An Analysis Of Matryona's Home By Alexander Solzhenitsyn

It is not new or unique that an individual is looking for one’s purpose and meaning in life. Nor is it unique that men and women imitate the norms of society. In Kate Chopin’s novella, The Awakening, Edna Pontellier, the antagonist, knocked against the societal norms of the late 1800’s. Houses represent Edna’s search for her inner self. The houses which Chopin uses in The Awakening come in pairs which contrast

In the short story, the writer tells a woman’s depression which guides her to break the limits and restrictions over woman. The woman who has no name or identity symbolises all women’s suppressed position in patriarchal society. In the story, the woman describes the house and her rooms with the words; ancestral hall, old-fashioned chintz, barred windows, heavy-immovable bed. The descriptions depict the house as patriarchy’s realm. Also, the yellow wallpaper’s surrounding of her shows the woman in a trapped, confined and repressed position. Not only the yellow symbolise the weakness, but the paper also

First and foremost, women of Chopin’s time, like Edna, are confronted with the bonds of matrimony. In 1899, when the book was written, society deemed the husband as the full proprietor of the house and of all possessions, to the point where even the wife was considered an asset. Likewise, while sitting in the hot sun at the beach, Leonce, Edna’s husband, remarks that Edna is “burnt beyond recognition,” and views his “wife as one looks at a valuable piece of

The novel The Awakening is an empowering masterpiece that shows a woman stepping out of the social norm to find her bliss. Edna Pontellier is expected to be the perfect wife and perfect mother. The needs of her husband and children are supposed to triumph over her own. She is well ahead of her time because she wants independence and to live her life to the fullest. In Chopin’s story, not only is there a daring young woman who is on the hunt to find her independence, but there is also a housewife, whose life belongs to her family.

In Solzhenitsyn's Matryona's Home, there are very concrete themes. One theme include righteous suffering, which means that even modest people still suffer through obstacles in their lives. However, with the these obstacles comes reward and strength. In the story, Matryona goes through several life-changing obstacles, which affects her will to live her life in a positive light. The narrator is describing Matryona when he states, "She shows no pleasure at getting a lodger, just complained about the wicked disease she had" (Solzhenitsyn 858). Going through the lost of her husband, her inability to have children, as well as a terminal disease is a hard pill to shallow, however, she did receive a source of strength during that hard time. The narrator

In One Day in the Life of Ivan Denisovich, Aleksandr Solzhenitsyn shows how Soviet prisoners, known as Zeks, are treated while being in the gulag for one day through the eyes of the protagonist and omniscient narrator named Ivan Denisovich Shukhov. Despite being in an environment such as the Soviet Union, where there is harsh tundra and not much food to eat, Shukhov tries to make good use of what he has received while trying to keep himself alive. The purpose of Solzhenitsyn’s portrayal of food is to show its overall significance and that it is used as a means of trade and survival. Over time, the power of food reveals its significance to the Zeks and especially to Shukhov and food allows both groups understanding towards the necessity of food for their vitality and well-being additionally.

Sacrifices can define one’s character; the definition can either be the highest dignity or the lowest degradation of the value of one’s life. In The Awakening, Kate Chopin implicitly conveys the sacrifice Edna Pontellier makes in the life which provides insight of her character and attributions to her “awakening.” She sacrificed her past of a lively and youthful life and compressed it to a domestic and reserved lifestyle of housewife picturesque. However, she meets multiple acquaintances who help her express her dreams and true identity. Mrs. Pontellier’s sacrifice established her awakening to be defiant and drift away from the societal role of an obedient mother, as well as, highlighting the difference between society’s expectations of

In the fiction book The Awakening by Kate Chopin, the use of descriptive and distinctive language used to describe the feelings of Mrs. Pontellier provide a sense of depth and intimacy towards the nature of her own self-worth, relationships and representation towards others in the story. Chopin gives details that explicitly show how this character feels, moves and exerts herself when faced with certain situations in this book. The overall theme of longing to be accepted or not accepted makes this passage significant to the overall plot.

In reading the short stories, “Clever Manka”, by an Anonymous Writer and “The Story of an Hour”, by Kate Chopin, readers learn about both Manka and Mrs. Mallard. The stories show how each of the women interact in their relationships with their family, friends and most importantly their husbands. While each of these women have a few similarities like age, and marital status. They couldn’t be more different from one another.

“Days of a Russian Noblewoman” is a translated memoir originally written by a Russian noblewoman named Anna Labzina. Anna’s memoir gives a unique perspective of the private life and gender roles of noble families in Russia. Anna sees the male and female gender as similar in nature, but not in morality and religiosity. She sees men as fundamentally different in morality and religiosity because of their capability to be freely dogmatic, outspoken, and libertine. Anna implies throughout her memoir that woman in this society have the capacity to shape and control their lives through exuding a modest, submissive, and virtuous behavior in times of torment. Through her marriage, Labzina discovers that her society is highly male centered.

When her husband gave her the invitation to the ball, which was a perfect place to meet the rich people, Mathilde got mad and cried. It was a shame since she has nothing to wear. Mr Loisel gave his money to Mathilde and she got an elegance dress. But she didn’t stop and wanted to have jewels. Mathilde met her friend, Madame Forestier and chose an gorgeous diamond necklace. Of course, she became the prettiest woman in the ball, with everyone stared at her, as if she was the most attractive woman ever. She felt fascinated, just like her dream came true. But then a tragic came to her. She lost the necklace! Mathilde and her husband tried to find the necklace, but they found nothing. Mathilde lost her hope and had aged five years. The Loisels finally decided to replace the diamonds for 36 000 Francs, spent all of their money and accepted to pay the debts. It was such an unfortunate situation. After Mathilde lost the necklace, she was described as “ And, clad like a poor woman, she went to the fruiterer, to the grocer, to the butcher, a basket on her arm, haggling, insulted, fighting for every wretched halfpenny of her money”. (Maupassant 8). The family was suffering from poverty and have to pay the debts continuously. Mathilde changed immediately and did everything. They have worked so hard to earn every single penny for their life, to survive and pay all those debts. The third person limited

“In the struggle with falsehood art always did win and it always does win!” Alexander Solzhenitsyn, a Soviet dissident, espoused this philosophy to the Swedish Academy. He spoke of the power of art in combating the tyranny and lies of a corrupt government, and as a medium for evaluating society. He was at various times, a soldier in the Soviet army, a political prisoner of the Soviet state, a celebrity for his literary works, and an exile from all of Russia. His fiery philippic against Stalin landed him in prison for eight years; his account of prison life made him immensely popular during the de-Stalinization years of the early 1960’s, and he was deported for his most famous work, The Gulag Archipelago. He has become a symbol of the

Since the beginning of time social constrictions have always retained a firm grasp on the ideas and actions of humanity. While it remains a formidable foe, still some choose to fight back against the norm. This never-ending war is responsible for major advancements in the social order, but not every story is so successful. In Kate Chopin’s “The Awakening”, Edna Pontellier finds herself fighting this very battle that, although begins with a positive outlook, ultimately ends in her demise.

       As the tale begins we immediately can sympathize with the repressive plight of the protagonist.  Her romantic imagination is obvious as she describes the "hereditary estate" (Gilman, Wallpaper 170) or the "haunted house" (170) as she would like it to be.  She tells us of her husband, John, who "scoffs" (170) at her romantic sentiments and is "practical to the extreme" (170).  However, in a time

The last son of Fyodor Karamazov was a bastard, born from the town’s holy fool. Although it is not entirely known whether Fyodor was the true father of Smerdyakov, he was widely believed to be so. Smerdyakov was raised by Gregory and his wife after his mother died during childbirth and later worked as Fyodor’s personal cook. As a child, Smerdyakov “loved to hang cats and then bury them with great ceremony” (Dostoevsky, 1981). As an adult, he was unsociable, arrogant, and despised everyone. Smerdyakov had no use for religion and suffered from epilepsy from an early age. Despite all of these things, Fyodor considered Smerdyakov to be a completely honest man, whilst the townspeople considered him to be a fool like his mother.