Analyse the Character of Lady Macbeth of Shakespearian Play ‘Macbeth’.

In the play Macbeth, Lady Macbeth persuades her husband into performing certain actions against his better judgement which ultimately causes Macbeth’s downfall. Without Lady Macbeth’s persuasion and planning, the murder would have never taken place. She is the backbone of the whole play and is Macbeth’s evil partner. Lady Macbeth becomes Macbeth’s partner in crime and gives evil advice to her husband. Lady Macbeth forces her husband with determination to make wrong conclusions. William Shakespeare challenges the role that women play in society by serving up a terrifying lead female character in Lady Macbeth to warn his contemporary society about the dangers of letting women hold political power.

Macbeth, written by william shakespeare displays a diverse range of themes and topics throughout the play. These themes are represented through a wide range of characters throughout the dramatic text. One that is strongly underlined throughout the whole play is the theme of the connection between ambition and manipulation and one of the main characters; Lady Macbeth. Throughout the sequences of the play, lady macbeth is depicted as a head-strong ambitious woman who challenges her husband's masculinity in order for him to commit actions in order to gain power.

One thing is certain, and it is that Macbeth will never be forgotten by any assembled here or by the Scottish nation as a whole. His courageous deeds as a hero of the nation’s military shone with brilliance and glory, never to dull with the passage of time, and none could honestly say that his time as national monarch was a bland or typical reign. Although famed for his skills as both a warrior and a host, his personality ran much deeper; his deep thought and loyal devotion to his wife did not always result in prosperity or universal delight, but he nevertheless made much philosophical contemplation and was capable of recognising his own failings. God gave Scotland a king unlike any other, of a standard never to be seen again, and may he rest eternally in a peace he forsook in his earthly life. While we mourn Macbeth’s passing, we should take due time to consider his life and the actions and characteristics that typified it. Everyone, from fellow nobles to peasants eking a living from distant land, could surely learn valuable

account thy love. Art thou afeard To be the same in thine own act and

Karin Thomson from the Shakespeare Institute in the University of Birmingham states very well in her analysis of Shakespeare’s Macbeth that Lady Macbeth is not so much a criminal as she is a “victim of a pathological mental dissociation upon an unstable daydreaming basis”. Thomson continues to mention that this is “due to the emotional shocks of her past experiences”, which of course is the loss of her child. Lady Macbeth’s mentally unstable state ultimately ends with with a tragic conclusion, death.

     Lady Macbeth progresses throughout the play from a seemingly savage and heartless creature to a very delicate and fragile woman. In the beginning of the play, she is very ambitious and hungry for power. She pushes Macbeth to kill Duncan in order to fulfill the witches’ prophecy. In Act I, Scene 6, she asks the gods to make her emotionally strong like a man in order to help her husband go through with the murder plot. She says, “Come, you spirits That tend on mortal thoughts, unsex me here, And fill me, from the crown to the toe, top-full Of direst cruelty!” Also, she does everything in her power to convince Macbeth that he would be wrong not to kill Duncan. In Act I,

In perhaps the most pivotal scene in William Shakespeare’s Macbeth, Lady Macbeth’s motives are truly revealed in her manipulation of Macbeth to show how humans have a desire for power and once they get a taste of it, they will go through any lengths to have it, no matter the effect on others. Her lust for power is showcased through how she persuades Macbeth by insulting his masculinity and using emotive language to counter his logical reasoning. This section of the play illustrates the tipping point of each character’s morality with Macbeth having second thoughts about the planned murder and Lady Macbeth diving straight in.

Lady Macbeth can be said to be one of Shakespeare's most famous and frightening female characters. She fulfills her role among the nobility and is well respected, like Macbeth. She is loving, yet very determined that her husband will be king. At the beginning of the play, when she is first seen, she is already plotting the murder of Duncan, showing more strength, ruthlessness, and ambition than Macbeth. She lusts after power and position and then pressures her husband into killing Duncan. Upon receiving the letter with the witches' prophecies from her husband, she begins to think and knowing that Macbeth lacks the courage for something like this, she calls upon the forces of evil to help her do what must be

Throughout the play "Macbeth", by William Shakespeare, Lady Macbeth's character drastically changes from being sinister to feeble. Lady Macbeth was an evil, manipulative person whose greed and selfishness were eventually the downfall of her character and well being. During the beginning of "Macbeth", she used her twisted mind to convince her husband to murder, making him believe that it was the only way he could get what he wanted. But as the play developed and the murders started to increase, Lady Macbeth started to question whether or not they were necessary. Sadly, though possibly justifiably, she ended up committing suicide after her constant questioning of the murders drove her to insanity. Lady Macbeth was an unemotional person who only cared about what she could gain. She made her disconcern about other people well known when she said, "How tender 'tis to love the babe that milks me I would, while it was smiling in my face Have plucked my nipple from his boneless gums And dashed the brains out, had I so sworn as you Have done to this." (Act I, Scene VII, Lines 55-60). Lady Macbeth refers that she would have no problem taking the life of her son, if it meant getting what she wanted. The fact that she would even fathom the idea of killing her own child makes her morose and appalling. If only she knew that it would be her who would be taken out of this world so cruelly. Being able to manipulate her husband's mind and the minds of others was another one of Lady Macbeth's baneful traits. After Macbeth killed King Duncan, still reeling from the crime he had committed, he met up with his wife. Once again, she used her manipulative ways to make him think that she felt just as bad as he did. She said, "My hands are of your color, but I shame To wear a heart so white." (Act II, Scene II, Lines 63-64). Lady Macbeth appeared to her husband as if she felt just as guilty about the act of violence as he did, knowing that in reality she didn't care at all. Telling Macbeth that her hands were as bloody as his own was to try to give him comfort that he was not alone in his schemes. But Lady Macbeth had other ideas in mind. She couldn't care less about her husband's thoughts or worries. All she could think about was

Manipulation, greed, narcissism, desire, impulsivity, paranoia, lack of empathy. These are the words often used to describe a sociopath. Sociopaths use these traits to fulfill desires and gain power. They do not retain or possess empathy for anything, and although it may seem like they care, the relationship is superficial and often toxic. In Macbeth, the relationship between Lady Macbeth and her husband is not only damaging but is also toxic to those around them. While Macbeth may exhibit sociopathic tendencies, the true sociopath is Lady Macbeth. In Shakespeare’s Macbeth, Lady Macbeth shows how her sociopathic behavior shaped the story through her use of manipulation used to coerce Macbeth, the impulsivity of these actions, and the paranoia that follows them.

She never questions the necessity of Macbeth becoming king and never pays attention to Macbeth's thoughts and opinion, just as mother would never care about her son's opinion about the 'stupid' homework. Macbeth's decision to "proceed no further in this business" (I.vii) was not even considered as a possible outcome by her. Lady Macbeth uses all the methods she can to convince her husband to murder Duncan. She uses Macbeth's love to her as an instrument saying that if he will not kill the king he really doesn't love her. She asks him if he is a man, tells him that he will be "so much more a man" after murdering Duncan. She gives Macbeth an example of how resolute and cruel he should be telling him that she--woman who is supposed to be kind and compassionate--would be able to kill her own child:

Some actresses see Lady Macbeth as sympathetic to her husband like Sarah Siddons and Kate Fleetwood, feeling sympathy for Macbeth is a decision both actresses made for Lady Macbeth to be relatable and more human, Siddons who portrayed her in the mid-1800s said that she approached her as, “keen to present the character in as attractive a light as possible, so sexually appealing – fair feminine, nay perhaps even fragile” (Sarah Siddons qtd. In Robert Miola, 94). Siddons saw the character of Macbeth as honorable and to have him as a husband only proves Lady Macbeth is very taken with him, having put all of her efforts into seducing such an honorable man. Kate Fleetwood’s own interpretation of Lady Macbeth was very domestic, the societal hostess. In an interview in 2011, Fleetwood who was directed by her husband Rupert Goold in the 2007 version of the play said that, “When Rupert suggested to me about the domestic side of her, that started to ring really big bells for me” (Fleetwood qtd. In Miola, 135). The argument about how Lady Macbeth truly loves her husband and tried to summons the spirits is because she knows that Macbeth is very ambitious, and she needs all the strength she can have to convince him to act out the three witches’ prophecy. This arguement and its solution is very valid, Lady Macbeth only acting out for the benefit of her husband, she wants her husband to be the king of Scotland but it does not mean she wants to queen herself. In an interview, Fleetwood also

When Shakespeare first presents Lady Macbeth in the play, we believe that she was an ambitious woman who was driven to get power at all costs. We are irresolute however as to whether she is part of a chain of events in the evilness going around the source. The first words we from her mouth are her husband’s word, which he wrote on his letter, showing us that she was the agent of his thoughts. Women in that period of time, were running a household, producing heirs for their husband and taking care of them, this is not the case for Lady Macbeth as she involves herself in social affairs. Her drive for power is what makes them so successful in their deceitful plans. The play shows us that there is a unique chemistry between two individuals which rare in that period as marriage was usually arranged. She is essentially what keeps the force going as she guides Macbeth and teaches is him how to be manipulative. Even though the crime that they had committed was treason she was simply past the point of caring as she believed she had nothing to lose as she was childless and she had no emotional fulfilment as a woman. She is superfluous and nothing less than reigning alongside Macbeth can feel this hole.

Macbeth’s major dilemma in putting what is actually there and what is imagined perceptive is proven above to have brought Macbeth to his corruption, his inhumanity, and at last to his downfall. Because he does not know what is real, he thinks he was pulled to kill King Duncan and so he did; he thinks that Banquo is there to haunt him, and so he starts slipping up and his false face starts to show what his heart knows; he

Immediately, after reading Macbeth’s letter, Lady Macbeth’s malevolence urges her to plot the murder for the king. She decides to encourage Macbeth and calls for evil spirits to aid her brutal plans, “Come, you spirits… you murd’ring ministers… You wait on nature’s mischief. Come, thick night”. Her talk about defeminising herself and making her the superior amongst the couple, “That tend on mortal thoughts, unsex me here”, suggests Macbeth is weak and powerless in her presence. She implicates her husband of not being physically impotent but soft hearted and sentimental. She confronts him of this and warns him of his manliness and cowardice. She uses these various, manipulative strategies (challenging his manhood, being more aggressive, and defeminising