifically the ugliness of human nature. The complex characters in Wuthering Heights are guilty of this. Their circumstances drive them to do unthinkable things which unfortunately have drastic outcomes. Emily Bronte’s Wuthering Heights is a beautifully written novel that shows the ugliness of human nature as seen through the depiction of toxic relationships, displaying revenge and vengeance in the differentiation of social class.

In her novel Wuthering Heights, Emily Brontë uses a formal style of writing to portray the language of those used during the early 1800s. Throughout the majority of the novel, Nelly Dean is telling the story of how Wuthering Heights came to be the place that it currently is. Throughout Dean’s narration, characters are voiced differently due to their role in society. An example of this is shown when Brontë would use fragments of words to represent the speech of Hareton, one of the servants of Wuthering Heights. In contrast, Catherine, being well educated, would use sophisticated grammar and an extensive vocabulary whenever she spoke. Heathcliff was revealed as a two-sided character in this reading. On one hand, the author would use negative

Women’s rights have been a question greatly discussed for quite some time, and the debate is still continuing despite the possibilities offered to women today. Feminism nowadays has evolved into a movement in a number of directions, starting with women equality and ending with homosexuality. However, feminism originally is an ideology that is based on equal political, economic and social rights for women. Feminism theory deals with analysing women’s social roles and experiences in relation to gender inequality. Traces of this ideology are vastly represented and can be found in a number of literary works, as notable examples are novels written by female authors (the Brontë sisters, Elizabeth Gaskell, George Eliot and others) during the Age

“The difficulty of literature is not to write, but to write what you mean; not to affect your reader, but to affect him precisely as you wish,” said Robert Louis Stevenson, author of Treasure Island. Any person can write a book, but to be able to write what you mean and affect your readers is very difficult. A writer simply can’t just drop dialogue into a character’s mouth without having any context of the dialogue. If an author has his or her character saying “I’m broke,” what does this really mean without any context? To Oprah Winfrey, being broke may mean she can’t buy a Silk Jet, a winery, or a country. To a middle- class American, being broke may mean they can’t buy a new pair of shoes that week, buy a new car, or get their hair

“If wellness is this what in hell's name is sickness?” American singer Amanda Palmer captures what it means to reside in both Wuthering Heights and Thrushcross Grange in her hit song, “Runs in the Family”. Emily Brontë’s Wuthering Heights puts the ‘dysfunction’ in ‘dysfunctional families’ by using illness to demonstrate family dynamics. In the narrative, the affliction of mental illness is spread to almost all characters as they enter the household of Wuthering Heights, while residents at Thrushcross Grange are afflicted with physical illness, causing the ultimate upheaval of both households.

Gothic literature originated and was very strong at the time of the Romantic Writers Movement. They were very popular and had authors such as Horace Walpole who wrote “The Castle of Oranto”, and novels such as “Frankenstein” and “Dracula“. Gothic novels all had a similarity between each other. They always had typical Gothic features which alleviated the novel in one way or another. For example, most Gothic novels involved settings which generally added fear and suspense. They were always quite dark, scary and isolated. Also the characters of the Gothic novels never seemed to fit in the community and the society. They usually were handicapped, disabled or deformed