An Analysis on Community: A US TV Deries

3. Examine the cover of the novel. What images do you see? How do you think the images are connected to the story?

3) You need to find a commonplace between you and your audience in order to begin trying to persuade the audience

The television shows from 1950 to the present are connected in many ways. The characters showed in the 1950s television show called Leave It To Beaver all have white coloured skin and portrayed as a happy, perfect family. As the decades increased, the nuclear families turned into blended families, and the television shows started to have coloured characters. The families started to have problems and social situations. The viewer sees the conflicts inside the family begin as the years progress. For example, in the 2000's we examined a television show called Arrested Development. The show portrays the characters as if they are troubled and have problems. The children do not listen to their parents but instead have

Education has begun to be taken for granted, not realizing what an impact it has on culture. In the television show Community, the view of education differs in many of the characters. There are both positive and negative stereotypes revealed throughout the show which were discussed in a way so that the issues present could be changed. Even though the show Community is presented as a comedy, with many mishaps, it presents education as something which is important and should be treasured. Education in our culture is many times underappreciated, looked at as an entitlement rather than a privilege; however, Community, forces the audience to reexamine education and why such a high value is placed on it in our culture.

Netflix has engendered a generic recategorization of texts into previously established genres, as well as into newly established generic categories meant to organize these diverse texts in new and very specific adjective based genres, such as political dramas or spiritual documentaries,which combine descriptive and generic words meant to capture viewers. This generic specificity also accounts for the fact that texts are often cross-listed across multiple of these traditional and contemporary genres. Additionally, texts are categorized on each user’s homepage according to generic categories generated by the user’s profile and viewing history, with categories like, “you might also like this” and “because you watched…”. In accordance with Mittell’s genre theory, which states that genre is a cultural practice situated in larger cultural hierarchies and power relations and accounts for specific attributes of the medium, Netflix’s unique genre categories account for the particular attributes of the medium, but also, significantly, of the new digital platform as well. In making these arguments, I analyze the functions of the platform which create “streaming flow”, its algorithm, format, and generic categorization, as well as texts such as Arrested Development (2003-) and Stranger Things (2016-), that comprise streaming flow and which are generically categorized by

Are television series becoming more popular? The very reason for choosing this topic is indicative of how important T.V. shows have become. Today, the people working on the small screen are no less famous and rich than the stars working in movies. Yes, that same old idiot box, vast wasteland, cheap babysitter has creatively matured and pinned down movies to the mat of popular culture. In spite of being similar, they are different as T.V. series go in much depth, have a lower production cost than movies and also have thought-provoking work which is intrinsically difficult to find in movies. They also provide a more satisfying emotional experience.

John Jurgensen’s article asks us an interesting question: how many TV series can our brains take? As television series expand to grandiose levels, it gets harder to follow what is happening: who people are, and what their place in the overall story is hard to follow for a large number of viewers. Jurgensen attempts to address this within his article, and it has some interesting points.

Brooklyn Nine-Nine is a successful comedy show with extremely high ratings in its genre winning numerous awards such as the Golden Globe Award for Best Television Series (Comedy) in 2014. Does the show live up to the hype that surrounds it? Are its ratings accurate? This essay will spotlight the show’s characters, discuss its negative aspects, and highlight the show’s drawing points to determine whether Brooklyn Nine-Nine is deserving of its praise and glory.

Family sitcoms have been the most popular and positively influenced television shows watched since the 1900s to today. Many of these shows have consisted of African American, Caucasian, and Hispanic families who all play a role that we as watchers look up to or perceive as the right way to run our household. Over time there has been an addition to biracial shows and family role changes throughout these sitcoms. For example, now observing single parent homes, homosexual guardians and even the changing of social interaction has both positively and negatively impacted real families who are watching.

The producers will develop a test and the audience will tell the producers whether it is something they want to see or they are not going to see. This can affect the next text to be produced in an attempt to conform to the audience demands. Looking at the development of different types of genres and the development of films within the same genre, it’s possible to look at similarities and differences and identify changes in society and audience ideologies and tastes.

The most important challenges for a new television network include advertising, settling on a target demographic, building a distribution system, and market the new brand. With the case of CW, dividing the responsibilities between the former WB and former UPN networks was also a major challenge, in addition to deciding which shows from each network would continue. Distribution is the primary concern, as it’s important for the network, especially a new one, to reach as much of the country as possible. Finding affiliate stations and distributors was crucial for the CW to start off successfully. Fortunately for them, they were able to secure many of the former UPN and WB stations and distributors and broadcast to 95% of the country,

The difference between the intended meaning of media texts and what the audience actually perceives can be shockingly different. Producers of media can do everything possible to force audiences to experience their work in the way they want them to, but in the end they still take away many different meanings even within the same audience. Stuart Hall outlines this in his encoding and decoding model. One of the most apparent examples of this is the television show South Park. The television show South Park is a media text with the producers’ preferred meaning of being decoded as joke or as being satire, but many audience members take an oppositional stance of taking it seriously. This is clear from the examples of controversy when South Park aired episodes focused on Scientology, red-headed people, and Islam. Through these examples it is demonstrated that the producers of media have less power compared to the audience in determining the meaning of media.

3. How does the critical/cultural perspective on mass communication view the media? How does it view the audience?

the films genre. The genre is a way for the audience to distinguish types of

Many movies or stories are fit into a specific category. For example, there is comedy,