Essay An Analysis of Up in Michigan

This is the modern, everyday life of many unfortunate people. For People of all ages. You can hear on the news about wives and children and even husbands who were killed in acts of rage and domestic violence. Even though I am unable to relate to this certain passage, I was still touched and I actually felt sympathy for these fictitious characters.

Setting often provides more then just a mere backdrop for the action in the story. It is probably the most important part of the putting together a story. In this story the setting is a reflection of the character as much as the town. The physical setting, time setting and cultural settings are all important parts of this short story,

            The word choice and ordering of detail of this book also leads one to believe that they are reading a classic.  Hemingway's style is one of simple, straightforward dialogue with the absence of slang.  Many generations of readers can read and understand the story. An example of this simplicity of dialogue is as follows:

3. Through Hemingway’s Multi-part claim and the changing of different perspectives to show how Margaret is characterized as a manipulative women.

Wagner-Martin, Linda, Reynolds, David S., and Myerson, Joel, eds. A Historical Guide to Ernest Hemingway. New York: Oxford University Press, Inc., 2000. Print.

1.The term "Three Fires" refers to the dominant tribes in Michigan during the early 1600s. The three tribes were:

By the end of the journey, it is obvious the narrative is a tragedy. The author has formed this safety blanket,

The setting in this story is a small town in rural Oklahoma in the late hot

The world was de-scribed as a wasteland. The term comes from T. S. Eliot poem The Waste Land, one of the most important poems of the 20th century, which illustrated the omnipresent confusion. The Waste Land was not only a cultural desert. It was described by Currell as “a cultural detri-tus” where the past and present interfere with each and produce chaos. The poem presents the world as barren and infertile but with a chance for a revival. Parts from the text perfect-ly mirror the mood of the Twenties; living in a culture which will not expire, but marked by decay and forced to continue in the shadows of its former glory. However, the term “waste land” is also adequate to portray the people. Its civilization, described as lost, is in a con-stant search for meaning in the wilderness of ideas and faith (2009: 37). The waste land is in their bodies and minds; they suffer from impaired communication abilities and seem to forget their humanity. People are frozen in a sexual failure, a moment of

The short story Up in Michigan is one of Hemingway's earliest works, believed to be one of the earliest works of Hemingway after he arrived in Paris in December of 1921 (Oliver 14). The story was first published in 1923 in Three Stories and Ten Poems. As with most first works some scholars would argue all first works the story is believed to be derivative. The characters seem to have been plucked from Hemingway's childhood (Svoboda and Waldmeir 63). A boyhood friend of Hemingway's was named Wesley Dilworth and his parents were named Jim and Liz Dilworth (Comley and Scholes 29). Scholarly reviews led to the discovery of pre-publication typescripts of Up in Michigan. Interestingly, a pre-publication version of the story begins: "Wesley Dilworth got the dimple in his chin from his mother. Her name had been Liz Buell. Jim Dilworth married her when he came to Horton's Bay from Canada and bought the mill with A. J. Stroud" (KL/EH 800, 1, as cited in Johnson). From this excised paragraph, readers are able to see how Hemingway invented the fictionalized story from the bit of that he drew from his early years (Benson).

The cat to her is the symbol of her desperation to have a child -

Hemingway’s novel The Sun Also Rises has his male characters struggling with what it means to be a man in the post-war world. With this struggle one the major themes in the novel emits, masculine identity. Many of these “Lost Generation” men returned from that war in dissatisfaction with their life, the main characters of Hemingway’s novel are found among them. His main characters find themselves drifting, roaming around France and Spain, at a loss for something meaningful in their lives. The characters relate to each other in completely shallow ways, often ambiguously saying one thing, while meaning another. The Sun Also Rises first person narration offers few clues to the real meaning of his characters’ interactions with each other. The

Also, Hemingway was considered to be “vitally concerned with re-establishing what he felt were the proper rules of man and women in their relationship to each other” (Fiedler, 305). This is shown in his portrayal of women in

When thinking of masculinity in literature, one author has who has become synonymous with manliness comes to mind, Ernest Hemingway. Critics have spent countless hours studying his writing in order to gain insight into his world of manly delights, including his views on sex, war, and sport. His views can be seen through his characters, his themes and even his style of writing.

Many authors, critics, and everyday social readers define Ernest Hemingway as the prime example of 20th century American literature. Hemingway’s works transcend time itself, so that even readers today analyze and criticize his works. His works, of course, have drawn praises and animosity from all corners of the globe. Critics often applause Hemingway on his short simple prose, for which many people recognize him for. His writing builds upon the masterful usage of “short, simple words and short, simple sentences” (Wagner, 3) to create clear and easy to