An Overview of Postmodernism Essay

Post modernity was the successor of modernity in the time line of social change. It celebrates diversity and focuses thoroughly on the importance of the unconscious and puts emphasis on the free. It is an anything goes theory, full of new age beliefs and decisions. There is no consensus regarding when exactly postmodernity started, what it actually is, or whether it even exists. The term 'postmodern' is irrational: modern means now, present, and up-to-date. Whereas postmodern means nothing but future.

Modernism was primarily concerned with principles such as identity, unity, authority, and certainty whereas postmodernism is often connected with difference, plurality, textuality, and skepticism. Postmodernism is a movement away from the perspective of modernism. Basically Modernism became 'whatever you could get away with.' Modernism attempts to construct a consistent world-view whereas postmodernism tries to remove the difference between high and low. Modernist thinking stresses that mankind advances by using science and reason while postmodernist thinking believes that progress is the only way to validate the European domination on culture. Modernist beliefs are in learning from past experiences and trusts the texts that relate the past. On the other hand postmodernist thinking defies any truth in the text narrating the past and renders it of no use in the present times. Modernist historians have a faith in depth. They believe in going deep into a subject to fully analyze it. This is not the case with postmodernist thinkers. They believe in going by the superficial appearances, they believe in playing on surfaces and show no concern towards the depth of subjects. Modernism considers the original works as authentic while postmodernist thinkers base their views on hyper-reality; they get highly influenced by things propagated through

The term postmodernism has been defined in different ways over the past years but it still hasn’t had its official definition. Postmodernism is a daunting subject because of the disagreements between people of how they interrupt texts and art. Postmodernism is a critic of what we assume to be real or a fantasy of what we want to be real. Postmodernism raises an importance of identity. Postmodernism is a style and concept of the arts, architecture and the criticism that shows a break from modernism. Postmodernism highlights ideas and theories. It can include different artistic styles in art. For example, an artist can mix pop art with an icon image such as Marilyn Monroe, or make recycled garbage into new art. Watchmen

Postmodernism or postculturalism, a term often also used, offer a very different and much more radical version of constructivism. They are strongly opposed to the universalist premises of realism, liberalism, Marxism and post-Marxism, and are highly critical of the general phenomenon of the aforementioned modernity (Lawson, p. 145).

Postmodernism is a term which is highly contested in the sociological world, where it is used to indicate a significant detachment from modernism. It is easier to give the uses of the term; ‘to give a name to the present historical period, to name a specific style in arts and architecture and to name a point of rupture or disjuncture in epistemology’ (Buchanan, 2010). For this,

…..is a postmodern text as it emphasises the form rather than the content. It demonstrates a belief that language does not simply mirror the world, but aids us in reconstruction. Postmodernism is sceptical about the universal truth as well as the language that claims to be authoritative and objective. The stylistic technique of a metafiction and intertextuality and reinforce readers that they are not reading a universal truth of perspective or experience, but a variety of texts

Marshall Berman’s take on modernity is presented in his book All That Is Solid Melts into Air whereby he focuses on its issues and the cultural attitudes and philosophies towards the modern condition. In doing so he shares his experiences of modernity post WWII in New York in the height of an economic boom and then more specifically of his childhood neighbourhood, the Bronx. In addition to expanded austerity, industrial and architectural development, the end of WWII proved to be a key period in world history and by extension the history of art. A talented group of artists emerged in result that had been influenced by an influx of established European artist who had fled to New York to escape fascist regimes in their homelands. More importantly these artists produced art that was at the heart of maelstrom Berman describes in regards to his experience of modernity. I aim to highlight the correlation between Berman’s experience of modernity and the emergence of a new American modernism. Modernity throughout this period was broken into two different compartments, hermetically sealed off from one another: "modernisation" in economics and politics, "modernism" in art, culture and sensibility. It’s through the lens of this dualism in which we recognise that both Berman and these artists try to make sense of the world around them by making their individual expressions that would re-conceptualise what it is to be modern in the twentieth century.

To fully appreciate the differences and similarities between Postmodernism and Modernism, it is required to understand exactly what they are. Modernism is the term we give to the accumulated creations and activities of designers in the early 20th century, who had the theory that traditional forms of literature, religion, social organization, and most of all, art and architecture, had become outdated in the new social, political, and economic environment of a fully industrialised world. One of the main characteristics of Modernism is self-consciousness, which typically caused exstensive experimentations of form and function. The creative process of generating work was also explored, forming new techniques in design. Modernism rejected all ideology of realism and prefers to reference and parody works of the past. Postmodernism, on the other hand, is a radical rejection of Modernist design. Taking place in the late 20th century, it is a movement in art, criticism, and architecture that disputes the majority of modernist tendencies. The Postmodernist analysis of society and culture lead to the expansion of critical theory and advanced the works of architecture, literature, and design. This entire re-evaluation of the western value system of popular culture, love, marriage, economy, that took place from the 1950s and 60s, leading to the peak of the Social Revolution in 1968, is commonly referred as Postmodernity which influenced postmodern thought, as opposed to the term

The author of this article is a man named Luke Smythe. He has a degree in philosophy and art history from John Hopkins University. I found the article on the UNT library website so i belive it to be safe and trustworthy. the purpose of this article is to show what happened after post modernism had ended and what had happened that led to that moment. It shows how Post modernism started and how it differed from Modernism. Smythe is writing for the John Hopkins University press so it is for teachers and and other students to read and learn. The author has the feeling that although Post Modernism came from Modernism it is not he the same. he uses artists like Pollock to help his points. He tells the story of postmodenrism starting from the end

Postmodernism is a universal movement, present in every art and discipline. In architecture, postmodernism is precise as well as ambiguous thereby in need of an explorative pursuit for a consensus of what is meant by the movement in this perspective - between the works of Charles Jencks, a primary theorist of this architectural turn; Heinrich Klotz, a leading architectural critic; and William Curtis, an architectural historian. The progression of this paper is highly influenced with Jencks’ studies as his works are often times referenced as well by both Klotz and Curtis in their individual interpretations and further accompanied with either supporting statements or contradictions.

Postmodern philosophers believe that the world cannot be understood objectively nor there is an absolute truth. Moreover, they think that everyone perceives the world in his own way, there is no common grand between people in understanding the world or perceiving it. While Modern philosophers think the opposite: “We are able to comprehend reality because categories exist within our minds that actively generate perception. These categories, Kant assumed, are universally the same in all people.” (postmodernpreaching.net).

The main features of a postmodernist are that he or she is overly subjective, sensitive towards the role of ideology in assertion and maintenance of political and economic power. On the other hand, a modernist for example, there exists objective natural reality which is independent of human beings, their practices and relationships (Duignan, 2014). Such realities

It is worth noting, before forming an assessment based on a controversial topic such as postmodernism, sources must be treated with great care. Postmodernism has threatened, to some, on a personal level in various ways and thus motives have not always been ostensible. Added to this is that various historians have differing interpretations of postmodernism and thus can be contradictory. As a result of this, sources must be used in conjunction with a great number of other sources to establish accuracies.

Postmodernism refers to a broad term used to explain movements in philosophy, art, music and critical theory. Postmodernism is viewed as a reaction to the pioneering modernist movement. In literature and art, postmodernism responds against classical ideas. With respect to post-structuralism and structuralism, there is a great difference between postmodernism

of art as a finished product, signed by the artist and authenticated by the art market,