An Analysis Of Okonkwo's 'Things Fall Apart'

Okonkwo and Walter may or may not have achieved it, but while their eyes are fixated on their end goals for success and what they are gaining, they overlook their losses. Because of Okonkwo’s fear of being regarded weak, he often acts overly aggressive to demonstrate his masculinity. Examples of his acting aggressive and cruel fills the entire novel. The first incident is his beating of his wife Ojiugo during the week of peace. No violence is permitted during this week, but Okonkwo breaks the laws only to establish his dominance in the house. Afterall, he cannot be “like the man in the song who had ten and one wives and not enough soup for his foo-foo” (Achebe 57). This incident is an indication of Okonkwo’s disregard for tribal laws because of how less they weigh than his masculinity does in his heart. After already losing respect for the Igbo cultures and customs, Okonkwo continues on losing a dear son. Ikemefuna is captured from

Even the crops were gendered (Okhamafe 127). Coco-yams, beans, and cassava were “women’s crops” (Achebe 23). Yam, the “king of crops”, was “a man’s crop” (Achebe 23). In Umofia, all that is desirable and admired is associated with manliness. Anything that is demeaning or scornful is considered to be womanly.

But his whole life was dominated by fear, the fear of failure and of weakness.” Many people believed that Okonkwo was such a cruel man because of the wall that he put up. This affected his family because he still continued to act tough with his wives and most of his kids, there was only one of his children that saw his soft side and that was Emzina, his daughter. He also thought a lot about one of the people he killed, which showed that he wasn’t the tough guy that everybody thought he was, but no matter what he refused to show any signs of weakness to avoid being like his

Okonkwo's fear of being perceived as weak tragically leads to him to be unnecessarily violent and excessively prideful. These two fatal flaws lead to Okonkwo’s own emotional isolation, and his inevitable downfall. Driven by the fear of being seen as weak and emasculated, Okonkwo exhibits hyper masculinity and rage. Although this behavior initially leads to success in the patriarchal society of Umofia, rage is his greatest bane: it masks his compassion and pusillanimity. Onkonkwo’s obsession to never appear feminine is driven to the extreme. He denies affection even to his own family, “never show[ing] any emotion openly, unless it be the emotion of anger. To [Okonkwo] show[ing] affection was a sign of weakness; the only thing worth demonstrating was strength.” (pg. 28). Okonkwo whose “whole life [is] dominated by fear, the fear of failure and of weakness.” (pg. 13) suppress his compassion in order to appear important and manly. Ironically this creates a stark juxtaposition between his own fear and his position as an alpha male. Rather than being masculine and courageous, Okonkwo just creates tension within his family and within himself. The pinnacle of this extreme hypermasculinity is when Okonkwo ignores the wisdom of the elder Ezeudu, and violently kills his “son” Ikamafuna: “As the man who had cleared his throat drew up and raised his machete, Okonkwo looked away. He had heard Ikamafuna cry “My father, they have killed me!”

1. In traditional Ibo culture, women are not treated as equals and are equivalent to possessions. In a family, the children always belong to the father, not the mother. “I have even heard that in some tribes a man’s children belong to his wife and her family” (74). Okonkwo appears appalled to this blasphemy. It is common and ideal for a husband to possess multiple wives, and men beat their wives for even the smallest infractions. During the Week of Peace, the goddess forbids wife beating, such as when Okonkwo beat Ojiugo. “And when she returned he beat her very heavily …It was unheard of to beat somebody during the sacred week” (29-30). To live in a culture with so many threats to them, women are required to be mentally and emotionally

Okonkwo, a very demanding character, has just finished a day's worth of labor and comes home expecting food at the table and his youngest wife has not prepared it yet. Okonkwo waits for her arrival when, “she returned he beat her very heavily. In his anger he had forgotten that it was the Week of Peace” (Achebe, 28). This quote displays gender inequality throughout the African villages during the Age of Exploration. The tone seen in the words “beat” and “heavily” give a sense of insecurity and negative connotation towards women during that time. In keeping with Igbo view of female nature, they allowed wife beating. It is clearly evident that tone in the book Things Fall Apart allows Achebe to get his point across that women were on the bottom of the social hierarchy and were treated like property. Women were subjugated to their husbands whims, in this case it meant beating his wife when dinner was not ready. This occurred during a Week of Peace regardless that no violence should

tribe to be a week of peace Okonkwo beat up his third wife because she

Okonkwo’s fear of unmanliness is kindled by his father, who was a lazy, unaccomplished man. Okonkwo strives to have a high status from a young age and eventually achieves it. He has a large family, many yams and is well known throughout the village for his valor. He

“While the young boy’s fate remains undecided, the virgin girl’s fate is quickly sealed. For someone else’s crime, she must give up the life she has known, her maidenhood, and her hand in marriage to a complete stranger. This new girl seems to be considered a complete replacement for Ogbuefi Udo’s former wife, implying that women are essentially all the same and therefore interchangeable. Basically, women are passed around like un-unique objects in the Igbo world” (Achebe 54 ). Being classified as a ‘un-unique object that is passed around’ is terrifying that men can think that way towards women, let alone someone who birthed them. "'When did you become a shivering old woman,' Okonkwo asked himself, 'you, who are known in all the nine villages for your valor in war? How can a man who has killed five men in battle fall to pieces because he has added a boy to their number? Okonkwo, you have become a woman indeed'" (Achebe 56). Women are shoving equality down everyone's throat. The civil rights movements of the 1960s inspired a second wave of fervent activism confronting the inequalities women faced in virtually all areas of American life. “In communities everywhere, women worked on grassroots projects like battered women's shelters and rape crisis hotlines, child care centers and health clinics” (Women and equal rights). It is important, not only its humane, but it gender equality has benefited everyone in the home they live in and

After Nwoye’s childhood, he discovers the trouble he has with pleasing his father, and Okonkwo always contradicts Nwoye about not having the same or even more status as Okonkwo had when he was his age. Nwoye will never be the “great farmer and great man” Okonkwo wants him to be, during society at this time, opportunity to achieve success and prosperity through hard work, determination, and initiative was very admirable (33). With the type of negative feedback, Nwoye receives from his father saying that he will amount to nothing, shows how Nwoye develops insecurity with his identity as an Ibo citizen. Contradictingly, Okonkwo is very pleased and rather arrogant with his status in matter of the village. He is already one of the “greatest” men of his time starting from his youth when in Ibo culture age was respected. The setting of Nigeria plays a major role in the identity of Nwoye and Okonkwo seeing that prosperity for men at that time is having wealth and potent personality. Okonkwo was obviously successful in terms of riches; he owned a huge barn full with yams, the king of all crops, and has three wives. During this time Okonkwo lives a lush life and could not have been more proud of who he is identified as. Having the drive to accomplish significance in life, Okonkwo’s achievements were admired by most people in the village, showing “if a

One quotation that expresses Okonkwo’s view of manliness states Okonkwo “was always happy when he heard [Nwoye] grumbling about women. That showed that in time he would be able to control his womenfolk” (53). This quotation shows that Oknonkwo feels pleasure when his son displays signs of power, such as the control of the perceived weaker gender. Ergo, Okonkwo views the subordination of others by his son as an example of “masculinity.” This idea is further supported by the quotation: “No matter how prosperous a man was, if he was unable to rule his women and his children… he was not really a man” (53). Oknonkwo clearly considers utter authority of one’s nuclear family as a prerequisite to meet “manhood.” He literally states that a man without patriarchy in his family is not a man. Therefore, when Nwoye displays the early signs of this dominance, like the grumbling about his subordinate women’s issues, Okonkwo is finally considering his son “masculine” as shown by his happiness.

In addition, it is an insult to a man or boy if they possess any female qualities. Guilt ridden after murdering Ikemefuna, his surrogate son, Okonkwo sternly reprimands himself not to “become like a shivering old woman” – this he considers the worst insult (65). Okonkwo also relates negatively to his oldest son Nwoye, who according to Okonkwo possess weak qualities and thus acts like a woman. He wanted Nwoye to listen to “masculine stories of violence and bloodshed” rather than the stories told by women which were for “foolish women and children” (54). The stories that men told were about bravery and war and young men were expected to listen to this instead of fairy tales that women told. “So Okonkwo encouraged the boys to sit with him in his obi, and he told them stories of the land” – while Nwoye feigned that he liked the stories his father told him to make him a man, he preferred his mother’s that he heard while growing up that kept his spirit gentle.

Okonkwo thinks he is the owner of his household and he shows no mercy to anyone who angers him. “He ruled his household with a heavy hand. His wives…lived in perpetual fear of his fiery temper, and so did his little children. Perhaps down in his heart Okonkwo was not a cruel man. But his whole life was dominated by fear, the fear of failure and weakness.” (Achebe, Chapter 2, p.8). Okonkwo beats his children and wives because of his temper which is influenced by the Igbo society; he puts on a hard exterior because he is afraid of being weak and unsuccessful. At one point, he attempts to kill his second wife with a gun because he thinks she is the cause of a tree’s death. In order to prove his power and strength, without thinking of the consequences, Okonkwo beats his youngest wife during the week of peace - a week when the village celebrates peace and who ever disrupts the peace will be punished by Ala, the earth goddess (Lycos, online). “His first two wives ran out in great alarm pleading with him that it was the sacred week. But Okonkwo was not the man to stop beating somebody half-way through, not even for the fear of a goddess.” (Achebe, Chapter 4, p.21). Okonkwo lives in a male dominant society where men are pressured to be strong and successful; because of these influences, Okonkwo develops an inner

Soon Okonkwo began to sense a speck of laziness in Nwoye while harvesting yams, which in the Ibo culture were considered “a man’s crop” (Achebe 19). He instantly compared his son to his “lazy” father bringing awareness to his ongoing hatred for everything similar to his own father’s ways like

Historically, women have been viewed as inferior to men due to a female's lack of physical strength. In the candid novel, Things Fall Apart, by Chinua Achebe clearly defines gender roles; women are the caretakers and cooks- simply existing to satisfy men’s desires. Although “Things Fall Apart portrays the women as weak ,inferior, and being put in their place by men; however, Achebe also notes their importance during several parts of the story. By incorporating powerful dialogues and scenes to develop gender conflicts, Achebe uses the completely divergent character of Okonkwo, who constantly strives to achieve manliness to demonstrate that although women in the Igbo society are important, they are not treated as such. Chinua Achebe, the author suggests that there is a constant conflict which exists between the two genders and the expectations of the roles in which each of them must play.