An Analysis Of Unbearable Weight By Susan Borod

The Beauty Myth’s central argument is the growing standards of physical beauty of women as they grow stronger. This standard has affected women in many ways, such as in the workplace, culture, and religion. The standard has taken over the work of social harassment. The beauty myth expands the belief an unbiased measurement of beauty exists and that women want to express it and men would want that women. The author, Naomi Wolf, states that the beauty myth is not about women themselves, it is about the power of men and their society. The myth supplies power to multibillion dollar cosmetics industries and it keeps women from rising too high in the workplace. Within this book, Wolf shows how the beauty myth functions and affects women in the workplace, media, sex, religion, culture, violence against women by men, and by women themselves in the configuration of cosmetic surgery and eating disorders.

Joan Jacobs Brumberg’s work, The Body Project: An Intimate History of American Girls, examines how American societal changes are reflected on the female body. Brumberg’s work draws primarily from the diaries of young American girls, giving intimate glimpses into the inner workings of their minds about how they relate to their bodies.

As of recently, the media has been flooded with positive interpretations of beauty standards all over the world. According to various sources, beauty ideals, in women especially, are socially constructed in order to judge a person’s value based on physical attractiveness; therefore, it is highly encouraged that people pay attention to their looks and take care of themselves, in order for others to create a positive first impression of one’s character. It is no secret that beauty standards vary from one culture to the next and it is difficult to establish a universal principle of what is considered beautiful. Many countries’ ideals contrast one another and, as a result, allow for stereotypes to emerge. This is the case between American

Society and the media have an enormous influence on an individual’s concept of beauty and bodily perfection. Even the “beauty is in the eye of the beholder,” many people allow the media’s influence into their lives, which is a dangerous thing to allow (Vogel, 2015). According to David Newman, author of Exploring the Architecture of Everyday Life, society is defined as the “population of people living in the same geographic area who share a culture and a common identity and whose members fall under the same political authority” (Newman, 2010, 18). The people within a society constantly create and add to the pressure already placed on individuals which can severely alter and harm one’s self-esteem. Self-esteem is

The beauty standard is a culturally constructed notion of physical attractiveness that has become increasingly imperative for women and men. However, this standard has become extremely perilous to men and women’s self-image. Camille Paglia, a highly educated individual who earned her PhD at Yale University and became a highly acclaimed author, explicates this conception in her essay “The Pitfalls of Plastic Surgery”. Paglia suggests that the beauty standard idealizes women to look like “sex symbols with an unattainable grandeur” (776). She continues to claim that it forces her audience of higher class women to pay large sums of money in order to alter their features ultimately conforming to a very “parochial” definition of beauty (776). Although Paglia is a highly credible source, she illogically appeals to the reader’s fears in order to persuade them. Paglia fails to give any credible outside sources which affirms her preposterous beliefs. Contrary to her inconsistencies, Daniel Akst, a social journalist and graduate from New York University provides his audience with reputable sources in order to persuade his audience. Daniel Akst believes that there needs to be a “democratization of physical beauty” in which instead of attempting to alter the beauty standard, we must first change how we view ourselves. Akst provides credible sources to establish his credibility where he observes cases studies and cultural experiments from scientists and organizations including:

Major Claim: The objectification and “currency” of a women’s body is the pivotal focus for the readings presented in class. It is discussed in the readings about how women are only considered for their looks, and not their personal depth or knowledge. Additionally, intersectionality is observed and how these objectifications effect marginalized groups. Finally, the term of enlightened sexism is introduced and how this concept is dangerous to and reverses feminism.

The most controversial field of feminist’s actions is women’s rights to the control over their bodies with respect to fertility, sexual relationships, rape and medical power over women’s health. Male control over women’s bodies has also traditionally expressed itself through

The physical body has been seen as many things both positive and negative. It can be thought of as the temple which houses the soul or can be seen as entrapping, like a cage of flesh. More often it seems that the body, especially women’s bodies, are looked at in more complicated ways than the bodies of men. As I grew up, it began to feel more and more like my body, and the bodies of other women, did not actually belong to us like we believed. Through my Women’s Studies class I have gained more knowledge on the body as a political object. In this essay I will examine six different articles with the similar theme of women’s bodies, the expression of those bodies and how by using feminism as a political standpoint they gain power and ownership of their bodies.

In every culture, there are certain societal standards that people are expected to live up to. Some have find it easy to accept and fit in, while other struggle to find themselves within society’s ideals. Society places a great emphasis on the way women should look to be considered beautiful and many women fail to live up to those standards. In the short story “The Fat Girl” by Andre Dubus, the reader sees how the main character Louise, a fat girl, struggles to fit in with pressure society places on her that to be considered beautiful, one must be thin. Louise, for the majority of her life, outwardly appears as if she's trying to conform to society's standards of dieting and trying to be thin, but when completely alone, she hides her guilty pleasure of binge eating candy bars. The pressure is placed upon her from her childhood and follows her throughout her life, until her marriage falls apart after she gains weight. Andre Dubus shows us, through the events that occur in Louise’s life, that only after accepting ourselves they way we are, despite societal pressures of conforming to a certain standard, can we begin the road to becoming happy. She wants to be accepted for who she is, not for what she looks like. It isn't until her marriage dissolves that she acknowledges that she needs to accept herself and be comfortable in her own skin before she can become happy.

Beauty standards are portrayed everywhere: on magazines, social media, ads, commercials, and even flaunted among peers. While the ideals are supposed to promote health awareness, fitness motivation, and self love, it unfortunately results in many unfavorable consequences. Women are constantly “penalized for not being beautiful and at the same time are stigmatized, even pathologized, for not feeling beautiful, for having low self-esteem, for engaging in behaviors like dieting and excessive exercising, or for having eating disorders” (Johnston and Taylor 954). Beauty standards are unrealistic and unhealthy to pursue, and misinforms the public on what true beauty is. While not all beauty image ideals promote negative feelings and dissatisfaction, many believe that the negative effects far outweighs any positive effects.

While in the Women and the Body course, I was able to dissect the images, constraints, and beliefs associated with the woman’s body. The debate over body image originated from patriarchal constraints, deeming that women have to fit into an ideal of womanhood. A woman’s body image is suppose to be a direct link to the man she is with. She should have childbearing hips, a stature that is associated in being motherly, and breasts to breast feed the children. With that it grew into using man made objects to reinforce the patriarchal power about body

A female should not feel insecure with her body when she is comfortable in her own skin, whether or not she weights 130 pounds or 150 pounds at 5’5”. According to Rehab’s study of the evolution of the female figure over one hundred years, “the body shapes of the most admired models have remained consistently slimmer than that of the average American woman.” Due to the significant increase in mass media throughout the twentieth century of the United States, there has been a noteworthy impact on the popular image of women. A woman being dissatisfied with their body is a everyday trend around the world where as

It 's not a mystery that society 's ideals of beauty have a drastic and frightening effect on women. Popular culture frequently tells society, what is supposed to recognize and accept as beauty, and even though beauty is a concept that differs on all cultures and modifies over time, society continues to set great importance on what beautiful means and the significance of achieving it; consequently, most women aspire to achieve beauty, occasionally without measuring the consequences on their emotional or physical being. Unrealistic beauty standards are causing tremendous damage to society, a growing crisis where popular culture conveys the message that external beauty is the most significant characteristic women can have. The approval of prototypes where women are presented as a beautiful object or the winner of a beauty contest by evaluating mostly their physical attractiveness creates a faulty society, causing numerous negative effects; however, some of the most apparent consequences young and adult women encounter by beauty standards, can manifest as body dissatisfaction, eating disorders that put women’s life in danger, professional disadvantage, and economic difficulty.

We are constantly surrounded by images of the “perfect” woman. She is tall, thin and beautiful. She rarely looks older than 25, has a flawless body, and her hair and clothes are always perfect. She is not human. She is often shown in pieces – a stomach, a pair of legs, a beautifully made up eye or mouth. Our culture judges women, and women judge themselves, against this standard. It is forgotten that “beauty pornography”, as Wolf says, focuses on underweight models that are usually 15 to 20 years old. Flaws, wrinkles and other problems are airbrushed out of the picture.

Women have let the idea of looking beautiful take over their self-confidence and life. Healthy Place, an online magazine teaching women about living a healthy life, says that, “today's fashion models weigh twenty-three percent less than the average female, and a young woman between the ages of 18-34 has a seven percent chance of being as slim as a catwalk model and a one percent chance of being as thin as a supermodel.” So why do women push themselves to be excessively thin when these models are anomalies? They do it because the media tells them that this look is the only look that can attract men. Even if a woman is “beautiful” according to the media’s standards, she will always find something about her body that she hates, whether it is her hair or her belly button, no women is completely satisfied. Our society is very accepting of different religions and lifestyles, so why can we not accept different types of beauty as well?