An Explanation Of 8 Notes Synth Sequence In Music

So, that’s how Spector gave many hits along with creating an original sound and recording style.

This creates a beautiful blending of the two parts together and shows that this song was written to showcase the vocals.

To record this album an EMI console, a 16-track tape machine, a Fairchild limiters, and an EMT plate reverb were used. There were also up to five or six tape machines doing various delays, reverb delays, ect. at one time. Alan remembers “on the mix having to

They connected their frequency generator to a small amplifier and linked the amplifier to a small electric power source. These are hooked up to a collimator that they made out of a large cardboard tube with a hole at the end, which narrows the sound waves to a smaller area.

0:00- The beginning of the song we hear a very slow tempo. There are a piano and digital effects. The beginning is marked by a piano solo that creates a very dramatic tone. The digital effects help build up the suspension before the singing begins. The piano accompanied by the digital affects gives the beginning of the song a polyphonic texture. The beginning of the song is important because it builds up the suspension and evokes the emotion that the person was feeling.

Even though the film is essentially a visual experience, the use of sound has become extremely important in modern film. The modern viewer hears a complicated soundtrack that is as meaningful as the image on the screen. Three elements comprise the film's soundtrack: the dialogue, the sound effects, and the musical score. The proper balance and mix of these elements produced the essential emphasis required, which created the desired effects. As explained by Joseph Boggs and Dennis Petrie,

Technology is a key part of the movie and its advances are shown through out the movie.

The sound in this early part of the scene is very direct -by the means

Once all the sounds were known it would be the time to “determine what objects are appropriate for each specific sound effect” Hibbard (2015) to match the ones in the video. This meant experimenting with the sounds items could produce. As this was for the sake of research and did not require professional equipment, it would be recorded with a phone to see if the recording matches the sound in reality. If the sound was approved it would be noted for later use, and if it was not another one would be found instead. After learning how to use the recording studio, items could be brought in and recorded with professional equipment to ensure that the sound has the best quality possible for this project. Other recording equipment was available for booking and could be used as well. Knowledge on how to use those was provided during the earlier lessons and further guides could be found online if needed. Finally, after all the sound effects, ambiences and vocals were created, they would be imported in Soundtrack Pro, “application that gives audio and video professionals the easiest and most flexible way to create, control and fix audio” Apple Inc. (2005), where they are then fixed if needed and synced to the

During my listening, the track opens up with a synthetic count off, which contained an effect that appeared to be somewhat odd, based off the tone of what sounds like George's voice, which was chopped and screwed,

Autotune was first invented in 1997 by Dr. Harold “Andy” Hildebrand. Dr. Hildebrand founded Antares Audio Technologies in 1990 after working as a research scientist for Exxon from 1976 until 1989, when he realized that the same technology he used to detect oil reserves in the sea floor could also be used to correct a singer’s unruly notes. After leaving Exxon, Hildebrand created a program called

and beats. The guitars and drums that were used, give the song a dramatic rock vibe. According

The music interacts with dialogue in the film; the techno beat is, at times, accompanied by vocals, which correspond with not only what is happening in the scene, but also the internal diegetic dialogue—another important motif.

Music has played a major role through out the entire film. It is used as a

In 1987, once again, two boys from Chicago, DJ Pierre and Marshall Jefferson, knew that something had to be done so they have decided to create a new sound by using Roland TB 303 bass synthesizer (the instrument that has appeared in the 1983 in disco via Alexander Robotnick). It was a sound which when emitted from the machine swirl it stabs across House music 4/4 beat and that was completely overpowering the listeners.