An Analysis of Laurel Ulrich's 'A Midwife's Tale'

This is what makes Mrs. Ballard’s diary so important. Her journal demonstrates how she chose an occupation that gives her complete authority over her own actions and career choices, which was rare in the Early Republic Era. Her being a midwife let her dictate the jobs that she did and did not accept.

Historian Laurel Thatcher Ulrich provides a glimpse of America post Revolutionary war through her critically acclaimed book, A Midwife’s Tale, which is the interpretation of Martha Ballard’s seemingly humble diary—a record of her life as a midwife, mother, wife, and caregiver from 1785 through 1812. The book features Ballard’s account of her average day’s activities, which, in turn, serves to represent the tasks of women in her society; however, Ulrich cross-references the diary with documents such as court transcripts, land records, maps, and other diaries in order to piece together a more detailed account than one gathered solely from Ballard’s words. While popular belief envisions women in this timeframe as being constrained to the home and a litter of children, it is Ballard’s diary that reveals that women played a major role in other aspects of society, including the market economy, medicine and childbirth, versus just being mothers and homemakers.

Being a midwife does not only defined by assisting women in childbirth. The general dictionary definition are the misconception of how people view midwives. Being a midwife means to be ‘with women’ and this leads the construction of the midwifery philosophy, Page (2006) 5 steps and Nursing and Midwifery Board of Australia (NMBA) competency standards, in order to provide the best women centred care (Australia Collage of Midwives, 2017). This essay will cover a constructive overview of what Page (2006) 5 steps of being a midwife means, it will also defined what women centred care is and emphasis on the importance it has for the woman. Understanding Page (2006) 5 steps and women centred care helped build the pathway for midwifery philosophy to correlate with NMBA competency standard in order to support midwifery practice. For

Laurel Thatcher Ulrich proves with this book is that the every day journal entries that may seem mundane and unimportant at first are actually very important to understanding Martha’s life. If one is to truly understand Martha Ballard’s life historians must dive deeper than the larger, more attention grabbing details of her diary, such as the Puritan family incident. It is the daily seemingly “less important” events that can show Martha’s internal struggles and emotions of what she had to go through as being a women during that time period.

     Before I watched 'A Midwife's Tale', a movie created from the diary found by Laurel Ulrich chronicling the life of a woman named Martha Ballard, I thought the women in these times were just housewives and nothing else. I pictured them doing the cleaning and the cooking for their husbands and not being very smart because of the lack of education or them being unable to work. My view on the subject changed however when I watched this specific woman's life and her work.

In “A Jury of Her Peers” Minnie Wright demonstrates the deranging effect of isolation. She grew up a joyful young women with all her peers, but drifted away when she became Mrs. Wright and wedded Mr. John Wright. Minnie Wright became socially and emotionally isolated in her own home. This caused her to lose her sanity. The effects that isolation had on Minnie Wright negatively affected her own life and the life of those around her, especially including her husband who she murdered. As the story “A Jury of Her Peers,” progresses it becomes more evident that Minnie Foster is in fact for sure the person who is responsible for the murder of her husband. In the time period “A Jury of her Peers” was written women were also victims of a treatment called the “rest cure.” The rest cure isolated women away from society and in some cases drove them mentally insane as shown in “The Yellow Wallpaper”. The story of “The Yellow Wallpaper” is written by Charlotte Perkins Gilman.

“So very honoured to have had Elaine Carty advocating tirelessly and effectively for midwifery for so many years. Congratulations Elaine!”

Foster’s tale begins with the death of Eliza Wharton’s fiancé. It is an ominous sign of circumstances to come for the unsuspecting Eliza. By his death, she is free from an arranged marriage that was not to her liking. With no male figure to promote another marriage

Robin Yates’s paper, “Pregnancy and Childbirth, The 1800’s vs. Now: What to Expect When You’re Not Expecting,” was filled with many clear points on the advancement of labor and medicine since the 1800s. This essay was filled with interesting and grabbing facts; however, the structure of the essay needs more support.

Medical knowledge and the production of textiles were valuable and necessary commodities – medical knowledge was essential for everyday problems as well as during outbreaks of disease. Textiles were crucial for the local and national economy as they were locally produced, traded and exported. Martha was a midwife who helped successfully bring hundreds of babies into the world and she was also played a huge role in seeing to the wellness and welfare of the community. As a midwife, Martha served anyone who required her, regardless of their religion, race or place in society. Socializing was an important part of daily life. Even when Martha spent days at home, she was still connected to the locals, which is evident in the way she described the visitors she had. In 1790 alone, “Martha recorded 642 encounters, at home or abroad with 299 persons outside her family” (Ulrich 92). Martha was paid for her services – she sometimes had to travel great distances in treacherous weather to reach her patients and she kept records in her diary about the circumstances she found herself in while carefully recording births, deaths, marriages, weather, and other events, both important and mundane.

Some skeptics such as Audre Lorde: may, argue that the focus of Larsen’s novella focused primarily on the juxtaposition of race and sexual identity of Black feminism in the early twentieth century. However, Larsen makes use of unstable identities that can been seen through the passage via Brian Redfield and John Bellew. The husbands’ envelope the extent of male privilege and contrarily shows their means of working against it. By exploring these men, it offers a more critical view to understanding Clare and Irene

The assignment will be written in the style of the British Journal of Midwifery (BJM), the abstract is incorporated into this introduction and Harvard 2014 will be used for the referencing style.

Call the Midwife fills that need we have to see how poor people live and also serve them. These midwifes spend their time serving members of the community no matter the problems that arise and we don’t often recognize that effort. These women as we talked about in class also often don’t have people supporting them and they are taken advantage of, so seeing them be cared for in such a supportive way is amazing. The emotional bond that the show thrives on is vital because people don’t always make connections with facts and tables but hearing stories of a young girl in a workhouse or having to give up their child because they were unwed and forced into prostitution, makes it real. I started watching the show a couple years ago and while it may not be the perfect solution to learning about this time and place compared to history texts and the like because it is a TV drama after all. But seeing the people interacting or even learning about how a woman’s body works during pregnancy and childbirth is so important. So many things they do in the show or in Jennifer Worth’s books have never occurred to be before I started watching and reading because poverty and pregnancy isn’t really talked about. We haven’t escaped that woman’s world being separate from the rest of the work and seeing how these people and especially women lived is important.

       As the tale begins we immediately can sympathize with the repressive plight of the protagonist.  Her romantic imagination is obvious as she describes the "hereditary estate" (Gilman, Wallpaper 170) or the "haunted house" (170) as she would like it to be.  She tells us of her husband, John, who "scoffs" (170) at her romantic sentiments and is "practical to the extreme" (170).  However, in a time

Finally, the reader is introduced to the character around whom the story is centered, the accursed murderess, Mrs. Wright. She is depicted to be a person of great life and vitality in her younger years, yet her life as Mrs. Wright is portrayed as one of grim sameness, maintaining a humorless daily grind, devoid of life as one regards it in a normal social sense. Although it is clear to the reader that Mrs. Wright is indeed the culprit, she is portrayed sympathetically because of that very lack of normalcy in her daily routine. Where she was once a girl of fun and laughter, it is clear that over the years she has been forced into a reclusive shell by a marriage to a man who has been singularly oppressive. It is equally clear that she finally was brought to her personal breaking point, dealing with her situation in a manner that was at once final and yet inconclusive, depending on the outcome of the legal investigation. It is notable that regardless of the outcome, Mrs. Wright had finally realized a state of peace within herself, a state which had been denied her for the duration of her relationship with the deceased.