An Analysis of Sunday Morning Essay

While many obstacles get in the way of friendship, true friendship still lives, even in silence. In the book, The Chosen , By Chaim Potok, two boys, Reuven Malter and Danny Saunders, who are very religiously different and both raised in completely opposite ways, develops a deep friendship. Their friendship opens up their worldview to many other different viewpoints in life. The friendship between these two boys is one with great religious significance, starting off with destiny and Gods will. As Danny and Reuven’s Friendship develops, it teaches them to respond wisely to the values of the more complex and secular world. It also teaches the true value of friendship. Because Danny’s father, Reb

That has no relish of salvation in ’t—/Then trip him, that his heels may kick at heaven,/And that his soul may be as damned and black/As hell, whereto it goes. My mother stays/This physic but prolongs thy sickly days"(III.iii.74-96).

To start off, the first stanza in her song represents a sense of how unavoidable change is and how the confusion of the bond combined with the stress of the blame game can lead to a doomed

This song has poetic merit due to its allusions. It has a biblical allusion in stanza 2, line 1- “Lord, make me a rainbow….” . This clearly addresses God, which forms a biblical allusion. It also contains a historical allusion in stanza 2, line 3, when it states: “She’ll know...when she stands under my colours..”, hinting at a commonplace funeral tradition.

She writes “And here I cannot but take notice of the strange providence of God in preserving the heathen...”

Adam Cooper started out as a fifteen-year-old boy, but became a fifteen-year-old man. In the beginning, Adam could not get along with his father, Moses Cooper, and truly believed that his father hated him. Moses was always getting on to Adam for everything he did. In Moses’ eyes his boy could do better than he let on if he would only apply himself a little bit more. “There was nothing that a Cooper man couldn’t do.”

At first she calls on G-d to “strengthen me in my distress” (line 9). Then the narrator begins to think that “It was His own, it was not mine” (like 17) which shows that she’s beginning to accept what happened. This was all in G-d’s plan; it was predetermined. The narrator goes on to say “Adieu, adieu, all’s vanity” (line 36). This is a very materialistic phrase. However, in the next stanza, the narrator says that she is the one in the wrong for straying from G-d. The realization of the connection she has developed to material objects brings on a reflecting of how she ever strayed from G-d since there is nothing to count on except G-d. In the last stanza, the narrator says, “My hope and treasure lies above” (line 54). Everything that the narrator needs is in heaven. While she may seem a little resentful, she is able to accept the destruction of her house and turn it into love for G-d. The idea of predestination makes an appearance again as the narrator knows that this is what G-d wanted. G-d is all that she has left now since she lost all of her material wealth along with everything

The last sentence of the poem, ““There is still murder in your heart” (14), is a powerful claim that suggests that a routine consisting of prayer, communion, or hymn singing will not dissolve the sin of the heart. However, seeing this claim from a different standpoint, this can also suggest that this dull routine is convenient when it comes to preserving an appearance of purity and grace. There is an image in the middle of the poem, “light swords” (7), that possibly represents sharp members of the congregation trying to deceive the church authorities and God. Their comfort to the routine is remarkable because it does not really make a difference at the end; the only thing that truly matters is the masked life they are trying to keep hidden. Readers may consider the arguments presented in this poem as the truth reaching out to the contemporary church and its followers to improve their relationship with

In the third stanza, the diction of “heaven” and “noble” allows the speaker to craft an image of an almost godlike juggler. This view of the juggler creates the tone of amazement and ardent which breaks through the previous gloomy description of the earth in the first stanza which “falls/ So in our hearts from brilliance” (lines 3-4). This reveals that the world the juggler has made, unlike the earth which the speaker doesn’t appear to have fond feelings of, is a joyful and light-hearted place that the speaker is easily captivated by. As the juggler “reels that heaven in” (line 16), creates an atmosphere of an almost unearthly experience. This description of the juggler as a master of spiritual elements allows readers to view how the speaker's attitude is uplifted and enlightened.

"Those Winter Sundays" is a very touching poem. It is written by Robert Hayden who has written many other poems. This paper will talk about the poem "Those Winter Sundays". In particular we will look at the structure, main idea, and each stanza of the poem.

In stanza five she talks of laughter. Laughter can be said to cure everything. By laughing at the negativity that is being thrown in you direction it will make it easier to brush it off and play it off as if it never offended you. Causing disappointment to the people who wanted to see that they can affect your attitude and walk all over you. By laughing

As with playing the “What If” game (asking “what if” incessantly to explore each aspect of a situation), so did a chain of events occur that caused this relationship to form.

first verse up, to reflect her life, and all she has to do. The use of

The poem begins with the poet noticing the beauty around her, the fall colors as the sun sets “Their leaves and fruits seemed painted, but was true, / Of green, of red, of yellow, mixed hue;” (5-6). The poet immediately relates the effects of nature’s beauty to her own spiritual beliefs. She wonders that if nature here on Earth is so magnificent, then Heaven must be more wonderful than ever imagined. She then views a stately oak tree and

In “The Story of an Hour” (1894), Kate Chopin presents a woman in the last hour of her life and the emotional and psychological changes that occur upon hearing of her husbands’ death. Chopin sends the protagonist, Mrs. Mallard, on a roller coaster of emotional up’s and down’s, and self-actualizing psychological hairpin turns, which is all set in motion by the news of her husband’s death. This extreme “joy ride” comes to an abrupt and ultimately final halt for Mrs. Mallard when she sees her husband walk through the door unscathed. Chopin ends her short story ambiguously with the death of Mrs. Mallard, imploring her reader to determine the true cause of her death.