An Analysis Of Toni Morrison 's God Help The Child And Suzan Lori Parks ' Getting Mother 's Body

Losing a parent is presumably an unthinkable concept for those lucky to have them alive, but sometimes the title of “parent” dies long before a body is placed in the ground. Toi Derricotte author of “Beginning Dialogues” unfortunately had to experience both the death of her mother’s title of “parent”, as well as her literal death. Derricotte’s parents had divorced when she was eighteen, and her father did not seem to play much of a role in her life; she was left to be raised by her mentally abusive mother. Her mother also had a tough road to walk growing up, having to face and deal with brutal issues like racism and bulling. Persevering through those tough times may be the underlining reason behind Derricotte’s mother’s negativity and abuse towards her daughter. Perhaps she just grew a thick skin at a very young age and had never learned how to feel, accept, or administer love. Derricotte’s had said: “She told me all my life she loved me, as if she completely forgot the hundred slights, humiliations, threats, and insinuations. Of course she loved me;

Friendships tend to change over time, for better or worse. This is illustrated in Toni Morrison’s short story Recititaf. The relationships of Twyla and Roberta are a rollercoaster from the moment they meet at the orphanage, to their confrontational meeting at the Howard Johnsons, to the picketing during segregation, until the end when they try and sort things out. One of the ways to show the rocky relationship of the two is through their dialog when they discuss their mothers.

The reader cannot help but feel the burden the daughter will be sharing with the mother. And while the plight of the mother is real, the reader cannot ignore how the isolation and loneliness of this type of community, or lack there of, has effected Tome's judgment in mothering.

     The significance of the role Twyla?s mother plays is just one twist to the way in which the story can be read. This makes the meaning of the story different to every reader. My interpretation of the details left by the author can be completely different to interpretations of someone else, and there are probably deeper meanings to the story that I didn?t even come across. This characteristic is what made this narrative unique and interesting for me to read.

the reader to interpret what may have happened to the mother, and how it affects the relationship

"You think because I am her mother I have a key, or that in some way you could use me as a key? She has lived for nineteen years. Over and over, we are told of the limitations on choice--"it was the only way"; "They persuaded me" and verbs of necessity recur for descriptions of both the mother's and Emily's behavior. " In such statements as "my wisdom ! came too late," the story verges on becoming an analysis of parental guilt. With the narrator, we construct an image of the mother's own development: her difficulties as a young mother alone with her daughter and barely surviving during the early years of the depression; her painful months of enforced separation from her daughter; her gradual and partial relaxation in response to a new husband and a new family as more children follow; her increasingly complex anxieties about her first child; and finally her sense of family balance which surrounds but does not quite include the early memories of herself and Emily in the grips of survival needs. In doing so she has neither trivialized nor romanticized the experience of motherhood; she has indicated the wealth of experience yet to be explored in the story’s possibilities of experiences, like motherhood, which have rarely been granted serious literary consideration. Rather she is searching for

The mother begins to rebel against tradition by taking an active role in educating and freeing herself. Through her radio, telephone and trips out with her sons she develops her own opinions about the world, the war, and the domination and seclusion of woman. She loses her innocence as a result to her new knowledge and experience.

As seen by many different mothers in the novel Sula by author Toni Morrison, mothers play an important part in kid’s life, shaping how they view different beliefs in the world and setting up values in their child. Every individual’s life is shaped by personal relationships they have with others. The mother and child relationship greatly affects the identity development in the kid. As seen in the racist community in the novel, the mother and kid relationship is important in the sense that the mothers and children share understanding of the sexist oppression, intertwining their lives together even more than they

The bond between a mother and child is often spoken of as being unlike any other. Yet there are always exceptions to the rule where this connection isn 't as impenetrable as one might assume. This book is an example of this bond gradually becoming weaker over time. It shows how it affects the child, Bone, and leaves her vulnerable to the abuse of her step-father. Bone’s mother, Anney, had fallen in love with a man who abused her which at first, she’s unaware but eventually comes to realize but still chooses to stay with him. Throughout the book there are instances of Anney’s negligence in recognizing her daughter’s abuse and being of aid to her but wasn 't. In having to deal with her

Toni Morrison’s Beloved shows the dehumanization of slavery and its effects on African-Americans and their basic forms of existence—specifically motherhood. Morrison depicts the strong maternal bond between Sethe and her children. Most importantly, her use of Sethe’s controversial act of infanticide shows the lengths that Sethe will take to protect her children from slavery. Morrison’s depiction of Sethe’s motherhood shows how slavery has deconstructed the Eurocentric expectations and traditions of motherhood and gender for black women. Rather than victimize Sethe’s as an enslaved woman, Morrision decides to celebrate her triumphs and suffering in Beloved. Therefore, Sethe’s identity as an enslaved black mother deconstructs the expectations of Eurocentric gender roles with her exertion of independence and control for the benefit of her children.

The mother-daughter relationship is often scrutinized, publicized, and capitalized on. Whether from tell-all biographies, to humorous sit-coms, or private therapy sessions, this particular relationship dynamic gives some of the most emotion-activating memories. When female authors reflect and write about their relationships with their mothers, they have a tendency to taint their reflections with the opinions they have as an adult, reviewing the actions of their mother when they were young. These opinions set the tone of the story independently and in conjunction with the relationship itself and manifest in creative literary styles that weave an even more intricate story. Case in point, when reviewing the two literary works “I Stand Here

    The maternal bond between mother and kin is valued and important in all cultures.  Mothers and children are linked together and joined: physically, by womb and breast; and emotionally, by a sense of self and possession.  Once that bond is established, a mother will do anything for her child.  In the novel Beloved, the author, Toni Morrison, describes a woman, Sethe, who's bond is so strong she goes to great lengths to keep her children safe and protected from the evil that she knows.  She gave them the gift of life, then, adding to that, the joy of freedom.  Determined to shield them from the hell of slavery, she took drastic measures to keep them from that life.  But, in doing so, the

“There is no protection. To be female in this place is to be an open wound that cannot heal. Even if scars form, the festering is ever below” (Morrison 163). Toni Morrison, in her novel A Mercy, suggests that women in 17th century American society were constantly subjugated as inferiors no matter their class or privilege. Although Rebekka and Widow Ealing were both privileged, white women, they still faced the societal pressures that harmed the mother-child relationships among the slaves – Lina, Florens, and Sorrow. Each chapter of A Mercy is told from a different character’s perspective, allowing readers to understand the similarities among the female characters’ standpoints during this time period. By depicting the tribulations of motherhood that extend beyond society’s narrow stereotype, Morrison exposes how societal pressures of the late 17th century America influenced the complexities of motherhood.

Maya Angelou said, “To describe my mother would be to write about a hurricane in its perfect power. Or the climbing, falling colors of a rainbow” (Wanderlust 1). The relationship a mother has with her child transcends all other relationships in complexity. Maternity largely contributes to the female identity in part because the ability to sexually reproduce is uniquely female. With this ability often comes an unparalleled feeling of responsibility. That is, mothers experience an inherent desire to protect their children from the world and guide them through life. Serving as a child’s protector then transforms a woman’s perspective, or the female gaze. While these protective instincts often arise naturally, they are also reinforced by the ideas society’s perpetuates about motherhood. Globally, women are expected to assume the roles of wives and mothers. The belief that motherhood is somewhat of a requirement assists in the subjugation of women and reinforces a plethora of gendered stereotypes. While some women enjoy the process of childrearing, others feel that having a family comes at an irreparable cost: losing sight of oneself. In response to the polarized views surrounding maternity, several authors have employed different writing techniques to illustrate the mother-child dynamic. Through the examination of three narratives, spanning fiction and non-fiction, one is able to better define maternity and the corresponding female gaze in both symbolic and universal terms.

Everybody goes through a traumatic experience in their life be it small or big, but this experience shapes who you become. In A Mercy by Toni Morrison, we follow a series of narratives from first person to third person. These narratives help us get a better understanding of life back in Virginia during the late sixteenth hundreds. Through Florens and sorrow we experience tragedy and an understanding of the different effects it has on people. Morrison illustrates how one can either grow stronger or weaker because of tragedy through characters like Florens or Sorrow.