An Analysis Of Willy Loman's Death Of A Salesman

We are gathering here today in honor of my father Willy Loman. Willy left us at the age of 60 years old. Leaving behind two sons my brother happy and I. He also left behind my mom, his beautiful wife of 40 years his wife, Linda. We all have our flaws, we will not remember him for his flaws. But, for his perseverance good intentions and values he instilled in my brother and I.

In Arthur Miller's Death of a Salesman, Willy Loman is an example of a failure as a good father. He did not discipline his sons well by not punishing them. He did not set a good example to his sons by not admitting his faults. He did not make his family his number one priority. Instead, it was his work, coming before his family, his friends, and even himself. Not only is Willy Loman not a good father and husband, but he was a failure by not becoming successful, not achieving the American Dream.

AH! Power, we have electrical power, mechanical power, but what about social power? Social power is power over one’s own life and others; isn’t it what people sought after? The book “To Kill a Mockingbird” by Harper Lee has its foundation laid on social power, but in this text, it focuses on how an African-American in the town of Maycomb, Alabama, was wrongly accused of raping a poor, white woman, which is the reason for him losing the case, but did she gain any class and gender power from the case? The text says not, so she won on the basis of race, but in terms of gender and class, she is not so powerful after all.

Willy foolishly pursues the wrong dream and constantly lives in an unreal world blinded from reality. Despite his dream Willy constantly attempts to live in an artificial world and claims “If old Wagner was alive I’d be in charge of New York by now” (Miller 14). As a result, Willy often ignores his troubles and denies any financial trouble when he says “business is bad, it’s murderous. But not for me of course” (Miller 51). Another false segment of Willy’s dream includes the success of his two sons Happy and Biff. Biff was a high school football star who never cared about academics and now that he needs a job says “screw the business world” (Miller 61). Ironically, Willy suggests that Biff go west an “be a carpenter, or a cowboy, enjoy yourself!”, an idea that perhaps Willy should have pursued. Constantly advising his boys of the importance of being well liked, Willy fails to stress academics as an important part of life (Miller 40). Furthermore, Willy dies an unexpected death that reveals important causes of the failure to achieve the American dream. At the funeral Linda cries “I made the last payment on the house today... and there’ll be nobody home” to say that she misses Willy but in essence his death freed the Lomans from debt and the hopes and expectations Willy placed on his family (Miller 139). Very few people attend

In Death of a Salesman, by Arthur Miller, Willy Loman’s life seems to be slowly deteriorating. It is clear that Willy’s predicament is of his own doing, and that his own foolish pride and ignorance lead to his downfall. Willy’s self-destruction involved the uniting of several aspects of his life and his lack of grasping reality in each, consisting of, his relationship with his wife, his relationship and manner in which he brought up his children, Biff and Happy, and lastly his inability to productively earn a living and in doing so, failure to achieve his “American Dream”.

Willy’s biggest issue with his son is that he let him down by not being any more successful than him. He feels like Biff is failing on purpose just to make him look bad. Although, he has no decent job and is single; Biff has become disoriented about life. Earlier in the play Biff tells Happy, “I tell ya Hap, I don't know what the future is. I don't know - what I'm supposed to want” (Miller266). Biff once looked up to his father as a role model, but lost all faith in him once finding out that he was having an affair. Ever since he has rejected Willy’s commitment of being a husband and also a father. To add to his ruins are Willy’s ideas of how Biff should get ahead in life. Willy taught Biff that popularity was the right way to get to the top, rather than hard-work and dedication. Trying to live by his dad’s standards caused Biff to fail high school and become unable to put forth the effort to become

Willy Loman, the troubled father and husband in Arthur Miller's Death of a Salesman, can be classified as a tragic hero, as defined by Aristotle in his work, Poetics.

  Willy Loman, the title character of the play, Death of Salesman, exhibits all the characteristics of a modern tragic hero. This essay will support this thesis by drawing on examples from Medea by Euripedes, Poetics by Aristotle, Oedipus Rex by Sophocles, and Shakespeare's Julius Caesar, while comments by Moss, Gordon, and Nourse reinforce the thesis.

Willy wanted his sons to pursue the American dream and become successful by working on the road and being well-liked. When both of them try to find their own dreams are, Willy becomes frustrated and disappointed in them. Their two different dreams collide and cause friction in their father-son relationship. Willy takes too much interest in his sons’ futures to have a healthy relationship with them. Whenever his children may seem to fail him, he overlooks any mistakes they are making.

This is what Willy has been trying to emulate his entire life. Willy's need to feel well-liked is so strong that he often makes up lies about his popularity and success. At times, Willy even believes these lies himself. At one point in the play, Willy tells his family of how well-liked he is in all of his towns and how vital he is to New England. Later, however, he tells Linda that no one remembers him and that the people laugh at him behind his back. As this demonstrates, Willy's need to feel well-liked also causes him to become intensely paranoid. When his son, Biff, for example, is trying to explain why he cannot become successful, Willy believes that Biff is just trying to spite him. Unfortunately, Willy never realizes that his values are flawed. As Biff points out at the end of the play, "he had the wrong dreams."

  Charley says something in Arthur Miller’s Death of a Salesman that sums up Willy’s whole life. He asks him, "When the hell are you going to grow up” (Miller 97)?  Willy spends his entire life in an illusion, seeing himself as a great man who is popular and successful.  Willy exhibits many childlike qualities and his two sons Biff and Happy pattern their behavior after their father.  Many of these qualities, such as idealism, stubbornness, and a false sense of self-importance in the world have a negative impact on Willy’s family,

To what extent can Willy Loman be considered a tragic hero according to Aristotle’s rules?

Despite his son’s popularity in high school, Biff grows up to be a drifter and a ranch-hand. Willy’s own career falters as his sales ability flat-lines. When he tries to use “personality” to ask his boss for a raise, he gets fired instead. Willy’s “definition” of the American Dream is all wrong, due to the way his own sons turned out to be.

Willy Loman has the ups and downs of someone suffering from bipolar disorder: one minute he is happy and proud- the next he is angry and swearing at his sons. Their relationships are obviously not easy ones. Willy always has the deeper devotion, adoration, and near-hero worship for his son Biff; the boy, likewise, has a great love for his father. Each brags on the other incessantly, thereby ignoring the other son- Happy- who constantly tries to brag on himself in order to make up the lack of anyone to do it for him. This turns sour however, after Biff discovers the father he idolizes was not all he had thought him to be. Afterward, familial dynamics are never the same, as Willy continues to hope that Biff will succeed, ignorant- perhaps

The Presentation of Willy Loman in Death of a Salesman by Arthur Miller Willy Loman is presented as both a tragic hero and an unconscious victim in "Death of a Salesman". "Death of a Salesman" is very much based upon the American Dream, and whether we are slaves or conquerors of this dream. This is an idea that the playwright Arthur Miller has very passionately pursued both through Willy's own eyes, and through his interaction with the different characters in the play. Firstly, the definitions of a hero and a victim very much influence the way that Willy is viewed by the audience.