An Excerpt From The Epilogue To Halloween's Tale

I called a taxi and asked the driver to speed to the Buchanan’s residence, but the Valley of Ashes was crowded with mourners so my arrival was delayed. Staring out the window I spotted Mr. Wilson continuing to sob over his beloved wife, Myrtle’s sudden death. If only others could know Daisy’s hand in the grief or Tom’s in trying to cover it up. I began to notice how fragile New York had become with the Old Money types contorting its natural order. I wondered how many more people had to die or be lied to in order for Tom and Daisy to feel safe. With my frustration beginning to intensify I barely waited for the taxi to stop before exiting. I rushed straight passed all of of Tom’s glittering servants to get to the kitchen. What I saws next made my heart drop and left me

The truly shocking and terrible, blood-sucking-monster we once  knew have now changed into beautiful, perfect,and healthy human beings. This paper will discuss the change and the reason why  the change of idea many still accept and like the modern picture of vampires.In order to answer this, I will examine the differences between Bram Stoker's Dracula , the typical figure of horror before, and the soft light just before sunrise or after sunset's Edward Cullen, the obvious example of the 21st century vampire. From this, I will be able to decide out what changed in the features of the vampires we know today.Many would think about Edward Cullen as a "shockingly disrespectful behavior of the vampire old example" (Mole).

Nothing could have been more childish than her snubbed nose, freckled face or the purplish spot on her naked neck where a fairytale vampire had feasted, or the unconscious movement of her tongue exploring a touch of rosy rash around her swollen lips. (138-39)

“I saw them in Santa Barbara when they came back, and I thought I’d never seen a girl so mad about her husband. If he left the room for a minute she’d look around uneasily, and say: “Where’s Tom gone?” and wear the most abstracted expression until she saw him coming in the door. She used to sit on the sand with his head in her lap by the hour, rubbing her fingers over his eyes and looking at him with unfathomable delight. It was touching to see them together — it made you laugh in a hushed, fascinated way. That was in August. A week after I left Santa Barbara Tom ran into a wagon on the Ventura road one night, and ripped a front wheel off his car. The girl who was with him got into the papers, too, because her arm was broken

The characterisation of Tom from a strong, guarded lone-wolf figure to a suicidal wreck in need of love and reassurance from those around him is crucial in illuminating the central themes of the novel to the reader. In earlier chapters of the novel, Tom is portrayed as strong and independent, determined to achieve his goals himself. He lives by the

He was standing on the ledge and was frozen, not knowing what to do. He was thinking, thinking about falling. He stood there frightened. His mind was in a whirl, thinking about what he would lose if he fell; his wife, the family that he could have, his life, his friends, his wonderful job, he would lose all of it. Then he thought about falling. Would it be so bad? His adrenaline went up as he thought about this. Tom’s mind went off again thinking about leaving this world, the life he would leave. His mind pushed everything he loved away and just thought about falling, falling, falling. The wind in his face, the weird feeling in his stomach that he loved, and the anticipation of hitting the ground. He

Commentary: You have to eat to live. ”It is vital to life”. (Pg 10) Commentary: No matter how much siblings argue,’they are still connected through their mother’s body and blood”. (Pg 12) Nice to Eat You:Acts of Vampires Summary: Ghosts and vampires are more than their name (Pg 17) Commentary:Ghosts and vampires try to teach a lesson (Pg 17) Commentary: Let go of unresolved issues

Stoker creates a fearful and eerie mood for his readers to experience through his diction choice. The novel is centered around the Antichrist, or Dracula, so most of the descriptive language ties back to him. Mina begins by explaining that her awful dreams were all connected to “death”, “vampires”, “blood”, “pain”, and “trouble” (Stoker 304). These words specifically evoke a dark image and feeling of doom. In addition, the words that Stoker uses to describe Dracula help create chills for the reader. He is described as having a “waxen face”, “sharp white teeth”, “red eyes”, and “red lips” (Stoker 305). The red connects to the blood motif, which is what Dracula thrives off of. The

“I am hungry.” The Wolf cried, licking the last of the boy’s blood from his jowls. “I want to feed again.”

Wolf, Leonard. Blood Thirst : 100 Years Of Vampire Fiction. Oxford: Oxford University Press, 1999. eBook Collection (EBSCOhost). Web. 4 Dec.

With Halloween being right around the corner, children are preparing for ABC’s “Thirteen Nights of Halloween,” parents are picking up pumpkins to celebrate the Celtic holiday, and the urge for a good horror story is emerging. The monster, such as vampires or zombies, is taking the spotlight and it’s hard to ignore. From Dante’s Inferno to Mary Shelley’s Frankenstein, being frightened has not only been one of people’s favorite pastimes, but a way for us to explain the paranormal and unrevealed. In recent times however, there seems to be a shift from demonic creatures of the night to over sexualized human-like creatures who hide amongst us in the day. In this essay, I will show the gradual humanizing of the vampire and how it has morphed from a demonic creature damned by God into a creature with a big heart that is not much different from us.

The room was filled with a deep, deafening unbroken silence for many minutes after, nobody moved, or even dared to utter a single noise. We heard the crashing noise of many supports and other structures falling from their support and as I moved towards the entrance, trying to open the door, it wouldn’t move an inch, clearly having been blocked by a pillar of wood and stone.

Jenna felt her stomach begin to growl and she thought of the dinner her father had prepared for them before he’d left for work. Spaghetti and meatballs with cheesy garlic bread, her absolute favorite. The very thought of it was now making Jenna 's mouth water as she licked her lips in hunger. She silently wished that she would have eaten earlier with her father back when he had just finished cooking it. That was right before he had kissed her on the cheek, told her he loved her, and headed off to work the night shift as a paramedic at Saint Christopher 's Hospital. But, she was too excited about Halloween to eat just then, the anticipation of trick-or-treating being such a short time away filling her every thought with joy. She was a

Bram Stoker’s Dracula is a story of horror, suspense, and repulsion. The main antagonist, Count Dracula, is depicted as an evil, repulsive creature that ends and perverts life to keep himself alive and youthful. To most onlookers that may be the case, but most people fail to see one crucial element to this character. Dracula is a character that, though it may be long gone, was once human, and thus has many human emotions and motives still within him. Let us delve into these emotions of a historically based monster.

The generalization for vampires has been displayed in films and literature for hundreds of years. The stereotypical versions of vampires are that they have long fangs, sleep in coffins during the day, and suck the blood out of humans. Both novels contradict those stereotypes in different ways. To understand the diversity of the vampires described in both novels, one must examine the characteristics that the vampires display and the meaning and purpose behind them. David D. Gilmore’s book “Monsters” analyzes monsters and other mythical creatures. Gilmore describes why humanity invented the idea of