An Analysis Of ' Sleeping Beauty '

The story of Sleeping Beauty has evolved over time and has been changed slightly throughout the different versions. It has changed in order to fit social norms for the time and context has been altered to appeal to the current audiences. The three main versions of Sleeping Beauty are the Charles Perrault in 1697, which was adapted from the original fairy tale Sun, Moon, and Talia by Giambattistas Basile in 1634. Perraults version was a tale of rape, adultery and cannibalism. The Brothers Grimm interpretation, from 1812 that made the story more tame and the Walt Disney version from 1959 that was drawn mainly from the St. Petersburg Ballet version of 1890 and the Grimm Brothers

The story of Sleeping Beauty is told in many different forms and is most famous from Walt Disney’s Sleeping Beauty. For example, the fairytale “The Sleeping Beauty in the Wood” by Charles Perrault is quite different than Disney 's version. This fairytale should be researched because it has an interesting historical background and it is still culturally relevant to this day. The three main points that will be discussed about Sleeping Beauty in this paper is historical background, the different ways this fairytale is represented, and the cultural significance this story has on society. Researching this story has opened my eyes that the Sleeping Beauty movie I

The radiant rays of light leapt off of the sun’s surface while a tiny flock of hummingbirds filled the azure sky with their sweet song. Meanwhile, the sky itself was clear, a blank canvas of light blue painted across the horizon. At the time, I was 5’5, athletically built, and relatively average in height compared to my seventh grade classmates. I had uneven locks of black hair that seemed to go out in every direction, similar to the quills of porcupine. Nevertheless, my body movements were sluggish due to the lack of sleep I had been receiving.

“The past can hurt. But the way I see it, you can either run from it, or learn from it,” explains Rafiki, the wise baboon from The Lion King, to Simba, a young cub, in order to teach him a valuable lesson: to use other peoples’ mistakes to avoid making the same ones; when people reflect on their past and are willing to confront the mistakes head on, they can be very successful. Waking Sleeping Beauty, directed by Don Hahn, gives viewers an inside look from 1984 to 1994 when Disney reached the peak of “The Disney Renaissance”—during this period of time, Disney Animation Studios produced some of their best animated movies. Although Disney was successful during this era, it took a lot of work for them to get to

Lori Baker-Sperry and Liz Grauerholz discuss the concept of female empowerment through beauty in their article “The Pervasiveness and Persistence of the Feminine Beauty Ideal in Children’s Fairy Tale.” Baker-Sperry and Grauerholz state that, “women willingly engage in ‘beauty rituals’ and perceive being (or becoming) beautiful as empowering, not oppressive” (712). Baker-Sperry and Grauerholz argue that in children’s fairy tales, the female characters see their beauty as their most useful tool and would undergo “beauty rituals” to attain this beauty. By being beautiful, the Fairy Queen is able to win the attention and loyalty of Lanval. Not only does the Fairy Queen receive power in this bond, but also Lanval himself finds good fortune in the form of physical wealth. To further emphasize the Fairy Queen’s beauty and the power she holds over the court, France uses the series of girls prior to the Fairy Queen’s entrance. This builds a sense of suspense and the fact that the Fairy Queen easily trumps the girls in beauty further emphasizes her superiority. By emphasizing the Fairy Queen’s bodily beauty, France is able to show the power the Fairy Queen has over Lanval and the court.

A telling of the Sleeping Beauty tale by Brothers Grimm called “Briar Rose” begins with a king and queen long for a child and are promised they will receive one. The queen indeed has a daughter and the king throws a feast in celebration inviting twelve of thirteen Wise Women due to having only twelve golden plates. At the feast, the child is bestowed many gifts and the uninvited Wise Woman appears and curses the child saying when she turns fifteen she will prick her finger on a spindle and die. The last Wise woman uses her gift to keep the princess alive by placing her in a hundred-year sleep.

Children 's stories have been around for some eras. They have been read to kids everywhere throughout the world in view of how they can identify with youngsters regardless of what society they originate from. One of the even more surely understood children 's stories is 'Sleeping Beauty '. The most generally known form today is the Disney motion picture, made in 1959. This film depended on the Grimm 's variant of Sleeping Beauty called 'Little Brier-Rose’, which was composed in 1812 in Germany. Another less known rendition of Sleeping Beauty is 'Sun, Moon and Talia’, which was composed in 1634 Italy by Giambattista Basile. The primary parts are a princess reviled to a profound rest until an aristocrat wakes her with a kiss. The characters in the stories may have numerous distinctions however; the key qualities that are perceived in Sleeping Beauty characters are still evident.

“Beauty and The Beast” is a classic well known romantic Disney movie that depicts the gender role of men and women in society. The film is based upon a smart young female protagonist named Belle who is imprisoned by a self-centered young prince after he has been turned into a beast. They both learn to love each other in the end and throughout the film there are several examples shown portraying the roles of gender. In the film the main characters Gaston and the Beast portray themselves as rude, conceited and more important than the woman even though the main character Belle is a woman whom is considered odd, yet smart, and unrelated to most women in society.

Bruno Bettelheim, he analyzed fairy tales in terms of Freudian psychology, which is represented in his works of The Uses of Enchantment. Beaumont’s story of Beauty and the Beast is where the first discovery of Beauty’s problem was identified as the Oedipal complex. The Oedipal complex is a child’s desire to have a sexual relation with the parent of the opposite sex, but it is repressed deep in the mind. Beauty in Beauty and the Beast has a special bond of affection with her father; there is the problem that arises within this complex that what if she were to be stuck at the stage of development and never outgrow it. Within the fairy tale written by Jeanne-Marie Beaumont there is the representation of the period where she begins to transfer the affection to someone else. An analysis of Bettelheim’s theory of the Oedipal complex reveals psychological problems of growing up in the written fairy tale and Disney adaptation of Beauty and the Beast.

We have often seen numerous folktales that appear to be similar among different cultures. Often at times, the characters or locations change to accommodate the surrounding culture, but the message or moral of the story stays the same. In the case of the story, Sleeping Beauty, we notice that the earlier versions of the story are more crude and “adult” and as time passed on, the story evolved to become more suitable for a younger audience. Sleeping Beauty became a story of “rape, adultery, sexual rivalry, and attempted cannibalism” (Hallett, 1) to the clean and innocent Disney version we know today. The three versions of Sleeping Beauty that I will compare are Sole, Luna, E Talia (Sun, Moon, And Talia) by Giambattista Basile, The Sleeping

Disney’s animated film, ‘Sleeping Beauty’, centres around the female lead, Aurora, and from the very beginning, a huge emphasis is placed on her physical characteristics and unrealistic body proportions. In a scene at the start of the film, infant Aurora is blessed with magic gifts from each of the three fairies, Flora, Fauna and Merryweather. Each of the fairies bestowed upon Aurora one gift; the first of which, from Flora, was beauty, and the second of which, from Fauna, was the gift of song. Aurora was to have, ‘Sunshine in her hair,’ with, ‘Lips that shame the red, red, rose.’ This strong emphasis on physical traits and beauty reinforces gender ideals in women and carries the negative message that being beautiful is more important than having other traits such as kindness and

Have you heard of Sleeping Beauty? A girl falls asleep for a hundred years, and a prince wakes her up with a kiss. Well that story is wrong. The real story does not begin with a party to celebrate the princess's birth, and there is no evil fairy. There is no prince to wake her up. That story was just made up for little kids, because the real story is not as happy.

'It seems to me, my dear friend, that the music of this ballet will be one of my best creations. The subject is so poetic, so grateful for music, that 1 have worked on it with enthusiasm and written it with the warmth and enthusiasm upon which the worth of a composition always depends." - Tchaikovsky, to Nadia von Meck.

The original story by Giambattista differs from Disney’s new interpretation in that it explores rape. In Disney’s version of sleeping beauty the princess named Aurora is awakened from a true loves kiss. The story is told to children all over the world and is seen as appropriate for them. The original version of this story involves Talia, the princess, being raped. The Prince laid the dead princess on her bed “where he gathered the first fruits of love” (Basile). This version of the story is grossly inappropriate for today’s modern generation of children and is far from the happy ending we are used to. Fairy tales where not originally intended on being entertainment for children however through constant revisions they seemed to target their imagination, essentially causing them to be successful tales. Clearly the earlier version of sleeping beauty contains ideas that are not yet suitable for

The version of Beauty and the Beast by Jeanne- Marie LePrince De Beaumont tells a compelling story of a young women making sacrifices for her family, and finding love through these sacrifices. Beauty and the Beast is a fairytale meant to educate young children on the importance of family, and that life is full of making sacrifices; while also teaching children to appreciate what is on the inside, and not just on the outside. The protagonist of the tale is Beauty. Beauty is a caring, family- oriented, strong, loyal girl whom everyone in the town adores. She kept to herself, but would do anything for anyone, especially her father. With many opportunities to get married, Beauty stayed loyal to her father, until she realized she was in love with Beast. When the family lot their fortune men still proposed to Beauty, even though she did not have money. Beauty politely turned them down; “She told them that she could not bring herself to abandon her poor father in his distress and that she would go with him to the country in order to comfort him and help him with his work.” (32)