An Analysis Of ' Wuthering Heights '

To begin, Heathcliff uses Isabella as a means of exacting revenge on Edgar Linton, whom he despises. When Heathcliff finds out Isabella is in love with him, he is delighted. His pleasure comes not from a mutual like for Isabella, but rather a vision for revenging Edgar. After Catherine lets slip that Isabella is in love with him, Heathcliff says to her, “...and if you fancy I’ll suffer unrevenged, I’ll convince you of the contrary, in a very little while! Meantime, thank you for telling me your sister-in-law’s secret: I swear I’ll make the most of it. And stand you aside!”(112). Heathcliff’s comment

As a consequence of Heathcliff's visit to the Grange, Edgar's sister Isabella falls in love with him, and her feelings seem to be sincere. In this one-sided love affair Heathcliff takes advantage of the innocent girl's infatuation to foster his obsession for revenge. (Isabella is her brother's heir). Catherine's reaction is very hard to interpret. It is natural that she is jealous, if she still feels the same for him as before, and that may be the reason why she dissuades Isabella from marrying Heathcliff. But the words she uses, telling her what an abominable creature Heathcliff is, are not the sort you expect to hear from someone talking of a sweetheart. Later on when her husband and Heathcliff are having a quarrel, she stops Edgar from hurting her friend . There is an excess of emotion, and her explanation to this behaviour is that she wants them both, Edgar and Heathcliff: "Well, if I cannot keep Heathcliff for my friend - if Edgar will be mean and jealous, I'll try to break their hearts by breaking my own" (109).Her love for Heathcliff has not cooled down, instead it seems to be a stronger obsession than ever considering the torments she goes through, when she becomes seriously ill.The last time Catherine and Heathcliff see each other is a very heart-rending meeting. Their love for each other is as strong as ever, and Heathcliff

In Wuthering Heights, Emily Bronte uses the setting of the English Moors, a setting she is familiar with, to place two manors, Wuthering Heights and Thrushcross Grange. The first symbolizes man's dark side while the latter symbolizes an artificial utopia. This 19th century setting allows the reader to see the destructive nature of love when one loves the wrong person.

The novel concluded with these important final words about human beings. These final words relate to the theme of the book which is the significance of your past affects your future dreams or goals. This theme is represented by the “green light”. He explains how humans’ struggle to achieve their goals or dreams because they try to re-create the past and are unable to move beyond the past by stating “the orgastic future that year by year recedes before us”. He then explains that people cannot escape their dream or goal and so they continue to move towards the green light and struggle to make their dreams come true (It eluded us then, but that’s no matter- tomorrow we will run faster, stretch out our arms farther”). The people would continue

Social standing, and moral values were vital elements in Victorian society, and the fundamental doctrine of establishing this ideology, began at home. The home provided a refuge from the rigour, uncertainty, anxiety, and potential violence of the outside world. (P, 341) A woman’s role was to provide a safe, stable, and well-organised environment for their husbands and families. However, change was on the horizon with an underlying movement of business and domestic changes both home and abroad, with industrialization, and the suffragist movement. Women were beginning to gain autonomy and began to grasp their opportunities, thus significantly curtailing male supremacy and the definable acceptable ‘role’ of the woman.

When it comes down to looking at a women, society sets certain gender roles for them. In literature years after years, different roles and codes of behaviors have been set for women. In history, from Greek Mythology to the Twenty Century literature, women’s roles in literature has evolved and have lead women to develop into to have strong independent roles. When looking at Medea by Euripides, women in Greek mythology were shown to be sexual objects rather than an individual.

was to run away to the moors in the morning and remain there all day."

Heathcliff's role as an avenger is helped by his intelligence and understanding, not just of his own motivations, but of the motivations of others. He recognizes the source of Isabella's infatuation that-: "she abandoned this under a delusion" - "picturing in me a hero of romance". He also capitalizes on Linton's poor health by inviting the pity of Cathy so that her affection and sympathy would facilitate a marriage that would leave he, Heathcliff, as master of the Grange.

Females have lived under the shadow of man for centuries, even millennia. Only in the last century has actual progress been made to bring the genders closer together in status. The notion that women are equal to men is not foreign to literature, even ancient works. In Euripides’ Medea and Henrik Ibsen’s A Doll’s House, external onlookers of the female lead, namely the Chorus and Christine Linde, encourage and enable the female rebellion of their respective protagonists, Medea and Nora.

This source is a biography and explicates the general points and details within Emily Bronte’s life. Essentially, she was born into a family with five other siblings -- four sisters and one brother. However, two of her older sisters had died early along with her mother. And this led to, ultimately, severe isolation for Emily and the rest of her siblings. The Bronte family also lived rather isolatedly from the locals and neighbors in the village as well. Thus, there was not much opportunity to interact with others socially very often for these Bronte children. In exchange, however, the siblings were able to take pleasure in activities and hobbies such as reading and writing for leisure. Emily and her siblings’ father

Catherine’s action, “How lightly she dismisses her old playmate’s troubles. I could not have imagined her to be so selfish,” (Bronte 53). In concluding her session with Lockwood in chapter seven Nelly finishes by declaring, “I have read more than you would fancy, Mr. Lockwood. You could not open a book in this library that I have not looked into, and got something out of also… However, if I am to follow my story in true gossip’s fashion, I had better go on,” (Bronte 56). Bronte’s decision to add this detail to Nelly’s character emphasizes her action to tell the story in “true gossip’s fashion.” Further, the scene also suggests that Nelly enjoys stories, and therefore, enjoys romanticizing or actively imagining ideas for her perspective of

The novel of Wuthering Heights involves passion, romance, and turmoil but most significantly carries cruelty as an overarching theme. Cruelty is apparent throughout the work most importantly when dealing with relationships between Heathcliff and Hindley, Heathcliff and Hareton, and even the emotional cruelty between Heathcliff and Catherine.

Furthermore, when Heathcliff returns, Catherine should take no interest in trying to rekindle her feelings for him as Edgar had been putting in effort to make their marriage work 'Mr. Edgar had a deep-rooted fear of ruffling her humour' Up until this scene the couples were getting along and if Catherine had concealed her zealous behaviour towards Heathcliff then the calm atmosphere would have remained. Catherine rudely ignores her husband's presence to the extent that he demands the disrespectful behaviour to be stopped and a decision made 'Will you give up Heathcliff hereafter, or will you giver up me? It is impossible for you to be my friend and his at the same time…' Indeed, Edgar is right to put Catherine's in this difficult situation because any other typical husband at the time would have been less patient with Catherine or banned Heathcliff from the house at an earlier stage. Catherine struggles because the two men in her life represent two types if world and she cannot have both at the same time.

In the Middle Age literature, women are often presented or meant to come off as an unimportant character; which can also reflect on how the author wants the women character represent. Women are usually shunned, have no say or control in what they do; due to what men desire; like Ophelia and Gertrude did in William Shakespeare’s Hamlet. But these female characters that I will discuss are women with power, control, and a voice. Majority of the female character’s appearances are made to represent wickedness, evil, or a seducer who challenges a man belief; and does not symbolize perfect women.

  The Jewel in the Crown, by Paul Scott, and Wuthering Heights, by Emily Bronte', are romantic tragedies which share many common elements. Although written in two vastly different time periods, the shared elements reveal the continuity of romantic tragedies over time. Wuthering Heights, a 19th century realistic fiction, shares the same kind of passionate, violent and emotional characters as The Jewel in the Crown, a post colonial modernist fiction. Both stories contain a love triangle which subsequently end in death.