An Analysis of Sylvia Plath's Poem, Daddy Essay

“The Courage of Shutting-Up” was written in 1962, a year before Sylvia’s end, and uses the ideas of repetition, speech, and censorship to express her ideas on female obedience and civil censorship. The female perspective here is the idea of not being able to speak out, and living in repetition, with a defeated tongue- hung up on the wall like a trophy. The poem uses many different types of diction, but most of it is masculine, and war-like, as if Plath was fighting a war against men. The first stanza of the poem begins with “The courage of the shut mouth, in spite of artillery!” and follows with bits of diction to describe a record player, with “black disks… of courage…” as to describe Plath’s thoughts and feelings just playing over and over again, “asking to be heard.” The second stanza continues with the record player metaphor, “a needle in its groove”, and transitions to an overqualified tattooist in the third stanza, once a surgeon (maybe a metaphor for Sylvia’s downgrade from a great poet to a dumpy mother) who repeats the same overused tattoos over and over, silently, and solemnly. The fourth stanza returns to the metaphor of war, and artillery as well as the record player. The tongue is introduced, and is described as “indefatigable,

The figurative language in the poem “Daddy” by Sylvia Plath can be used to discover a deeper significant of the poem. By using figurative language throughout the poem such as symbolism, imagery, and wordplay, Plath reveals hidden messages about her relationship with her father. Plath uses symbols of Nazis, vampires, size, and communication to help reveal a message about her dad.

Sylvia Plath uses her poem, Daddy, to express deep emotions toward her father’s life and death. With passionate articulation, she verbally turns over her feelings of rage, abandonment, confusion and grief. Though this work is fraught with ambiguity, a reader can infer Plath’s basic story. Her father was apparently a Nazi soldier killed in World War II while she was young. Her statements about not knowing even remotely where he was while he was in battle, the only photograph she has left of him and how she chose to marry a man that reminded her of him elude to her grief in losing her father and missing his presence. She also expresses a dark anger toward him for his political views and actions

Poets, Judith Wright, Sylvia Plath and Emily Dickenson all express their views on life and death, however, do so in varying manners. Through imagery, Wright and Plath both consider life’s beginnings, however, Wright considers it to be a beautiful gift, whereas Plath views birth as an empty burden. Subsequently, through structure Dickenson and Wright each acknowledge life, expressing how in some cases it is difficult, yet in other circumstances it is celebrated. Finally, through tone, Dickenson and Plath convey their views on death, yet differ in that Plath believes it is purifying and holds a sick fascination with it, while Dickenson instead holds a unique curiosity about it. Therefore, whilst each poet recognises the journey of birth,

It tends to be the trend for women who have had traumatic childhoods to be attracted to men who epitomize their emptiness felt as children. Women who have had unaffectionate or absent fathers, adulterous husbands or boyfriends, or relatives who molested them seem to become involved in relationships with men who, instead of being the opposite of the “monsters” in their lives, are the exact replicas of these ugly men. Sylvia Plath’s poem “Daddy” is a perfect example of this unfortunate trend. In this poem, she speaks directly to her dead father and her husband who has been cheating on her, as the poem so indicates.

In the poem “Daddy,” Sylvia Plath describes her true feelings about her deceased father. Throughout the dialogue, the reader can find many instances that illustrate a great feeling of hatred toward the author’s father. She begins by expressing her fears of her father and how he treated her. Subsequently she conveys her outlook on the wars being fought in Germany. She continues by explaining her life since her father and how it has related to him.

Sylvia Plath was a troubled writer to say the least, not only did she endure the loss of her father a young age but she later on “attempted suicide at her home and was hospitalized, where she underwent psychiatric treatment” for her depression (Dunn). Writing primarily as a poet, she only ever wrote a single novel, The Bell Jar. This fictional autobiography “[chronicles] the circumstances of her mental collapse and subsequent suicide attempt” but from the viewpoint of the fictional protagonist, Esther Greenwood, who suffers the same loss and challenges as Plath (Allen 890). Due to the novel’s strong resemblance to Plath’s own history it was published under the pseudonym “Victoria Lucas”. In The Bell Jar, Sylvia Plath expresses the

The idioms of everyday American speech in a middle-class domestic situation are used in showing the events and relationships of the Berlin family. In contrast to the conversations of Becca and Stan, usually presented as straight dialogue, the discussions among the three sisters are conventionally presented, often with “she said” and other interpolations to give explicitly the emotional level of the sister’s disagreements. Madga, the Polish student who acts as Becca’s guide to the death camp site speaks fluent English but at times awkward English “Oh, they are much in appreciation” she says when given a pair of jeans. Contrast between the formal, traditional language of the fairy tale and childish, informal chatter is shown when the children comment or question as Gemma proceeds with her Briar Rose fairy tale story telling. Her contrast revisiting of just this one fairy tale shows the reader that while her conscious memory has buries the details of her past horrors, she cannot help returning to the fairy tale allegory. Contrast is also shown between the warm, happy imagery of life in the Berlin house and the bleak, harsh details of the holocaust.

“Oh Prussia” she paused and spoke again “do you know the language of flowers” Prussia shook his head and with that Romana continued “Cornflower, the national flower of both Germany and at one time the national flower of Prussia, it signifies delicacy and refinement. Dark crimson rose signifies mourning. White lily signifies purity, majesty, and it's heavenly to be with you. Lily-of-the-valley signify Sweetness, Return to Happiness; Humility, and You've Made My Life Complete. What are you trying to tell me, why are you giving me these flowers, Prussia”

Over six million innocent lives were taken during the Holocaust. It had a significant effect on much of the world’s population, and it still has an impact to this day. In Sylvia Plath’s poem, “Daddy”, she shows her emotions for her father, Otto Plath. Sylvia Plath lost her father at eight years old when she still had much love for him (Famous People “Biography”). After a number of years, hatred is built up inside of Sylvia towards her father. When her father first died, she loved him and she grieved over her father’s death. After years of confusion, she eventually decided and wrote, “Daddy, Daddy, you bastard, I’m through” (Line 80). In “Daddy” by Sylvia Plath, the author resents her father and husband so much that they are comparable to Nazi Germans, showing her feelings for them through poetic devices.

The dominant image of a father figure that we are left with after reading this poem is far from a loving or pleasant one. In fact, it is rather the opposite. The “Daddy” whom the speaker is addressing in this poem ends up being portrayed as a vampire, who “the villagers” (77) — perhaps the people surrounding the speaker— never seemed to be fond of. This strengthens the image of a highly dysfunctional relationship, rather than a “normal,” loving one. As readers, we have to ask ourselves about the reliability of Plath’s character; however, seeing as she is clearly emotionally unstable. We learn about at least one suicide attempt in the lines

Sylvia Plath?s poem "Daddy" describes her feelings of oppression from her childhood and conjures the struggle many women face in a male-dominated society. The conflict of this poem is male authority versus the right of a female to control her own life and be free of male domination. Plath?s conflicts begin with her father and continue into the relationship between her and her husband. This conflict is examined in lines 71-80 of "Daddy" in which Plath compares the damage her father caused to that of her husband.

In this essay we will look into her life through three of her poems in

Wrapped in gaseous mystique, Sylvia Plath’s poetry has haunted enthusiastic readers since immediately after her death in February, 1963. Like her eyes, her words are sharp, apt tools which brand her message on the brains and hearts of her readers. With each reading, she initiates them forever into the shrouded, vestal clan of her own mind. How is the reader to interpret those singeing, singing words? Her work may be read as a lone monument, with no ties to the world she left behind. But in doing so, the reader merely grazes the surface of her rich poetics. Her poetry is largely autobiographical, particularly Ariel and The Bell Jar, and it is from this frame of mind that the reader interprets the work as a

Sylvia Plath’s poetry is well known for its deeply personal and emotional subject matter. Much of Plath’s poetry is confessional and divulges the most intimate parts of her psyche whether through metaphor or openly, without creating a persona through which to project her feelings, and through the use of intense imagery. Plath’s attempt to purge herself of the oppressive male figures in her life is one such deeply personal and fundamental theme in her poetry. In her poem, “Daddy”, which declares her hatred for her father and husband, this attempt is expressed through language, structure, and tone. (Perkins, 591)