An Experimental Creation By Mary Shelley 's Frankenstein And Robert Heinlein 's The Moon Essay

Victor Frankenstein’s creation, the nameless creature in Mary Shelley’s novel, Frankenstein, displays countless characteristics of physical monstrosity; he is described as “ugly”, “demonical” and a “hideous… wretch” (Shelley 36). However, the creature expresses that his only desires are acceptance and love, but he is seen as a monster regardless of his true intentions. When the creature is abandoned by Frankenstein, he is forced to find acceptance on his own and eventually comes across a cottage in the woods. As an attempt to gain approval, he waits to approach the home until the only character home is a blind man, to whom he explains his desire for friendship. The creature says that he is afraid to become “an

Frankenstein is an early depiction of the creation of artificial intelligence, an idea with great significance today. While artificially intelligent beings such as golems exist in myth as the product of magic, scientific progress has the true potential to make such beings. In modern times, the subject is frequently discussed with regard to computers being programmed to think, in an imitation of the human brain. In Frankenstein, the medium used is recycled human body parts stitched together to create a new human-like entity. Whether or not this entity,

    Sometimes, in novels like Frankenstein, the motives of the author are unclear.  It is clear however, that one of the many themes Mary Shelley presents is the humanity of Victor Frankenstein's creation.  Although she presents evidence in both support and opposition to the creation's humanity, it is apparent that this being is indeed human.  His humanity is not only witnessed in his physical being, but in his intellectual and emotional thoughts as well.  His humanity is argued by the fact that being human does not mean coming from a specific genetic chain and having family to relate to, but to embrace many of the distinct traits that set humans apart from other animals in this

Besides, the creature was the kind of person that if someone taught him beautifully, he would pay back by admiring and loving this person. By this media, the creature learned to admire people's grace, beauty, and delicate complexions. The creature understood one language, which was French and quickly he could say some words like sister, brother, fire, milk, etc. This language was taught to him by a French family who he loved: "The French family was the school where the creature studied all the science that he knows and learned history as well." Also, the monster thought this family was the most kind and excellent in the world; but, the same family also taught and showed him how humans could be hurtful, when the family refused to become his friend. On the other hand, the knowledge and education that the creature received from the French family, was not enough to prevent his bad attitude in his personality that came within his creation. The creature was not a great person all the time; he was someone who could murder anyone at anytime, just because he was making revenge against Frankenstein. Besides, the creature was someone who felt alone in earth by the fact that he did not have friends and relationships; he was questioning why he had no father watching him when growing up or a mother taking care of him. "The creature thought his past life was a blemish where he did not distinguish anything."

In “The Reading Monster”, Patrick Brantlinger discusses three main points from Frankenstein. Brantlinger first points out that Frankenstein is filled with political meanings, and it can be interpreted in conflicting and persuasive ways. He also discusses that the story is about two different educations, or miseducations, which would be Victor Frankenstein’s and the creature’s. Frankenstein’s education mainly has to do with science, and Brantlinger claims that Frankenstein is an autodidact because he chose isolation. He also evaluates the way that Mary Shelley portrays science in her novel. Even though it is clear that the creature educated himself through reading books, Brantlinger suggests that it is hard for readers to accept the creatures literacy. The confusion over the creature’s identity is Brantlinger’s third main point. The creature, already stripped away from his education and

From beginning to end Frankenstein’s Monster is shown as a wicked creature from the people; however, he possesses many human characteristics. The monster was originally an idea of Frankenstein that will soon come to life. Created from many different parts, the monster was never given a chance to be seen as anything other than a science project. From the outside looking in,

The creature from Mary Shelley's novel "Frankenstein" displays many different human qualities. Some of these qualities include: the creature's ability to learn, his capability to feel pain, his desire to be accepted, and his need for affection and sympathy. The need for affection and sympathy is something which the creature is unable to attain. This unrequited desire to be accepted causes the creature to be the victim of the novel. The creature is never given affection by human society because of his physical deformities, Dr. Frankenstein's denial to create him a mate, and the creature's violent behaviour.

Some people live in a world that holds both beauty and ugliness, both joy and sorrow. This world defines the human character in which some have disagreements with each other or have a freedom of thoughts that makes them happy. This limitless world has granted people to be free and equal and gives the opportunity to learn from one another. However, some people try to get these benefits away from other individuals. For instance, some engage to take advantage of one another, approaches the kindness of each other, and feel jealousy of someone who has better things. Therefore, one can view in the novel called Frankenstein the existence of humanity. As, is perceived of the creature constructed by Victor Frankenstein. The creature is an invention by a maniacal scientist, who neglects the monster by its grotesque appearance. Referring to the Novel, Frankenstein is differently with his own creation; due to the fact that the monster is not a living human, but an invention. Humanity plays a significant role in the novel, but also in the universe.

Some people see Frankenstein and his creature as complete opposites, but they are not as different as they may seem. Victor and his creature have no mother figure in the novel. Victor’s mother was there for Victor in the beginning but “resigned cheerfully to death… she died calmly” (Shelley 53), whereas the creature was born without one. Therefore, throughout the novel, both Victor and the creature have to depend on their fathers for guidance. Frankenstein and the creature are both intelligent. Frankenstein gains his intelligence through his schooling and experience, while the creature gains intelligence through observations, experience, and “Paradise Lost, a volume of Plutarch’s Lives, and the Sorrows of Werter” (Shelley 155). These characters want to be accepted in the world. Frankenstein wants to be accepted in the

    Imagine an eight-foot-tall, misshapen human child. You might complain that this is contradictory - but do it anyway. Imagine some sort of humanoid being with the mind of a human child in an eight-foot body, green with a nail in its head if you want. This is what Frankenstein's creature is. Frankenstein's creature is mentally a child, and we see its evolution through traditional child development in the course of its narrative. But the creature is the only member of its species, and therefore its narrative can be taken to represent the history of an entire species - the creature's first experiences can be viewed as an amalgam of creation myths.

Throughout the novel Frankenstein written by Mary Shelley, the creature is subjected to countless acts of violence and rejection. For a monster to develop, one must have been formerly exploited either by an individual or their society. The creature is not only a physical product of science, but his atrocious behavior is also an explicit result of Victor’s actions toward him. The creature was not born a monster, but slowly morphed into one as he experiences violence and rejection from his society.

            The monster’s most convincingly human characteristic is of course his power of speech1and his ability to comprehend human language. This is also a notable part of Frankenstein. He is stimulated by the power of language and wants to learn it.

Mary Shelley's Frankenstein Mary Shelley is an author who wrote the novel of Frankenstein. Mary Shelley herself in her life, experienced many deaths of close friends and family. When she was first born her mother died, furthermore Mary had a baby, who died 12 days later and her husband Percy Shelly drowned. Maybe it was these experiences, which led Mary Shelley to write such a novel of great horror published in 1818. Frankenstein itself is called 'the modern Prometheus'.

“Here we find nature to be the circumstance which[…] judges like a god all men that come to her.” is one of the first statements by Ralph Waldo Emerson in his essay “Nature”, referring to nature’s role in romanticism. Nature, as well as science, are one of the main topics depicted in writings of the romantic period. Mary Shelley’s Frankenstein can be attached to these writings. Her novel implies many natural and scientific characteristics that approach throughout the novel and finally clash by Victor Frankenstein’s creation of the monster. The following essay states the importance of nature and science in Frankenstein and argues that Frankenstein’s monster is a personalization of the danger involved in connecting both nature and science.

When Victor Frankenstein listens to his monster’s story for the first time it is clear that the monster had no previous knowledge or experience with the world, and similar to a baby, had to learn through experience and adjust his actions