An Analysis of William Wordsworth's "The Female Vagrant"

“The gentle green hills which on either hand enclosed the village, tufted here and there with magnificent trees, the village itself, straggling and wide, each cottage being far apart from its neighbors and each ornamented with flower beds and shrubberies; these with a lovely stream which would through the valley, formed, as far as my memory may be trusted, one of the most exquisite panoramas, on which it has ever been my good fortune to

The Romantic era began in 1770, with its peak being from 1800 to 1850. With emphasis on the imagination and emotion, Romanticism emerged as a result of the Enlightenment period, which heavily placed values upon reason and order. Thus, Romanticism depends heavily on “the practical accomplishments of the prior un-Romantic era— a relationship between material wealth and scientific knowledge on one hand, and personal, spiritual, or emotional transcendence on the other, that twenty-first century Americans continue to manage.” The simplest explanation for what is Romantic is “‘anything but the here and now’ or whatever is not realistic” (“Romanticism”). The

← Doyle, William. The French Revolution: A Very Short Introduction. New York: Oxford University Press, Inc. 2001

“On the outskirts of town, within the verge of the peninsula, but not in close vicinity to any other habitation, there was a small thatched cottage. It had been built by an earlier settler, and abandoned because the soil about it was too sterile for cultivation, while its comparative remoteness put it out of the sphere of that social activity which already marked the habits of the emigrants. It stood on the shore, looking across a basin of the sea at the forest-covered hills toward the west.”

In a society of people all in the same situations how can someone feel so alone. When lives fall apart and people have nothing to hold on to people need each other most, yet are pushed so far from others. The novel Of Mice and Men written by John Steinbeck, follows the storyline of two men who are displaced farm workers during the Great Depression; they travel around and stick by each other’s sides no matter the circumstance. After many jobs they end up on a farm,the farm they hope will be their last stop. The time spent on the farm is filled with blooming friendships and careless quarrels, yet with an abundance of characters and entertainment- many people on the farm feel alone and out of place. Characters such as Crooks and Curley’s wife often come to mind when the subject of loneliness is brought up. Throughout the book using characters such as Crooks and Curley's wife, John Steinbeck demonstrates that humans are immensely impacted by separation from society and it will change the way that people will act and show themselves to others.

The life of a lady in the 19th century is painted in a romantic light. Pictured in her parlor, the lady sips tea from delicate china while writing letters with a white feathered quill. Her maid stands silently off in the background, waiting for orders to serve her mistress. What is not typically pictured, is the sadness or boredom echoed on the lady’s face. Perhaps the letter is to a dear friend, not seen in ages, pleading with the friend to visit, in hopes that the friend will fill the void in the lady’s life made from years spent in a loveless marriage; or possiblyk20 the lady isn’t writing a letter at all, but a novel or a poem, never to be read by anyone but her. Edith Warton and Charlotte Perkins Gilman, are 19th Century ladies who dare to share their writing with the world. Through their works, the darker side of a woman’s life in the late 1800’s is exposed. Gender politics in the 19th dictates that a lady is dependent on her husband for her financial security and social standing; that is if she is fortunate enough to marry at all. In Edith Warton’s The House of Mirth, Lily Bart is a beautiful woman in her late 20’s, who fails to marry a wealthy man. The narrator in Charlotte Perkins Gilman’s The Yellow Wallpaper slowly goes insane under her physician husbands misguided attempts to cure her of depression. The downfall of Lily Bart and the narrator of The Yellow Wallpaper is

“We would have known nothing of the nature and reach of her sorrow if she had come back. But she left us and broke the family and the sorrow was released and we saw its wings and saw it fly a thousand ways into the hills, and sometime I think sorrow is a predatory thing because birds scream at dawn with a marvelous terror and there is, as I said before, a deathly bitterness in the smell of ponds and ditches (198).”

It includes the description of houses, the impact of immigration, the effects of urbanization into the tenements, and specific reasons to why the poor had low wage jobs, sqaulor living conditions, and the cause of such high rates of crime during the Progressive Era. To help support my thesis, I will use these details to correlate Maggie to the Guilded Age setting of the book and further support my argument as to why women continuously suffered in life.

Already in the beginning, miles of farmland wedge between John and Ann as he ventures off to “help [his father] with his chores, while “mak[ing] sure he’s all right in case [they] do have a storm.” Without her husband for company, she spends the day alone at home, painting, “brooding” and witnessing the intensity of the storm grow vicious. As “the double wheel around the moon” foreshadowed, the storm tested the “elements of human meaning and survival,” forcing the wise to stay indoors away from its “sharp, savage blows.” Also, the desolate prairies, themselves, add to the tense, stultifying aura of solidarity. While the landscape lay bleak and uninviting, how even “the distant farmsteads [Ann] could see served only to intensify a sense of isolation” appears clear. Not only “miles deep between her now and John,” Ann faces a natural barrier between the neighbouring homesteads as the “long white miles of prairie landscape” conceived a “region strangely alien to life.” In essence, the physical barriers, from the “sudden, maniac raging of the storm” to the vast stretches of farmland, allows loneliness and the “ever-lurking silence” to creep into the characters’ hearts until suffering takes control of their

At the beginning of Anne’s story, she says “The sea does not reward those who are too anxious…”. She writes that the sea teaches patience, which is not a characteristic that humanity acquires

‘..Guys like us that work on ranches are the loneliest guys in the world they got no family they don’t belong no place.’ This is what many felt during the ‘great depression’ in the 1930’s. John Steinbeck gives us the sense that many felt lonely ‘they got no family they don’t belong no place. The main theme of this novel is alienation; the three characters, Curley’s wife, candy, and crooks are all alienated, and felt it by another person at some point. They all have dreams... it’s the American dream... but not all dreams come true...

Romanticism was a philosophical, artistic and literary movement that originated in the 18th century. This was characterized chiefly by a reaction against neoclassicism and the period of Enlightenment, which was more scientific and rational in nature. However, romanticism stressed an emphasis on the imagination and emotions. For example, the Enlightenment thinkers condemned the Middle Ages as “Dark Ages”, a period of ignorance and irrationality. The romantics, conversely, idealized

Her love of the ocean brings to her to awakening, the happiness and wholeness that she always longed after.

Romanticism was an art movement that developed in the late eighteenth century and lasted for about one hundred years. Romanticism is a rejection of the traditional values of reason, order, and objectivity that characterized Classicism and Enlightenment, in particular Neoclassicism. For the romantic artist, Neoclassical principles hindered the artist’s vision and creativity. Rather, the romantic artist emphasized and valued intuition, juxtaposing emotions, and imagination. Generally, Britain and Germany were seen at the forefront of romanticism. The British Industrial Revolution initiated a disillusionment in rationalism and materialism, consequently rejecting classicism.

“The Seafarer” and "The Wanderer” are both poems that describe the hardships of the average Anglo-Saxon warrior. These stories show that life during the times of the Anglo-Saxons is not pleasant. In fact, it appears to be tough, fearful, and depressing. In “The Seafarer”, a man describes his horrid life on the sea, and in "The Wanderer”, a man tells his tale of being put into exile and losing all his fellow warriors and lord. Both men feel physical and emotional pain while going through their adventure. The seafarer claims that the sea itself is torturing him by saying “...the sea took [him], swept [him] back and forth in sorrow and fear and pain.” (2-3) The seafarer also explains that coldness is much more than just a feeling but a