An Analysis Of The Boat By Alistair Macleod

Humanity often tends to see itself as being somehow important in the grand scheme of the Universe. We speak of 'fate' as if we were put here for some reason, or purpose. We have our religions, which often serve as an engine to drive our lives and as a means to give meaning to them. But why do we think of ourselves in such a superior fashion? Do we really matter at all? Would the Universe stop if we were suddenly taken away? In his short story, 'The Open Boat,' Stephen Crane shows us a Universe totally unconcerned with the affairs of humankind; it is an indifferent Universe in which Man has to struggle to survive. The characters in the story come face to face with this indifference and are nearly overcome

"The Boat" by Alistair MacLeod is the story told from the perspective of university teacher looking back on his life. The narrator relates the first memories of his life until his father's death. The story focuses on the conflicting relation between the mother and the father, and their different perspectives on how their children should lead their lives. MacLeod uses features of setting to present the tension between tradition and freedom.

Suddenly, a man appears on shore stripping his clothes off and running into the water. The rescuer

The short story “The Boat” by Alistair MacLeod is narrated by a man who comes from a fishing family. His mother’s side of the family has forever lived and worked by the sea and continues this tradition. The narrator’s father always wanted to be an academic, but worked on the boat to support his family. Through this passage it is evident that the parents’ characters clash in many aspects of their lives and are in constant conflict. MacLeod demonstrates this through the use of repetition, the contrast in other unrelated ideas, and through information that is withheld.

“The Boat” by Nam Le, is a serious of short stories that while representing a number of different themes throughout each story, the central theme regards the complicated relationship between children and their parents, with each story examining this theme in different ways. The opening and closing stories, “Love and Honour and Pity and Pride and Compassion and Sacrifice”, and “The Boat”, not only develop the relationship between children and parents and how the child attempts to maintain this relationship; but also how they live their lives without their parents.

In the story "The Open Boat," by Stephen Crane, Crane uses many literary techniques to convey the stories overall theme. The story is centered on four men: a cook, a correspondent, Billie, an oiler who is the only character named in the story, and a captain. They are stranded in a lifeboat in stormy seas just off the coast of Florida, just after their ship has sunk. Although they can eventually see the shore, the waves are so big that it is too dangerous to try to take the boat in to land. Instead, the men are forced to take the boat further out to sea, where the waves are not quite as big and dangerous. They spend the night in the lifeboat and take turns rowing and then resting. In the morning, the men are weak and exhausted. The captain

In the short story, “The Boat” by Alistair Macleod, symbolism is used to represent an abstract idea. The boat, being a major symbol of the story was the way of life for the family. As the story goes on, the boat starts to make the family feel confined giving them a choice to leave or stay with the boat. There were symbols that impacted the story that had connection towards the boat. Chain bracelets, the father’s clothes, the books that the father read are all symbols that tied to the boat. The father's chain bracelets and clothes represent the father feeling trapped as a fisherman since he never changes out of them. We find out more about the characters and their personal connection with the boat and the other symbols and what it means to them. The family starts to fall apart due to the kids learning about the father’s books leading to them moving away from home. Symbolism is used when one thing is meant to represent something else adding meaning and emotion to the story which is well represented throughout the story.

Various children grow up admiring and desiring to be comparable to their mother or father. In the poem, “Future Connected By,” Edward J. Whitelock contrasts the son’s desire to follow in his father’s footsteps of becoming a welder with the father’s desire for his son to be more successful than he was. In the poem the son says, ““I’m going to be a welder, just like my dad”” (Whitelock 141). Some people would agree that the son is right to think highly of his father and want to be in the same profession as him. To a certain extent they are right but most parents’ want to see their children go further in life than they did. Whitelock clearly demonstrates that the father knows his sons true potential when he tells his son “ “No yer not. Yer too

Daniel James Brown manages to awe and inspire readers in his book The Boys in the Boat, which describes the hardships a row crew from Washington underwent to make it to the 1936 Olympics. The story of the nine rowers on the Washington crew teaches lessons about inner confidence, trust, dedication, and the hope that can be found during even the most difficult times. I learned while reading that being the underdog doesn’t mean you’re destined to fail. Readers see that despite the hardships and many disadvantages the Washington crew faced, their dedication allowed them to beat the odds and inspire an entire nation.

b. Bandicoot-a small animal in Australia that looks like a cross between a rat and a rabbit

Sexuality and personal growth has and always will be a topic of conversation in real life and even in fiction short stories. The idea of sexuality has just recently not only became an open idea to discuss but one to also write and publish about. Both Alice Munro and John Updike both illustrate the idea of sexuality and personal growth in very different ways. “The Found Boat” by Alice Munro, deals with sexuality in an aggressive manner while “A&P” by John Updike, deals more with the idea of sexuality rather than sexuality itself. They also have very similar elements of fiction that include (but is not limited to) characters, theme and conflict. The characters relate in both

Western and Indigenous knowledge systems differ in values, habits of mind and practices; however, there has been productive cross-cultural collaboration that integrates global vision with social and cultural dimensions. Productive collaboration addresses past contradictions in the coevolution of society, science and environment. Ten Canoes is a cross-culturally collaborative film that was meant to portray the Yolngu community in its true representation in an attempt to bridge the black and white Australian cultural divide by sharing its traditions and values with a non-Indigenous audience. Important spiritual and cultural information is shared throughout the passage of the film that frames and contextualizes the cosmology of the Yolngu people (Clothier & Dudek, 2009: p. 85). Dutch-born director Rolf De Heer and Yolngu director Peter Djigirr consolidate to show modern audiences the “community’s cultural continuance and to connect between individuals and the community both past and present” (Clothier & Dudek, 2009: p. 86). Additionally, Ten Canoes is only spoken in the Yolngu’s Indigenous language. For Yolngu audiences, “the use of their own languages in Ten Canoes highlights the vibrancy of a continuing linguistic heritage” (Clothier & Dudek, 2009: p. 87). Simultaneously, audiences that cannot understand the language of the Yolngu people read subtitles that create a critical intimacy to engage in “passion and reason while seeking understanding” (Clothier & Dudek, 2009: p.

In Stephen Crane's "The Open Boat," the four men underwent an experience in which they endured the forces of the sea that caused them to change their perception of nature and ultimately brought them to see the conflict between humanity and the natural world. In the beginning, faced with the restless sea, the four men felt that outside help existed somewhere. The cook was the most certain that they would be rescued. In his argument with the correspondent, the cook told him, "There is a house of refuge...and as soon as they see us they'll come off in their boat and pick us up" (NA, 358). Soon after they saw the lighthouse, the four men were optimistic that their destiny was not to die, and that somehow another power, in the form of

Naturalism is an extension of Realism, a movement that has taken hold in the late nineteenth century, and implies a scientific observation and interpretation of life, in which human beings are perceived as driven by passion and instinct, while heredity and environment rule their life (Cuddon 537). Through the use of literary devices such as metaphor, personification, and symbolism, naturalistic writers such as Stephen Crane, Frank Norris, and Jack London portrayed the common individuals' reality as ruled by forces external to one's will.

Modernist themes can be seen all throughout American Literature beginning in the latter half of the nineteenth century. The idea that the traditional values of old were no longer relevant in a modernizing, industrialized world were prevalent in modernist writings. The modernist writers felt as if something inside of them had been lost. They were constantly asking the question “what am I supposed to believe in now”? As if they felt this void inside of them that they could not seem to fill. Many of these writers saw life as fragments lying on the ground waiting for someone to come along and make sense of them, but it seems as if no one ever did for them. They began to have a negative outlook on life which reflected in their work. Works such as