An Analysis Of 'Trumpet Player' By Langston Hughes

This paper examines the perspective of Langston Hughes and how his style of writing is. It looks at how several interrelated themes run through the poetry of Langston Hughes, all of which have to do with being black in America and surviving in spite of immense difficulties. Langston Hughes is one of the most influential writers because his style of work not only captured the situation of African Americans; it also grabbed the attention of other races with the use of literary elements and other stylistic qualities. Langston Hughes became well known for his way of interpreting music into his work of writing, which readers love and enjoy today.

The poem that I felt reflected Langston’s lyrical style and expressed the struggles of his people was, “Trumpet Player”. After reading it many times

“The history for Blacks in America starts at slavery,” the further I ponder this statement from my friend Joe, a navy veteran, the more I do not believe it to be true. Today many Blacks in America do not remember stories of their African heritage. Although, they may not know their African history, it does exist, and they did originate from Africa. So, their history does not start at slavery. In a recorded interview, Langston Hughes says he wrote the poem, “The Negro Speaks of Rivers” in 1920, after he completed high school. Hughes also credits his source of inspiration to the Mississippi river which he passed, while on the train, to visit his father in Mexico. He acknowledged what the Mississippi symbolized to Negro people and how it was linked

As time has passed humanity still tends to separate each other based on our racial being rather than seeing each other as one human race. Langston Hughes’s, “A New Song,” published in 1938 introduces the idea of a new vision of social relations in American society. Hughes’s original version of this poem written in 1933, does not encompass his growing anger on this subject that is dwelled upon in his published version. However, with Hughes’s powerful tone and word choice throughout his 1938 rendition, his reader is able to understand his urge to transform America into an interracial culture. (Central Idea) His poem voices the importance of transforming society into a multiethnic unity and working-class established through cultural ties between whites and blacks. (Thesis) Hughes voices this crucial need to change through his emphasis on African American’s past struggles as opposed to the new dream, his militant tone, and through expressing the role that the establishment of cultural ties plays in society.

In this poem, music is used as a cure for the pain the trumpet player feels. Another literary device Langston uses in the poem is repetition. The line “with the trumpet at his lips” is repeated in almost every stanza. This line being repeated shows that the Negro is always going to depict his past as a slave. He is going to use his music not only as a way to help him cope, but as a way for him to tell his story.

Langston Hughes was one of the first black men to express the spirit of blues and jazz

Langston Hughes was a successful African-American poet of the Harlem renaissance in the 20th century. Hughes' had a simple and cultured writing style. "Harlem" is filled with rhythm, jazz, blues, imagery, and evokes vivid images within the mind. The poem focuses on what could happen to deferred dreams. Hughes' aim is to make it clear that if you postpone your dreams you might not get another chance to attain it--so take those dreams and run. Each question associates with negative effects of deferred dreams. The imagery from the poem causes the reader to be pulled in by the writer's words.

Langston Hughes is an extremely successful and well known black writer who emerged from the Harlem Renaissance (“Langston Hughes” 792). He is recognized for his poetry and like many other writers from the Harlem Renaissance, lived most of his life outside of Harlem (“Langston Hughes” 792). His personal experiences and opinions inspire his writing intricately. Unlike other writers of his time, Hughes expresses his discontent with black oppression and focuses on the hardships of his people. Hughes’ heartfelt concern for his people’s struggle evokes the reader’s emotion. His appreciation for black music and culture is evident in his work as well. Langston Hughes is a complex poet whose profound works provide insight into all aspects of black

writing era. His poetry was inspired by his family’s history, a history full of abandonment,

Within the Poem Trumpet Player, by Langston Hughes, power against African Americans. The poem tells how white people treated blacks. With this quote, in the first stanza and the sixth and seventh line “Of slave

Langston Hughes and Mos Def are writers of different epochs but still have a lot in common; the black experience. Langston Hughes wrote poetry from a 1920’s era point of view. Mos Def wrote “Hip Hop” that portrays what is happening now in the black culture. Although from different times, both writers still had to deal with the issues of being black in America. Writers that wrote poetry during the Harlem Renaissance wanted to be treated equally and fairly. They also wanted to show the world that they were educated and want to be taken seriously. Mos Def song “Hip Hop” looks at how hip hop has effected the African American society as a whole. Mos Def’s “Hip Hop” looks at the road blacks has taken to where blacks are today. “We went from picking cotton, to chain-gang line chopping to be-bopping, to hip-hopping” (Def 585), Mos Def is describing the progress blacks has made since the Harlem Renaissance. The writers from the Harlem Renaissance was looking for the dream, Mos Def response to Harlem Renaissance is that blacks are living the dream. There are many flaws but there has been some progression since the earlier times of the Harlem Renaissance.

Langston Hughes’s book, Ask Your Mama: 12 Moods for Jazz, presents several jazz pieces that express the suffering African Americans have had to face over many years. The vernacular tradition in these works, is expressed through the jazz music that plays in the background while the poems recited (Pasadena City College). The jazz music gives the poems a feeling of Blues, but also tends to have a more upbeat feeling during certain points of the poems. In Ask Your Mama: 12 Moods for Jazz, all of the twelve pieces have a connection to each other in various ways. The connections involve the degree of suffering, money, or success. In “Ode to Dinah” and “Horn of Plenty,” Hughes exhibits all three of these connections, both in similarities and differences.

They taste rotten when entering my lips, their tails stick to my mouth like ticks.

     Jazz music is often associated with long, lazy melodies and ornate rhythmical patterns. The Blues, a type of jazz, also follows this similar style. Langston Hughes' poem, "The Weary Blues," is no exception. The sound qualities that make up Hughes' work are intricate, yet quite apparent. Hughes' use of consonance, assonance, onomatopoeia, and rhyme in "The Weary Blues" gives the poem a deep feeling of sorrow while, at the same time, allows the reader to feel as if he or she is actually listening to the blues sung by the poem's character.

According to Biography, James Mercer Langston Hughes is considered to be an African American poet who is college educated and comes from a middle-class family (Langston Hughes Biography). He attended college in New York City and became influential during the Harlem Renaissance (Langston Hughes Biography). Although Hughes was a talented writer, he faced some challenges early on and it was stated that his “early work was roundly criticized by many black intellectuals for portraying what they thought to be an unattractive view of black life” (Langston Hughes. American Poet). They believed that his work helps the spread the stereotypes of African Americans. “Hughes, more than any other black poet or writer, recorded faithfully the nuances of black life and its frustrations” (Langston Hughes. American Poet). Langston Hughes’s poems “The Negro Mother”, “Let America be America Again” and “The Weary Blues” were influenced by his life during the Harlem Renaissance and the racial inequality experienced in the late 1920s through the 1960s.