An Analysis Of Van Halen's Why Can T This Be Love

Booker struggled to suppress a laugh as he pretended to ponder the significance of Tom’s reaction. “Well, you let Penhall hug you all the time,” he replied slowly, his brow furrowing in contemplation, and when Tom did not answer, he waggled his eyebrows suggestively as his mouth widened into a huge, teasing grin. “Is there something going on between the two of you that I should know about?”

Burke illustrates Tom’s inner conflict with first-person narration. The guilt he feels over the inactivity he had on the night of the incident, his frustration with Kylie and the added guilt he exhibits because he feels sorry for himself all adds up to his conflicted thoughts. Tom doesn’t know or feel like himself anymore. But Burke brings this to the attention of the reader in a good light when Tom thinks, “But now I knew what I missed most. I missed me, Tom Brennan, and that’s why now I could smile, ‘cause I could see he was coming back.” Thus, when J.C. Burke aptly finishes the book with the line “that was the morning Tom Brennan came back, forever,” the true development in Tom’s character and conflict is shown through the employment of first-person narration. Therefore, J.C. Burke thoroughly addressed the conflict in Tom’s mind as it was overcome in the

Imagine a South Central fourteen-year-old who is a multiple offender that faked a kidnapping then shot at the police officers trying to stop him. Now imagine a young boy growing up in a violent area always fearful of his life and going through traumatic experiences such as getting shot, seeing his brother killed, and being abused. This same young man, unknowingly, shot at undercover cops. In this instance, a general audience would be more likely to sympathize with the young boy that went through the many hardships. Bryan Stevenson tells this story of Antonio Nuñez with descriptive language in order to justify his argument of Nuñez by appealing strongly to the audience's emotions. Because of sympathy that humans naturally feel, the young boy

Turning a corner, Tom slowed his pace as he approached his apartment building. Although he longed for the comfort of his home, the thought of facing Booker filled him with dread, the psychological burden weighing him down. Consequently, he purposely dragged his feet, delaying the confrontation and the inevitable argument. He’d reacted badly to the news of Booker's tape, and his guilt hung like a noose around his neck, waiting for the moment his mind yanked at the metaphorical rope, and the painful castigation crushed his airway. But while his remorse was real, his jealousy was a far bigger beast, a raging fire-breathing monster that easily dominated all other emotion. It was a deep-seated sensation that encompassed feelings of fear, rage, and

Imagine a man held against his will. Ethan Frome thinks of himself as a “prisoner” (Wharton 74). He is detained from a life he has always imagined because of the accident with Mattie Silver. “The inexorable facts closed in on him like a prison-warder handcuffing a convict” (Wharton 74). Ethan Frome has realized he has to face the consequences of being infatuated with Mattie Silver forever. He becomes entwined with two “sickly “controlling women, a “warped right side” and life full of regrets. Edith Wharton shows Ethan “checking each step like the jerk of a chain” (Wharton 1). Every step Ethan takes into getting into the right path, trouble gets in his way. Starkfield being “being in an exhausted receiver” (Wharton 13) makes him feels he will be stuck in the darkness for eternity. For

Jumping back into the past, Gregory Orr tells the incident when he and a group of five hundred of men, women, teenagers, and old folks assemble in Jackson, Mississippi. In Jackson for a peaceful demonstration, Gregory Orr and the rest of the group were arrested and taken away “to the county fairgrounds” (128, 1). Where they was beaten by officers of the law, Orr stated, “I emerged into the outdoors and the bright sunlight and saw them-two lines of about fifteen highway patrolmen on either side. I was ordered to walk, not run, between them. Again I was beaten with nightsticks, but this time more thoroughly, as I was the only target” (129, 2). Once freed from his captors, Gregory Orr gets in his car to head back north, but on his way back he was pulled over by flashing lights. Thinking it was the police; Gregory Orr pulled over and was approached by two white men. One of the white men said, “Get out, you son of a bitch, or I’ll blow your head off” (133, 3). The two white men takes Gregory Orr’s wallet and tell him to follow them, Scared for his life, Gregory Orr did exactly what the two men told him to do. After following the two men, Gregory Orr is back in jail in Hayneville. “Already depressed and disoriented by the ten days in jail in Jackson, I was even more frightened in Hayneville,” (136, 1) stated by Gregory Orr.

In The Laramie Project, Andrew Gomez’s casual dialogue, word choice, and varying sentence length shows his shifting state of mind and his innermost thoughts as he speaks. The hidden context given by Gomez helps to show the hardships of prison and the suffering Aaron will have to endure as a result of the murder. Gomez begins, “I was in there, I was in jail with Aaron in December. I got thrown in over Christmas. Assault and battery, two counts.

| Tom wants his old life back prior to the accident and he sees the accident as the end of his life as he knew it. He loses his sense of identity and sense of family in particular.Feels guilty and ashamed about the irrevocable consequences his brother’s irresponsibility had for other people and their familiesRetreats into a depressed state which feels empty and black.

I got into the small car and started it, hoping I was doing the right thing. The rumble of the car was the opposite of calming, as I needed it to be, I was going to help my love-Clyde Barrow. The small car shuddered and then stopped as I pulled up to the jail, I sat in the car thinking before getting out, what if I get caught. I ignored these thoughts and got out of the car. I walked to the back Clyde’s stolen V8 Ford, I popped the trunk hearing the *click* as it opened. I grabbed a handgun and hid it in the pocket hidden by the hem of my dress, the dress immediately felt heavier. My dress sweeping the dirt off the ground, distracted me as I sauntered- to avoid any accusations- towards the door of the jailhouse. I walked in with a bright, welcoming smile- waving at the guards as I stopped at the secretary’s desk.

Ludacris does a remarkable job of portraying his message about the struggles that some adolescents are faced with. “Runaway Love”, by Ludacris, featuring Mary J. Blige (2007), represents the theme of struggle through hip-hop and rap music. It is about little girls who are “stuck up in the world on their own.” They have to take care of themselves because the people they are around do not care about them. They range from nine to eleven years in age, and their goal in life, at such a young age, is to run away from home. Ludacris is trying to get the listener to realize the struggles that even children have to face because adults are not the only ones who have problems, like most people believe. He is very successful in

The song “Where is the Love?” has many sociological concepts put into the lyrics. It is the first song that popped up in my head when seeing this assessment and if you have ever heard the song then you would know why I chose this specific song. The band in this song expresses the the world's issues and they express their view on the world and the actions others make. The main idea of the song is concentrated on the reality and how the world is changing.

This song shows Gillespie and Parker in fine form on a medium rhythm AABA piece. Gillespie matches, and seemingly outplays Parker. When they perform together they seem to express the tune with a single “voice”. Gillespie is the leader of this session. "Hot House" is based on the chord changes to "What is This Thing Called Love," a song written by Cole Porter.

The song “Where Is The Love” by the Black Eyed Peas is a very heartfelt prayer for the healing and suffering in the world and society that we live in. I feel like the song is about exactly what the title is asking. Where is the love? Sometimes we have to stop, look around us and think about the relationships we have with other people. Are our relationships built on foundations of true love, compassion and kindness? Although the songs was originally released in 2003, most of the issues the song focuses on are still relevant today, in 2017. Which really makes me wonder, where IS the love? Surely after 14 years, things would have changed. Hate and war have existed since the beginning of humanity. Crime is an enormous part of our society, in the past and in the present. Imagine a world that is crime free, the perfect utopia. A world where everyone accepts their neighbour for the person they truly are, without racism, without judgement, without oppression. “Where is the love?” recognizes chaos in a broken world, intoxicated with violence and hate.

If Tom heard, he made no acknowledgment. His eyes remained dull, his expression vacant. Somewhere, in the midst of the chaos that was the harshness of reality, he had managed to build a protective wall, a refuge in his mind where he was no longer a victim, no longer a weak, pathetic excuse for a man. He was Tom Hanson the cop, the loving son, the loyal friend; he was a man free

Tom and I had only been an item for a couple of weeks. Things were good, life was simple, I mean it was eighth grade. He was not my first boyfriend; that was Jesse Gonzalez in the seventh grade, another of the bad boy breed. So since having gathered some experience about fulfilling the role of teenage girlfriend, I wasn’t that nervous to be with Tom. This was true at least until Tom’s accelerated hormones began seeping into his consciousness. We were already avid hand-holders, but hormones and fate said it was time to add some oomph to the Emily Anthony doodle that lived in my English notebook.