An Analysis OfConsider A Lobster, By David Foster Wallace

In his essay Consider the Lobster, it’s apparent what David Foster Wallace is trying to tell his audience: we should really think about the lobster’s point of view before cooking and eating it. Wallace uses multiple rhetorical strategies to get his point across, including pathos and ethos. His essay is very good in how it gets its point across, and how it forces even the largest lobster consumers to truly contemplate how the lobster might react being boiled alive. It brings up many controversial topics of animal rights that many people tend to avoid, especially people who are major carnivores. Wallace’s use of rhetorical strategies really gets the reader thinking, and thoroughly captures the argument of many vegetarians against the consumption of animals. Wallace captures the use of pathos in his essay and uses it in a way that is incredibly convincing to the reader. For example, he compares the Maine Lobster Festival to how a Nebraska Beef Festival could be, stating, “at which part of the festivities is watching trucks pull up and the live cattle get driven down the ramp and slaughtered right there…” (Wallace 700). Playing off of people’s natural tendency to feel bad for the cattle, he shows that the killing of lobster is, in reality, no different than the killing of cattle, but we treat it much differently. We tend to think that lobsters are different because they are less human than cows are, and, maybe to make us feel better about our senseless killing of an animal,

Director Gabriela Cowperthwaite in the documentary, Blackfish (2013), argues that captivity triggers aggression in killer whales. Cowperthwaite supports her argument by demonstrating shocking footage and emotional interviews to present a convincing case against keeping these animals in captivity and for human entertainment. The author’s purpose is to show the problems that are caused by captivity in order to aware the audience that keeping killer whales in captivity affects their behavior mentally and physically. The author writes in resentful tone to Sea World, the people who visited Sea World, and those who were present during the killer whale incident. Gabriela Cowperthwaite argues that keeping killer whales in captivity at SeaWorld affects their mentality due to how they are being treated. She makes this argument by applying pathos, ethos, and logos.

In the documentary “Blackfish”, directed by Gabriela Cowperthawaite in 2013, is asking the audience to take up a position on the inhumane treatment of whales in captivity. In particular, she invites us to feel sympathy for the whales and anger toward SeaWorld cruelty and denial of culpability. Cowperthawaite makes choices of visual image, language, sound and structure achieve her outstanding outcomes.

He writes: “The lobster will sometimes cling to the container’s sides or even to hook its claws over the kettle’s rim like a person trying to keep from going over the edge of a roof.” This imagery uses a simile that horrifies the readers because it lets the readers feel like that they are the lobsters, and they are being cooked. Wallace uses this sentence to place the readers in the lobsters’ position and let them experience the pain. Later on, Wallace also says: “the lobster, in other words, behaves very much as you or I would behave if we were plunged into boiling water.” By making the connection between lobsters and human, Wallace knows that this would change people’s opinion towards cooking lobsters. Connecting lobsters’ death to humans’ is an effective way of using pathos to make people think whether eating lobsters is an appropriate matter. This shows how human preferences leads to lobsters’ suffering. Wallace not only uses pathos to make the readers think whether eating lobster is the right thing to do but also uses ethos to make him more credible and thus readers will listen to his

In his article “Consider the Lobster”, David Foster Wallace uses the Maine Lobster Festival as a medium for his argument regarding the ethics of eating lobster. Wallace frames his article as a conversation just to get people thinking, but a deeper look at his rhetoric shows that he is arguing against the inhumanities of eating lobster, while doing everything he can to avoid sounding like he is taking a stance.

In today’s culture people are not individuals they are consumers and they have lost their ability to have their own experiences. In “The Loss of the Creature” by Walker Percy, he talks about why people have lost their sovereignty and how they can get it back. There are a lot of things that people can do differently and regain their individuality back from the consumer culture that they live in.

Everyone has an opinion when it comes to animals being killed and eaten. If a person agrees or not is completely their own opinion and will not be the focus of the essay. David Wallace’s essay “ Consider the Lobster,” is used to address perspectives of varying opinions while trying to persuade the reader. The author accomplishes this throughout the essay through the excellent use of multiple rhetorical techniques. Rhetorical devices such as ethos, lothos and pathos are all used in the essay to convey the author's opinion and try to convince the reader to choose a side.

As much as humans don’t want to admit it, the world wasn’t solely created for us. The novel, Ishmael, written by Daniel Quinn has given us an insight on how the world has been treated by man and how it could end. In a time where the world is being destroyed we need to step up and protect the earth from total destruction.

Save the Whales, Screw the Shrimp is an essay written by Joy Williams, about the overwhelming complacency that todays culture shows towards nature.Williams argues in a very satirical way, that todays culture has all but completely lost touch with what nature really is, and that unless we as a nation change our morals regarding the role that nature plays in human existence, we may very well be witnessing the dawn of our own destruction.

According to Scruton, “Eating animals has become a test case for moral theory in Western societies,” and he believes that a moral life is set on three pillars: virtue, duty, value piety. Foer uses fishes and dogs, for example, in Eating Animals: people slam gaffs into fish, but no one in their right mind would do such a thing to a dog. Foer also mentions that fish are out there in the water doing what fish do, and dogs are with us. Dogs are our companions, and with that, we care about the things that are near and dear to us. In, “Consider the Lobster,” Wallace asks, “Is it all right to boil a sentient creature alive just for our gustatory pleasure?” Is it a personal choice to do so? PETA, of course, says no. Dick from the Maine Lobster Festival (MLF) argues that lobsters do not have the part of the brain that receives pain, which is a false statement anyhow. Goodrich (1969) says that a human’s life is worth so much more than an animal’s life. No matter how many animals there are, one human life is worth more.

In the essay “Consider the Lobster”, David Foster Wallace communicates his experience in the Main Lobster Festival as a writer for a food magazine called “Gourmet”. In this essay, he explores the impact the festival had on him as he tries to question the morals of eating lobsters. Wallace initially makes it seem as the festival is a place of fun and celebration as he describes the entertainment: concerts, carnival rides, lobster-themed food, lobster-themed clothes, and lobster-themed toys (50). In spite of that, he changes his attitude as he observes that the festival is actually promoting cruelty to animals and holds a long discussion whether or not lobsters can actually feel pain. Through the use of his language and description, Wallace convinces the audience as he claims to persuade the reader to stop eating lobsters, but he doesn’t explicitly say so at any point in the essay.

Wallace’s use of changing viewpoints adds to what he originally wants to do, which is to give the reader a chance to pick which side of the argument they want to be on. The author not only gives the reader different views, but he also changes his tone throughout the piece. By adding dynamic shifts in his writing, he includes the reader and gives a better feel for what this article is really about. This sentence stands out due to the fact that Wallace talks about the positive aspects of what occurs during the festival throughout the beginning of the article. This includes not only the amount of lobster that is being

The gluttonous lords of the land capture those who are unable to defend themselves, boil the captives alive, and then feast on their flesh. Could this be the plot of some new summer blockbuster? It could be, in fact, but for now we will focus on how this depiction of events compares to David Foster Wallace’s essay, “Consider the Lobster,” which starts as a review of the Maine Lobster Festival, but soon morphs into an indictment of not only the conventions of lobster preparation, but also the entire idea of having an animal killed for one’s own consumption. Wallace shows great skill in establishing ethos. In the essay, he succeeds in snaring a receptive audience by laying out a well-baited trap for an

​In conducting a rhetorical analysis of the two articles, "Joel Salatin: How to Eat Animals and Respect Them, Too" by Madeline Ostrander and "Humane Meat? No Such Thing" by Sunaura Taylor, both articles stand in stark contrast in terms of the viewpoints of meat that they present. In order to gain a better understanding of these viewpoints, it's important to understand the persuasive techniques that both authors use in the article for the reader. More specifically, the ethos, pathos, and logos that they employ, as well the way in which the evidence and support is presented will further elucidate upon the arguments that appear in both articles.

Many people at the Maine Lobster Festival find it easy to believe that lobsters feel no pain in order to continue to torture the animal before indulging it without empathy or regret. This ethical practice has been created in order to backup the thoughts of accepting the ideology that it 's "all right" to torture the animal before consumption. While Wallace is in a rental car he