The way Flannery O'Connor deals with the traditional social structure in the South in her fiction shows that it was of major concern to her and was the source of much of her power and humor. O’Connor’s conscious use of symbolism to depict Catholic doctrine in stories and novels set in the fiercely Protestant South of the 1940s and 1950s no doubt accounts in part for the critical attention paid her work(Olive). O'Connor's exposition of a southern society which values a good, moral person yet struggles