An Outline Of Greek Theatre

All the performers who would come up on stage were male professional actors, singers, and dancers and some people would help them to represent a vast variety of human and non-human characters by wonderful costumes and highly decorated face masks. The main actors and two other actors performed in all of the speaking parts. Sometimes, a fourth actor could be allowed to perform only if this actor was non-instrumental to the plot. These restrictions were to ensure the equality of the competition and to keep down the costs to the state, which funded the professional actors. The Chorus, costumes, musicians, and rehearsal time were funded by an appointed private citizen, a khorēgos, who was carrying great prestige.

Theatre became important to Greek cultures when it became a part of the festival honoring the god Dionysus (The god of wine and fertility).”( Greek Mythology in Theater by Bruce Tucker October 27, 2016) The theater festival was founded to bring unity among the Attican tribes.( Greek Mythology in Theater by Bruce Tucker October 27, 2016) Athens was the main center of these traditions. Everyone came to sing and dance in hope for a good harvest. At one point, a Greek named Thespis began to sing praises to the god, with others responding, which led to the actor and chorus. During the festival everyone would dance and sing in a circle, in the middle of which was the altar to Dionysus. Over time the festivals started giving thanks to other themes, and eventually had nothing to do with Dionysus or any god, but began to turn into classical Greek plays. (First Ancient History, Oxford University Press 2000 pg.166)

A chorus is a common element to Greek tragedy’s and in ancient theatre consisted of a group of people who provide a number of different contributions to a play, providing a historical perspective, acting as counsellors and advisors to the plays characters and at times representing various groups such as villagers or a jury. Within this essay, I will consider the main contributions of the chorus within “The Burial at Thebes”

Ancient Greek culture has influenced our modern culture in many ways from philosophy to medicine to government. We still use many of their concepts, technology, and even alphabet system. Without ancient Greece, our modern world would not have advanced as far. A significant contribution of the ancient Greek culture to the world today is the Greek theater, more specifically the structure of tragedy. Some contributions are the structure of tragedy in modern literature, rise of opera, and the creation of the theater.

‘skene’ there was a large double door for the actors to make their entrance. Actors could also enter through the ‘parados’ if they were acting as characters from foreign lands or who had just arrived (University Press Inc). There were three areas where the actors could act; the platform in front of the stage building, the orchestra and the roof of the stage building. The roof of the stage building was often

Roman theatre initially began in 240 BC when Greek theatre was discovered and translated to Latin, then being brought to Rome. The first drama was held at Ludi Romani, the Roman Festival or the Roman Games. This occurred just before Rome became an empire in 27BC. There were many types of these festivals during a year for all sorts of reasons according to history. Theatre was, and is a diverse art form. It ranged from festival performances, street theatre, and acrobatics to eloquent tragedies.

There are virtually no reliable sources of Thespis’s work and life, as all of the sources are from after Thespis was supposedly alive. It is believed that he was originally a poet, who was acknowledged as creating a new style of performance, where a single actor would recite speeches in character and interact with the chorus. This style became known as ‘tragedy’ or ‘tragoidia’, meaning ‘goat-song’, which is referring to the goats sacrificed to Dionysus and the goat-skins the actors wore. Thespis is also credited with replacing the dithyrambic makeup early actors wore with linen masks to portray characters. Competitions were held in City Dionysia in Athens to find the best tragedy in 534BC.

I think it’s because music brings more depth to any play. There’s something about music that harmonizes with every being as it amplifies feelings or emotions that mere words alone cannot. Music is infectious, be it celebratory or sentimental, it always has that strange way of connecting people together to share the actors’ passion and excitement, such as in Ragtime, when Colehouse and Sarah shared their hopes and dreams for their son’s future in a song called “Wheels of A Dream.”

Sofocle (Sophocles (496-406 BCE), while Aeschylus theater: trust in the values ​​of tradition remains, but they begin to appear in the various characters the courage of doubt. In the tragedies of Sophocles, there are a number of female figures equal to men's, female characters could be interpreted as the unconscious masculine desire to offer the woman, at least on stage, the role she had denied in social life. The tragedies propose the known moments of the myth with an active participation of the protagonist to the action itself.

Ancient Greek Theater is the first historical record of “drama,” which is the Greek term meaning “to do” or “to act.” Beginning in the 5th century BC, Greek Theater developed into an art that is still used today. During the golden age of the Athenians plays were created, plays that are considered among the greatest works of world drama. Today there are thousands of well-known plays and films based on the re-make of ancient drama.

Greek theatre and medieval drama were both very popular artistic events in their own periods of performance. However, from ancient Greece to the renaissance, time has set them apart in terms of methodology; their practitioners use a creative process based off of different mindsets. Therefore, the significant time lapse between the two genres has had an evident impact on the way theatre was perceived and presented. In comparing aspects such as religious motivations, conditions of violence and character development, the distinct theatrical natures of Greek theatre and medieval drama will be made apparent.

This new building type differed in striking ways from the traditional Greek theater. The latter consisted of two separate structures: a horseshoe-shaped seating area and a freestanding stage-building. The Roman theater, in contrast, was a fully enclosed edifice, unroofed but often covered with awnings on performance days. The seating area in the Greek theater was supported against a natural hillside, whereas the Roman theater was carried at least in part on concrete vaults, which provided access from the exterior of the building to the cavea. In the Hellenistic world, the stage-building was a relatively low structure, ornamented with painted panels but rarely with large-scale sculpture.

The chorus is an essential feature of Greek classical drama. Instances of various types of dance, singing, and speech are some elements of a Greek chorus. “Composed of similarly costumed men, they performed on the orchestra located beneath the stage. The chorus stayed in the orchestra for the duration of the performance from which vantage point they observed and commented on the action of the characters.” Oedipus is a play written by Sophocles, a respected playwright, and it is “generally assumed that the main function of the Sophoclean chorus is a philosophical one; that it serves above all as the spokesman for a certain view of life.” The chorus can be dramatic in the following ways: “through the personality of the group forming the chorus and the appropriateness of their relationship to the action and the characters, through the iambic lines spoken by the coryphaeus, through physical participation in the action and through the choral songs.” The chorus is an important component of the Greek Tragedy Oedipus. Aside from its responsibility to effectively represent the people of Thebes, the chorus in Oedipus has a powerful influence over audience perceptions and emotions.

In ancient Greek plays, the role of the chorus was to sing lyrical passages. The lyrical passages were set up

Madam shall we go to the theatre now so that we can get good seats?"